Henry James credited Sargent with a "knock-down insolence of talent" and few of his works demonstrate those skills as much as The Daughters of Edward Darley Boit, which stands alongside Madame X and Lady Agnew of Lochnaw as one of Sargent's greatest images. The Painting, depicting four young sisters in the family apartment (unveiled at the Paris Salon of 1883, it predated by just one year the scandal of Madame X), both explores and defies convention, crossing the boundaries between portrait and genre scene, formal composition and casual snapshot. Using numerous unpublished archival documents, scholar Erica E. Hirshler explores this iconic canvas from a variety of angle, discussing its innovative significance as a work of art, the people involved in its making and what became of them, its importance to Sargent's career, its place in the tradition of artistic patronage, and its changing meanings and lasting popularity. Sargent's Daughters is an evocative, multifaceted book that will transform the way you look at Sargent's work, simultaneously illuminating a much beloved painting and reaffirming its mystery.
John Singer Sargent’s renowned portrait The Daughters of Edward Darley Boit is examined in an aesthetic, philosophical, and personal tour de force.