183.51 x 229.55 cm (72 1/4 x 90 3/8 l
Oil on canvas

Inscriptions: Center left, inside stern of boat: J S Copley P. 1778-

Classification: Paintings

On view in the: Studio Craft/Lee Gallery (1W02)

John Singleton Copley departed from Boston in 1774 and traveled to Europe, where he spent a year studying Renaissance and Baroque paintings and classical sculpture. After settling in London in 1775, he continued to paint portraits but he also attempted more complex compositions. Watson and the Shark was the first large-scale history painting he executed. The dramatic composition depicts the attack of a shark on fourteen-year-old cabin boy Brook Watson in the waters of Havana Harbor in 1749. The heroic rescue was ultimately successful, but only after the youth lost the lower part of his right leg; Watson went on to become a prosperous merchant and hold numerous important political posts in London. Copley's choice of subject was innovative, for tradition held that history painting was limited to themes from the Bible or mythology. Even when artists selected subjects outside the bounds of religious or classical narrative, they typically celebrated events of national rather than personal significance, such as military victories.
Copley's boldness paid off, and Watson and the Shark established his reputation in England. His dramatic rendering of the climax of Watson's story-the sailor thrusting a boat hook at the shark lunging with jaws agape at the helpless, terrified boy in the water while other sailors struggle to reach him-appealed to the English public. That Copley drew on Old Master paintings by Raphael and Rubens for his composition likewise found favor with his contemporaries. He was elected to full membership in the Royal Academy in 1779. The popular painting was made into a print for wider distribution to the public in 1779 and, proud of his accomplishments, Copley himself made a second full-scale version that he kept in his studio for the rest of his life. That version is the Museum of Fine Arts' picture.

This text was adapted from Davis, et al., MFA Highlights: American Painting (Boston, 2003) available at www.mfashop.com/mfa-publications.html.

Museum of Fine Arts, Boston

Gift of Mrs. George von Lengerke Meyer, 1889
Accession number: 89.481

Provenance/Ownership History: The artist; to Lord Lyndhurst, the artist's son, London; to Charles Hook Appleton, Boston; to Mrs. George von Lengerke Meyer, his daughter, 1882; to MFA, 1889, gift of Mrs. George von Lengerke.

This object is included in the following Selected Tour(s):

• American Paintings
• American Paintings Highlights
• Director's Choice Audio Tour
• MFA Images: MFA Icons
• MFA Images: Sea Life
• Draft: 100 Works for World Children
• MFA Images: Mobile
• Colonial New England, 1730–1790