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  • Self Portrait with Curly Hair and White Collar: Bust

    about 1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Wilhelm Koller (died 1871, Vienna, Lugt 2632); probably included in his sale, Vienna, Posonyi, 5 February 1872 (and following days); Rev. J. Burleigh James (Knowbury Park, Shropshire, England, Lugt 1425); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 001; Hind 33 ii

    Dimensions

    Sheet: 5.8 x 5 cm (2 5/16 x 1 15/16 in.)

    Accession Number

    P375

    Medium or Technique

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  • Self Portrait Wearing a Soft Cap: Full Face, Head Only

    about 1634
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Dr. William Norton Bullard (1853-1931, Boston); by whom given to MFA April 1923.

    Credit Line

    Gift of William Norton Bullard

    Details

    Catalogue Raisonné

    Bartsch 002; Hind 57

    Dimensions

    Sheet (trimmed to platemark): 5.1 x 4.4 cm (2 x 1 3/4 in.)

    Accession Number

    23.1008

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  • Self Portrait in Cap and Dark Cloak: Bust

    Rembrandt in Cap and Dark Coat

    before 1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Probably reworked by van Vliet

    Provenance

    Fürst Karl Paar (1772-1819, Vienna, Lugt 2009); inherited by his son; probably sold on the eighth or ninth day of his sale, London, Sotheby's, 13 July 1854 (and 13 days following); Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, lot 720, on 8 May; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 006; Hind 66 iii

    Dimensions

    Platemark: 6.7 x 6 cm (2 5/8 x 2 3/8 in.) Sheet: 7.1 x 6.5 cm ( 2 13/16 x 2 6/16 in.)

    Accession Number

    P378

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  • Self Portrait in a Soft Hat and Embroidered Cloak

    1631
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 007; Hind 54 ix

    Dimensions

    Platemark: 14.8 x 13.2 cm (5 13/16 x 5 3/16 in.) Sheet: 15 x 13.2 cm ( 5 7/8 x 5 3/16 in.)

    Accession Number

    P379

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  • Self Portrait with Long Bushy Hair: Head Only

    about 1631
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, lot 722, on 8 May; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 008; Hind 55 v

    Dimensions

    Platemark: 6.4 x 6.1 cm (2 1/2 x 2 3/8 in.) Sheet: 6.4 x 6.1 cm ( 2 1/2 x 2 3/8 in.)

    Accession Number

    P380

    Medium or Technique

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  • Self Portrait, Frowning: Bust

    Self-Portrait Looking over Shoulder

    1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, lot 723, on 8 May; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 010; Hind 30 ii

    Dimensions

    Sheet: 6.9 x 5.8 cm (2 11/16 x 2 5/16 in.)

    Accession Number

    P381

    Medium or Technique

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  • Self Portrait, Frowning: Bust

    1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November, 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 010; Hind 30 iii

    Dimensions

    Sheet: 6.8 x 5.7 cm (2 11/16 x 2 1/4 in.)

    Accession Number

    P382

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  • Self Portrait in Fur Cap and Robe

    Rembrandt with Fur Cap and Coat

    before 1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Cambridge University Library (inventory number AD12.38-211, Lugt 2475); transferred to the Fitzwilliam Museum, 1876; probably sold with their duplicates, London, Sotheby's, 2 April 1878 (and following days); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 014; Hind 62 ii

    Dimensions

    Platemark: 6.3 x 5.7 cm (2 1/2 x 2 1/4 in.) Sheet: 6.7 x 6.1 cm ( 2 5/8 x 2 3/8 in.)

    Accession Number

    P384

    Medium or Technique

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  • Self Portrait in a Cloak with a Falling Collar: Bust

    Rembrandt with Fur Cape

    1631
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Pierre Mariette, dated 1664 (1634-1716, Paris, Lugt 1788); possibly Jacques Aved (active 18th century; Paris, cf. Lugt 2173); Pierre Remy, dated 1749 (died after 1787, Paris, Lugt 2173); possibly Thomas Major (1720-1799, London, cf. Lugt 2173); Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, lot 728, on 8 May; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 015; Hind 63 iii

    Dimensions

    Sheet: 6.1 x 5.3 cm (2 3/8 x 2 1/16 in.)

    Accession Number

    P385

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  • Self Portrait in a Heavy Fur Cap: Bust

    1631
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 016; Hind 56

    Dimensions

    Sheet: 6.2 x 5.5 cm (2 7/16 x 2 3/16 in.)

    Accession Number

    P18757

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  • Self Portrait in a Cap and Scarf with the Face Dark: Bust

    1633
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 017; Hind 108 ii

    Dimensions

    Sheet: 13.6 x 11 cm (5 3/8 x 4 5/16 in.)

