Shawabty of unidentified queen
Napatan Period, reign of Anlamani
623–593 B.C. (?)
Findspot: Nubia (Sudan), Nuri, Pyramid 21, Room A
Overall: 7.5 cm (2 15/16 in.)
Medium or Technique
Not On View
This is a shawabty belonging to an unidentified queen. The object was broken in two pieces and is not mended. The male figure wears a tripartite wig and has a long beard. The hands are opposed and the arms are not crossed. The left hand holds a hoe and the right hand holds an unknown, three-dimensional, ridged, rectangular object by the handle and rests it on the right shoulder. The shawabty is uninscribed. The feet is missing and there are worn, faint traces of black paint on the wig.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a “Shawabty Spell,” of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan), Nuri, Pyramid 21 (tomb of unidentified queen), Room A. 1917: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of the Sudan.
Harvard University—Boston Museum of Fine Arts Expedition