Wi Brigade, Sixth Group, Ushigome: Actor Iwai Hanshirô VI as the Courtesan (Keisei) Miyagino, from the series Flowers of Edo and Views of Famous Places (Edo no hana meishô-e)
「江戸の花名勝会 ゐ 六番組」 「牛込」 「傾城宮城野 岩井半四郎」（六代目）
1863 (Bunkyû 3), 12th month
Artist Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864), Other artist Utagawa Hiroshige II (Shigenobu) (Japanese, 1826–1869), Other artist Utagawa Kunisada II (Kunimasa III, Toyokuni IV) (Japanese, 1823–1880), Publisher Katôya Iwazô (Seibei) (Japanese), Blockcutter Katada Chôjirô (Hori Chô) (Japanese)
Vertical ôban; 36.3 x 24.9 cm (14 5/16 x 9 13/16 in.)
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper
Not On View
MFA impressions: 11.21820, 11.45160
The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.
Toyokuni ga, in toshidama cartouche (bottom left); Hiroshige ga (bottom right); Kunisada ga, in toshidama cartouche (top)
Censor's seal: Boar 12 aratame
Blockcutter's mark: Katada Hori Chô
 Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
William Sturgis Bigelow Collection