    Accession Number

    P388

    Medium or Technique

    Etching, counterproof

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  • Self Portrait in a Cap and Scarf with the Face Dark: Bust

    1633
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 017; Hind 108 iii

    Dimensions

    Sheet: 13.1 x 10.2 cm (5 3/16 x 4 in.)

    Accession Number

    P387

    Medium or Technique

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  • Self Portrait with Raised Sabre

    1634
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 018; Hind 109 iii

    Dimensions

    Platemark: 12.5 x 10.2 cm (4 15/16 x 4 in.) Sheet: 13.9 x 11.6 cm ( 5 1/2 x 4 9/16 in.)

    Accession Number

    P389

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  • Self-Portrait with Saskia

    1636
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Markings

    Recto lower left in black ink-- mark of Edward Vernon Utterson (Lugt 909) Verso lower left in red ink-- mark of Henry F. Sewall (Lugt 1309)

    Provenance

    Edward Vernon Utterson (1775 or 1776-1856, London, Lugt 909); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 019 i; Hind 144 i

    Dimensions

    Platemark: 10.4 x 9.3 cm (4 1/8 x 3 11/16 in.) Sheet: 10.6 x 9.5 cm (4 3/16 x 3 3/4 in.)

    Accession Number

    P390

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  • Self Portrait in a Velvet Cap with Plume

    1638
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 020; Hind 156 ii

    Dimensions

    Platemark: 13.5 x 10.5 cm (5 5/16 x 4 1/8 in.) Sheet: 14.1 x 11 cm ( 5 9/16 x 4 5/16 in.)

    Accession Number

    P391

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  • Self-Portrait Leaning on a Stone Sill

    1639
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    James Reiss (1812-1899, Manchester and London, Lugt 1522); his sale, London, Christie's, 6-10 May 1901; Bertram B. Parker; acquired by MFA as partial purchase and partial gift through Robert M. Light (Santa Barbara, CA), February 1982.

    Credit Line

    Anonymous gift and Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 021 ii; Hind 168

    Dimensions

    Platemark: 20.5 x 16.3 cm (8 1/16 x 6 7/16 ) Sheet: 22.4 x 18 cm (8 13/16 x 7 1/16 in.)

    Accession Number

    1982.181

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  • Self-Portrait Leaning on a Stone Sill

    1639
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Wilhelm Koller (died 1871, Vienna, Lugt 2632); probably included in his sale, Vienna, Posonyi, 5 February 1872 (and following days); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 021; Hind 168 ii

    Dimensions

    Sheet: 20.6 x 16.3 cm (8 1/8 x 6 7/16 in.)

    Accession Number

    P393

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  • Self Portrait Drawing at a Window

    Rembrandt Drawing at a Window

    1648
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Beckford (collection dispersed shortly after 1840, London, cf. Lugt 2373 , 2617); possibly Joseph Maberly (1783-1860, London and Cuckfield, Sussex, Lugt 1845); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 022; Hind 229 ix

    Dimensions

    Platemark: 15.4 x 12.9 cm (6 1/16 x 5 1/16 in.) Sheet: 15.5 x 13 cm (6 1/8 x 5 1/8 in.)

    Accession Number

    P396

    Medium or Technique

    Etching, drypoint and engraving

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  • Self-Portrait Drawing at a Window

    1648
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Unidentified collector A.C. [?]. By 1888, Henry F. Sewall (b. 1816 - d. 1896; Lugt 1309), New York; 1897, sold by Sewall to the MFA [see note 1]. (Accession Date: October 21, 1897) NOTES: [1] Henry F. Sewall offered his collection to the MFA for purchase in 1888. That purchase was finalized and executed in 1897, one year after his death.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 022; Hind 229 viii

    Dimensions

    Platemark: 15.2 x 12.9 cm (6 x 5 1/16 in.) Sheet: 15.4 x 13.2 cm (6 1/16 x 5 3/16 in.)

    Accession Number

    P394

    Medium or Technique

    Etching, drypoint and engraving on Japanese paper

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  • Self Portrait Drawing at a Window

    1648
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Josiah Bradlee (Boston, MA); given by Mrs. Bradlee to the MFA, 19 December 1902.

    Credit Line

    Gift of Mrs. Josiah Bradlee

    Details

    Catalogue Raisonné

    Bartsch 022; Hind 229 x

    Dimensions

    Sheet: 15.6 x 12.9 cm (6 1/8 x 5 1/16 in.)

    Accession Number

    M19493

    Medium or Technique

    Etching, drypoint and engraving

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  • Self Portrait with Plumed Cap and Lowered Sabre

    1634
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    William Esdaile (1758-1837, London, Lugt 2617); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 023; Hind 110 iii

    Dimensions

    Platemark: 13 x 10.7 cm (5 1/8 x 4 3/16 in.) Sheet: 13.3 x 11 cm ( 5 1/4 x 4 5/16 in.)

