Suruga-chô, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
Sakai, Hiroshige Edo fûkei (1996), list #12.61, pls. 242, 243; Smith & Poster, 100 Views (1986), #8; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 250, vertical ôban #62.60
Vertical ôban; 33.5 x 21.8 cm (13 3/16 x 8 9/16 in.)
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper
Not On View
No. 008 (spring section) on the title page for the series.
MFA impressions: 11.16694, 21.10406
Censor's seals: (aratame, Dragon 9; cut off of this impression)
No blockcutter's mark
 Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
William Sturgis Bigelow Collection