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Shawabty of Queen Piankhqew
Nubian
Napatan Period, reign of Siaspiqa
487–468 B.C.
Findspot: Nubia (Sudan), Nuri, Pyramid 29
Medium/Technique
Faience
Dimensions
Largest fragment: Overall: 5.4 x 5.2 cm (2 1/8 x 2 1/16 in.)
Credit Line
Harvard University—Boston Museum of Fine Arts Expedition
Accession Number21.15802
NOT ON VIEW
CollectionsAncient Egypt, Nubia and the Near East
ClassificationsTomb equipment – Shawabties and shawabty boxes
DescriptionThis is a box of fragments of a shawabty of Queen Piankhqew-qa. When complete this type consists of the following: The female figure wears a tripartite wig. The arms are not crossed, the hands are held right above left. In each hand the figure holds a hoe. This mummiform shape does not have a back pillar or base. The box consists of three head, two torso and sixteen leg and feet fragments. "XXIX" is written in black ink on the bottoms of the feet.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
ProvenanceFrom Nubia (Sudan), Nuri, Pyramid 29 (tomb of Queen Piankhqew). 1918: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of the Sudan.