    Accession Number

    P397

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  • Self Portrait in a Fur Cap: Bust

    1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Cambridge University Library (inventory number AD1289-374, Lugt 2475); transferred to the Fitzwilliam Museum, 1876; probably sold with their duplicates, London, Sotheby's, 2 April 1878 (and following days); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 024; Hind 29 v

    Dimensions

    Sheet: 6.1 x 5.1 cm (2 3/8 x 2 in.)

    Accession Number

    P399

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  • Self-Portrait in a Flat Cap and Embroidered Dress

    about 1642
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Baron Ludwig Maximilian Freiherr von Biegeleben (1812-1872, Vienna, Lugt 385); George Biörklund (born 1887, Stockholm Lugt 1138c); C. G. Boerner, Düsselforf; purchased from them by MFA, 13 September 1972.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 026 only state; Hind 157

    Dimensions

    Platemark: 9.2 x 6.1 cm (3 5/8 x 2 3/8 in.) Sheet: 9.8 x 6.8 cm ( 3 7/8 x 2 11/16 in.)

    Accession Number

    1972.878

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  • Self Portrait in a Flat Cap and Embroidered Dress

    about 1642
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Signed

    In plate upper left (very faintly): Rembradt f.

    Markings

    Verso lower left stamped in black ink-- mark of Heneage Finch, 5th Earl of Aylesford, Lugt 58 Verso lower left stamped in red ink-- mark of Henry F. Sewall, Lugt 1309 Recto lower right blind stamp-- mark an unidentified collector, cf. Lugt 1920, 1921

    Provenance

    Heneage Finch, 5th Earl of Aylesford (1786-1859, London and Packington Hall, Warwickshire, Lugt 58); "M.W." (cf. Lugt 1920, 1921); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 026; Hind 157 i

    Dimensions

    Sheet: 9.2 x 6.2 cm (3 5/8 x 2 7/16 in.)

    Accession Number

    P400

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  • Self Portrait in a Flat Cap and Embroidered Dress

    about 1642
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Adam GottliebThiermann (died about 1860, Berlin, Lugt 2434); Berlin Kupferstichkabinett (cf. Lugt 1606.); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 026; Hind 157 ii

    Dimensions

    Sheet: 9.8 x 6.1 cm (3 7/8 x 2 3/8 in.)

    Accession Number

    P401

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  • Adam and Eve

    1638
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    verso: graphite inscriptions at bottom left "35/a 10597" and at bottom right "I/ox-"

    Markings

    verso at bottom left: "H.F.S." red stamp - Sewell verso "M.F.A./H.D.P. Coll./No. 402" purplish pink stamp with numbers in black pen verso at bottom left: black ink stamp, initials AF in a triangle - mark of Alfred Seymour, son of Henry Danby Seymour

    Provenance

    Henry Danby Seymour (1820-1877, London and Trent (Sherborne, Dorset), Lugt 176); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 028 ii; Hind 159 ii

    Dimensions

    Sheet: 16.3 x 11.7 cm (6 7/16 x 4 5/8 in.)(trimmed to within platemark)

    Accession Number

    P402

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  • Abraham Entertaining the Angels

    1656
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Miss Olive Simes; by whom given to MFA September 13, 1945

    Credit Line

    Gift of Miss Olive Simes

    Details

    Catalogue Raisonné

    Bartsch 029; Hind 286 only state

    Dimensions

    Platemark: 15.8 x 13.1 cm (6 1/4 x 5 3/16 in.) Sheet: 16.3 x 13.6 cm ( 6 7/16 x 5 3/8 in.)

    Accession Number

    45.672

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  • Abraham Casting out Hagar and Ishmael

    1637
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 030 only state; Hind 149

    Dimensions

    Platemark: 12.6 x 9.6 cm (4 15/16 x 3 3/4 in.) Sheet: 12.9 x 9.9 cm( 5 1/16 x 3 7/8 in.)

    Accession Number

    P405

    Medium or Technique

    Etching and drypoint

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  • Jacob Caressing Benjamin

    about 1645
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    Signed in plate Rembrandt. f

    Markings

    Verso lower left, stamped in black ink -- mark of Walter Francis, Duke of Buccleuch, Lugt 402 Verso lower center in graphite pencil: No 132 Verso lower center in graphite pencil: 23 [encircled] Verso lower center in graphite pencil: 6224 [? somewhat illegible]

    Provenance

    Walter Francis, Duke of Buccleuch (1806-1884, London and Dalkeith, Scotland, Lugt 402); his sale, London, Chrisite's, 9-22 April 1887, lot 1885; Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (New York and London, Ritman Catalogue no. 8); from whom purchased by Eijk and Rose-Marie van Otterloo, Marblehead, MA, 1999; by whom given to MFA, 26 March 2003.

