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Shawabty of unidentified queen
Nubian
Napatan Period, reign of Anlamani
623–593 B.C. (?)
Findspot: Nubia (Sudan), Nuri, Pyramid 21, chapel enclosure debris
Medium/Technique
Faience
Dimensions
Overall: 4 cm (1 9/16 in.)
Credit Line
Harvard University—Boston Museum of Fine Arts Expedition
Accession Number21.14463
NOT ON VIEW
CollectionsAncient Egypt, Nubia and the Near East
ClassificationsTomb equipment – Shawabties and shawabty boxes
DescriptionThis is a hands and torso fragment of a shawabty of an unidentified queen. When complete, this type consists of a foreman shawabty figure wearing a tripartite wig painted black but has no kilt or beard. He holds a whip in both hands. The shawabty is uninscribed. This figure is very worn.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
ProvenanceFrom Nubia (Sudan), Nuri, Pyramid 21 (tomb of unidentified queen), in the debris of the enclosure around the chapel. 1917: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of the Sudan.