    Credit Line

    Gift of Eijk and Rose-Marie van Otterloo in honor of Clifford S. Ackley

    Details

    Catalogue Raisonné

    Bartsch 033 i; Hind 148 i/ii

    Dimensions

    Platemark: 11.8 x 9 cm (4 5/8 x 3 9/16 in.) Sheet: 12.2 x 9.5 cm (4 13/16 x 3 3/4 in.)

    Accession Number

    2003.113

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  • Jacob Caressing Benjamin

    Abraham Caressing Isaac

    about 1645
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Clement de Jonghe, in the inventory at his death, February 11, 1679; Pieter de Haan, Amsterdam, and sold at auction (Weyers & Castelein, Amsterdam), March 9, 1767; purchased by Fouquet, agent for Calude-Henri Watelet, 1767, and sold at auction, 1786; purchased by Pierre Francois Basan, 1786; inherited by H. -L. Basan, owner until 1809-10; Acquired by Auguste Jean, 1809-10; inherited by the Veuve Auguste Jean, and sold at her death, 1846; purchased by Michel Bernard, 1846; inherited by Michel Bernard (son of the above), and sold; purchased by M. Alvin-Beaumont, Paris, and sold, 1938; purchased by Robert Lee Humber, Greenville, N. C., 1938; inherited by the sons of Robert Lee Humber, 1970, on permanent loan to the North Carolina Museum of Art, Raleigh, and sold, about 1993; purchased by Arhold, Inc. (a member of the Artemis Group), Monte Carlo; from whom purchased (through Robert M. Light) by the MFA, 24 March 1993.

    Credit Line

    William Francis Warden Fund

    Details

    Catalogue Raisonné

    Bartsch 033; Hind 148

    Dimensions

    Plate: 12 x 9 cm (4 3/4 x 3 9/16 in.)

    Accession Number

    1993.91

    Medium or Technique

    Copper etching plate

    Not On View

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  • Jacob Caressing Benjamin

    Abraham Caressing Isaac

    about 1637
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Nathaniel Smith (2nd half of the 18th century, London, cf. Lugt 2296); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 033; Hind 148 ii

    Dimensions

    Platemark: 11.7 x trimmed cm (4 5/8 x trimmed in.) Sheet: 11.88 x 8.9 cm (4 11/16 x 3 1/2 in.)

    Accession Number

    P406

    Medium or Technique

    Etching

    Not On View

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  • Abraham and Isaac

    1645
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    Signed and dated in plate: Rembrant. 1645.

    Markings

    Verso lower center, stamped in black ink -- mark of Charles C. Cunningham, Jr. (not in Lugt) Verso lower left, stamped in black ink -- mark of John Webster (Lugt 1554) Verso lower right, ink pen and brown ink -- mark of John Webster (Lugt 1555) Verso lower left, in graphite pencil: 38 Verso lower left, in graphite pencil: 130 [crossed out] Verso lower left, in graphite pencil: 340-4- Verso lower center, in graphite pencil: GN 32 Verso lower right, in graphite pencil: 2-12-0

    Provenance

    William Beckford (according to the Webster catalogue; Beckford collection dispersed about 1840); John Webster (1810-1891, Aberdeen, Lugt 1554, 1555); his sale, London, Sotheby's, 9 May 1889, lot 24; Captain Gordon Nowell-Usticke; his sale, New York, Parke-Bernet, 30 April-1 May 1968, lot 217; Charles C. Cunningham, Jr. (not in Lugt, Brookline, MA); British Rail Pension Fund; its sale, London, Sotheby's, 29 June 1987, lot 63, £132,000; C. G. Boerner, Düsseldorf; Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (New York and London, Ritman Catalogue no. 9); from whom purchased by Eijk and Rose-Marie van Otterloo, Marblehead, MA, 1999; by whom given to MFA, 26 March 2003.

    Credit Line

    Gift of Eijk and Rose-Marie van Otterloo in honor of Clifford S. Ackley

    Details

    Catalogue Raisonné

    Bartsch 034 i; Hind 214 first state prior to that known by White & Boon

    Dimensions

    Platemark: 15.7 x 13.3 cm (6 3/16 x 5 1/4 in.) Sheet: 15.9 x 13.3 cm (6 1/4 x 5 1/4 in.)

    Accession Number

    2003.114

    Medium or Technique

    Etching and drypoint

    Not On View

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    Europe, Prints and Drawings

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  • Abraham and Isaac

    1645
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 034; Hind 214 iii

    Dimensions

    Platemark: 15.4 x 12.9 cm (6 1/16 x 5 1/16 in.) Sheet: 15.8 x 13.2 cm (6 1/4 x 5 3/16 in.)

    Accession Number

    P407

    Medium or Technique

    Etching and dryoint

    Not On View

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  • Abraham's Sacrifice

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Dr. William Norton Bullard (1853-1931, Boston); by whom given to MFA April 1923.

    Credit Line

    Gift of William Norton Bullard

    Details

    Catalogue Raisonné

    Bartsch 035; Hind 283

    Dimensions

    Platemark: 15.6 x 13.1 cm (6 1/8 x 5 3/16 in.) Sheet: 16.6 x 13.4 cm (6 9/16 x 5 1/4 in.)

    Accession Number

    23.1009

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Image Seen by Nebuchadnezzar

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, part of lot 756 (with the other three in the series), on 7 May, 165 Fr. for the lot; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 036a; Hind 284a v

    Dimensions

    Platemark: 11 x 6.8 cm (4 5/16 x 2 11/16 in.) Sheet: 11.2 x 7 cm (4 7/16 x 2 3/4 in.)

    Accession Number

    P409

    Medium or Technique

    Etching, engraving and drypoint

    Not On View

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  • Jacob's Ladder

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 036b; Hind 284 ii

    Dimensions

    Sheet: 11.3 x 7.2 cm (4 7/16 x 2 13/16 in.)

    Accession Number

    P412

    Medium or Technique

    Etching, engraving and drypoint

    Not On View

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  • Jacob's Ladder

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Ambroise Firmin-Didot (b. 1790 - d. 1876), Paris; his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, part of lot 756 (with the other three in the series), on 30 April; William Goodwin Russell Allen (b. 1882 - d. 1955), Boston; by inheritance to his niece, Lydia Evans Tunnard (Mrs. Christopher Tunnard, b. 1913 - d. 1980), New Haven, CT; January 1962, her gift to MFA.

    Credit Line

    Gift of Mrs. Lydia Evans Tunnard in memory of W. G. Russell Allen

    Details

    Catalogue Raisonné

    Bartsch 036b; Hind 284b iii

    Dimensions

    Sheet: 10.7 x 7.2 cm (4 3/16 x 2 13/16 in.)

    Accession Number

    61.1364

    Medium or Technique

    Etching, engraving and drypoint on laid Asian paper

    Not On View

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  • David and Goliath

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 036c; Hind 284 iv

    Dimensions

    Platemark: 11.8 x 7.7 cm (4 5/8 x 3 1/16 in.); Sheet: 12.1 x 8.7 cm (4 3/4 x 3 7/`6 in.)

    Accession Number

    P413

    Medium or Technique

    Etching, engraving and drypoint

    Not On View

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  • David and Goliath

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    W. G. Russell Allen (1882-1955, Boston); Mrs. Lydia Evans Tunnard; her gift to MFA, January 1962.

    Credit Line

    Gift of Mrs. Lydia Evans Tunnard in memory of W. G. Russell Allen

    Details

    Catalogue Raisonné

    Bartsch 036c; Hind 284c ii

    Dimensions

    Platemark: 10.6 x 7.4 cm (4 3/16 x 2 15/16 in.) Sheet: 23.6 x 8.3 cm (9 5/16 x 3 1/4 in.)

    Accession Number

    61.1365

    Medium or Technique

    Etching, engraving and drypoint

    Not On View

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  • Daniel's Vision of the Four Beasts

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (b. 1816 - d. 1896; Lugt 1309), New York; 1897, sold by Sewall to the MFA [see note 1]. (Accession Date: August 14, 2012) NOTES: [1] Henry F. Sewall offered his collection to the MFA for purchase in 1888. That purchase was finalized and executed in 1897, one year after his death.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 036d; Hind 284 iii

    Dimensions

    Platemark: 11 x 7.4 cm (4 5/16 x 2 15/16 in.) Sheet: 11.9 x 8.5 cm (4 11/16 x 3 3/8 in.)

    Accession Number

    97.1186

    Medium or Technique

    Etching, engraving and drypoint

    Not On View

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  • Daniel's Vision of the Four Beasts

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Martin Folkes (1690-1754, London, Lugt 1034); probably included in his sale, London, Langford, 15-22 January 1756; Wilhelm Eduard Drugulin (1825-1879, Leipzig, Lugt 2612); W. G. Russell Allen (1882-1955, Boston); Mrs. Lydia Evans Tunnard; her gift to MFA, January 1962.

    Credit Line

    Gift of Mrs. Lydia Evans Tunnard in memory of W. G. Russell Allen

    Details

    Catalogue Raisonné

    Bartsch 036d; Hind 284d iii

    Dimensions

    Sheet: 10.1 x 7.5 cm (4 x 2 15/16 in.)

    Accession Number

    61.1366

    Medium or Technique

    Etching, engraving and drypoint

    Not On View

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  • Daniel's Vision of the Four Beasts

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Neville Davison Goldsmid (1814-1875, The Hague, Lugt 1962); probably included in his sale, Paris, Clément, 25-7 April 1876; Hendrikus Egbertus ten Cate (1868-1955, Almelo, The Netherlands, Lugt 533b); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 036d; Hind 284d iii

    Dimensions

    Platemark: 10.6 x 7.3 cm (4 3/16 x 2 7/8 in.) Sheet: 10.8 x 7.6 cm ( 4 1/4 x 3 in.)

    Accession Number

    P411

    Medium or Technique

    Etching, engraving and drypoint on vellum

    Not On View

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  • Joseph Telling his Dreams

    1638
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 037 ii; Hind 160 ii

    Dimensions

    Platemark: 11.1 x 8.4 cm (4 3/8 x 3 5/16 in.) Sheet: 11.7 x 9 cm ( 4 5/8 x 3 9/16 in.)

    Accession Number

    P414

    Medium or Technique

    Etching

    Not On View

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  • Joseph Telling his Dreams

    1638
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 037; Hind 160 iii

    Dimensions

    Sheet: 11.1 x 8.2 cm (4 3/8 x 3 1/4 in.)

    Accession Number

    P415

    Medium or Technique

    Etching

    Not On View

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  • Joseph Telling his Dreams

    1638
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.

    Credit Line

    Bequest of William Perkins Babcock

    Details

    Catalogue Raisonné

    Bartsch 037; Hind 160 iv

    Dimensions

    Platemark: 11 x 8.3 cm (4 5/16 x 3 1/4 in.) Sheet: 1.8 x 8.9 cm (4 5/8 x 3 1/2 in.)

    Accession Number

    B126

    Medium or Technique

    Etching

    Not On View

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  • Joseph's Coat Brought to Jacob

    about 1633
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 038; Hind 104 i

    Dimensions

    Sheet: 10.7 x 7.9 cm (4 3/16 x 3 1/8 in.)

    Accession Number

    P416

    Medium or Technique

    Etching and drypoint

    Not On View

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  • Joseph's Coat Brought to Jacob

    about 1633
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.

    Credit Line

    Bequest of William Perkins Babcock

    Details

    Catalogue Raisonné

    Bartsch 038; Hind 104 ii

    Accession Number

    B125

    Medium or Technique

    Etching and drypoint

    Not On View

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  • Joseph and Potiphar's Wife

    1634
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Adam Gottlieb Thiermann (died about 1860, Berlin, Lugt 2434); Berlin Kupferstchkabinett (cf. Lugt 1606); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 039; Hind 118 ii

    Dimensions

    Platemark: 9.2 x 11.6 cm (3 5/8 x 4 9/16 in.) Sheet: 9.6 x 11.6 cm (3 3/4 x 4 9/16 in.)

    Accession Number

    P417

    Medium or Technique

    Etching

    Not On View

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  • The Triumph of Mordecai

    about 1641
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Naudet (active about 1800, Paris, Lugt 1937); Horatio Greenough Curtis (died 1922, Boston); given by him to Richard Cary Curtis and Anita G. Curtis, 1917; given by her to MFA, 1956.

    Credit Line

    Gift of Mrs. Richard Cary Curtis

    Details

    Catalogue Raisonné

    Bartsch 040; Hind 172

    Dimensions

    Platemark: 17 x 21.2 cm (6 11/16 x 8 3/8 in.) Sheet: 17.3 x 21.5 cm ( 6 13/16 x 8 7/16 in.)

    Accession Number

    56.293

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Triumph of Mordecai

    about 1641
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 040; Hind 172

    Dimensions

    Sheet: 17.5 x 21.2 cm (6 7/8 x 8 3/8 in.)

    Accession Number

    P420

    Medium or Technique

    Etching and drypoint, counterproof

    Not On View

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  • David in Prayer

    1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    Verso, lower ctr., in graphite: B 41.

    Provenance

    Probably Cronenstern, Schleswig-Holstein; by descent to family of Graf Plessen (possibly Elisabeth Gräfin von Plessen (born 1919, Lehmkuhlen)), Nehmten, Schleswig-Holstein; sold London, Christie's, 10 December 1991, lot 41; to Helmut Rumbler, Frankfurt; from whom purchased by MFA, October 1994.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 041 i; Hind 258

    Dimensions

    Platemark: 14.2 x 9.5 cm (5 9/16 x 3 3/4 in.) Sheet: 14.6 x 9.9 cm (5 3/4 x 3 7/8 in.)

    Accession Number

    1994.279

    Medium or Technique

    Etching and drypoint on Japanese paper

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  • David in Prayer

    1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Ellen Twistleton Bullard (1865--1959, Boston); by whom given to MFA November 1925.

    Credit Line

    Gift of Miss Ellen T. Bullard

    Details

    Catalogue Raisonné

    Bartsch 041, iii; Hind 258

    Dimensions

    Platemark: 14.3 x 9.5 cm (5 5/8 x 3 3/4 in.) Sheet: 15.2 x 10.3 cm (6 x 4 1/16 in.)

    Accession Number

    25.1147

    Medium or Technique

    Etching and drypoint

    Not On View

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  • David in Prayer

    1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 041; Hind 258 ii

    Dimensions

    Platemark: 14.1 x trimmed cm (5 9/16 x trimmed in.) Sheet: 14.3 x 9.5 cm ( 5 5/8 x3 3/4 in.)

    Accession Number

    P421

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Blindness of Tobit: The Larger Plate

    1651
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 042; Hind 252 ii

    Dimensions

    Platemark: 15.8 x 13 cm (6 1/4 x 5 1/8 in.); Sheet: 16.2 x 13.3 cm (6 3/8 x 5 1/4 in.)

    Accession Number

    P422

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Angel Departing from the Family of Tobias

    1641
    Artist Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    Verso upper right in graphite pencil: 22 Verso lower center in graphite pencil: DTMMIISS

    Signed

    In plate: Rembrandt f. 1641.

    Provenance

    David Tunick (New York); Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (New York and London, Ritman Catalogue no. 21); purchased by MFA, March 2001.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 043 i; Hind 185 i/iv

    Dimensions

    Platemark: 10.3 x 15.4 cm (4 1/16 x 6 1/16 in.) Sheet: 10.5 x 15.5 cm (4 1/8 x 6 1/8 in.)

    Accession Number

    2001.139

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Angel Departing from the Family of Tobias

    1641
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 043; Hind 185 ii

    Dimensions

    Platemark: 10.2 x 15.3 cm (4 x 6 in.) Sheet: 11.1 x 16 cm ( 4 3/8 x 6 5/16 in.)

    Accession Number

    P423

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Angel Departing from the Family of Tobias

    1641
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.

    Credit Line

    Bequest of William Perkins Babcock

    Details

    Catalogue Raisonné

    Bartsch 043; Hind 185 iv

    Dimensions

    Platemark: 10.1 x 15.3 cm (4 x 6 in.) Sheet: 10.7 x 16.1 cm (4 3/16 x 6 5/16 in.)

    Accession Number

    B131

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Angel Departing from the Family of Tobias

    1641
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 043; Hind 185 iv

    Dimensions

    Platemark: 10.3 x 15.4 cm (4 1/16 x 6 1/16 in.) Sheet: 10.8 x 15.9 cm ( 4 1/4 x 6 1/4 in.)

    Accession Number

    P424

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Angel Appearing to the Shepherds

    Angel Appearing to the Shepherds

    1634
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    Lower right: Rembrandt F. 1634

    Provenance

    Mr. and Mrs. Charles C. Cunningham, Jr. (Brookline, MA); given to MFA, 1975.

    Credit Line

    Gift of Mr. and Mrs. Charles C. Cunningham, Jr. in honor of Eleanor A. Sayre

    Details

    Catalogue Raisonné

    Bartsch 044; Hind 120 iii G.43, Münz 199, BB. 34-J, W.-B. 44 iii

    Dimensions

    Platemark: 25.9 x 21.9 cm (10 3/16 x 8 5/8 in.) Sheet: 26.3 x 22.1 cm ( 10 3/8 x 8 11/16 in.)

    Accession Number

    1975.279

    Medium or Technique

    Etching, engraving and drypoint

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  • The Angel Appearing to the Shepherds

    1634
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 044; Hind 120 iii

    Dimensions

    Sheet: 26 x 21.7 cm (10 1/4 x 8 9/16 in.)

    Accession Number

    P425

    Medium or Technique

    Etching, engraving and drypoint

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  • The Adoration of the Shepherds (with a lamp)

    The Adoration of the Shepherds with the Lamp

    about 1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Probably Frederick Keppel, New York; sold by him to Tracy Dows (born 1871, New York, Lugt 2427); probably sold back to Keppel; Dr. William Norton Bullard, Boston; by whom given to MFA, April 1923.

    Credit Line

    Gift of William Norton Bullard

    Details

    Catalogue Raisonné

    Bartsch 045; Hind 273 i

    Dimensions

    Sheet: 10.6 x 12.9 cm (4 3/16 x 5 1/16 in.)

    Accession Number

    23.1010

    Medium or Technique

    Etching

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  • The Adoration of the Shepherds (with the lamp)

    about 1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Gutekunst & Klipstein, Switzerland; from whom purchased, 14 May 1953.

    Credit Line

    Stephen Bullard Memorial Fund

    Details

    Catalogue Raisonné

    Bartsch 045; Hind 273 i

    Dimensions

    Platemark: 10.5 x 12.9 cm (4 1/8 x 5 1/16 in.) Sheet: 10.8 x 13 cm (4 1/4 x 5 1/8 in.)

    Accession Number

    53.484

    Medium or Technique

    Etching, printed with plate tone

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  • The Adoration of the Shepherds: With the Lamp

    about 1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 045; Hind 273 i

    Dimensions

    Sheet: 10.4 x 12.8 cm (4 1/8 x 5 1/16 in.)

    Accession Number

    P426

    Medium or Technique

    Etching

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  • The Adoration of the Shepherds: With the Lamp

    about 1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 045; Hind 273 ii

    Dimensions

    Sheet: 10.5 x 12.9 cm (4 1/8 x 5 1/16 in.)

    Accession Number

    P427

    Medium or Technique

    Etching

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  • The Adoration of the Shepherds

    about 1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    on verso: in black pen ink "F. Rechberger"; red chalk marks in top left corner; graphite inscriptions in bottom right and bottom left corners

    Provenance

    Franz Rechberger, dated 1799 (1771-1841, Vienna, curator of the cabinet of Count Moriz von Fries and of the Albertina, Lugt 2133); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 046 iv; Hind 255 v

    Dimensions

    Platemark: 14.9 x 19.6 cm (5 7/8 x 7 11/16 in.) Sheet: 15.35 x 20.1 cm (6 x 7 7/8 in.)

    Accession Number

    P428

    Medium or Technique

    Etching, drypoint and engraving

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  • The Adoration of the Shepherds: A Night Piece

    about 1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    PDP Register entry: Date acquired, 12/1/1900 [Exact to month]

    Credit Line

    Gift of Mr. and Mrs. Edward Wheelwright

    Details

    Catalogue Raisonné

    Bartsch 046; Hind 255 vi

    Dimensions

    Platemark: 14.9 x 19.8 cm (5 7/8 x 7 13/16 in.) Sheet: 15.2 x 20.1 cm (6 x 7 15/16 in.)

    Accession Number

    M16150

    Medium or Technique

    Etching, drypoint and engraving

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  • The Adoration of the Shepherds: A Night Piece

    about 1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 046; Hind 255 vi

    Dimensions

    Platemark: 14.8 x 19.5 cm (5 13/16 x 7 11/16 in.); Sheet: 25.7 x 20.3 cm (10 1/8 x 8 in.)

    Accession Number

    P429

    Medium or Technique

    Etching, drypoint and engraving

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  • The Adoration of the Shepherds: A Night Piece

    Adoration of the Shepherds

    about 1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Juan Jorge Peoli (b. 1825 - d.1893; Lugt 2020), New York; May 10-11, 1894, Peoli sale, American Art Association, New York, lot 1843, to the MFA. (Accession Date: January 1, 1894)

    Credit Line

    Museum purchase

    Details

    Catalogue Raisonné

    Bartsch 046; Hind 255 vii

    Dimensions

    Sheet: 14.9 x 19.5 cm (5 7/8 x 7 11/16 in.)

    Accession Number

    M9731

    Medium or Technique

    Etching, drypoint and engraving

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  • The Circumcision in the Stable

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 047; Hind 274

    Dimensions

    Sheet: 9.4 x 14.4 cm (3 11/16 x 5 11/16 in.)

    Accession Number

    P431

    Medium or Technique

    Etching

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  • The Circumcision in the Stable

    The Circumcision

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 047; Hind 274 i

    Dimensions

    Platemark: 9.4 x 14.4 cm (3 11/16 x 5 11/16 in.); Sheet: 9.8 x 14.8 cm (3 7/8 x 5 13/16 in.)

    Accession Number

    P430

    Medium or Technique

    Etching

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  • The Circumcision: Small Plate

    Circumcision

    about 1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 048, first (of two); Hind 19

    Dimensions

    Sheet: 8.7 x 6.3 cm (3 7/16 x 2 1/2 in.)

    Accession Number

    P432

    Medium or Technique

    Etching and drypoint

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  • The Presentation in the Temple

    about 1640
    Artist Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    Verso upper center in pen and brown ink: J.B. (This is the collector's mark of John Barnard. It is obscured by another pen and ink mark, probably Gibbs.) Verso lower left in graphite pencil: 15 Verso center in graphite pencil: 2d imp Verso lower center in graphite pencil (encircled): 405 Verso lower right in graphite pencil: (B.49) 3 20 Recto lower right in graphite pencil: V (this may be a mark associated with Henri Vever who is said to have owned this print.)

    Provenance

    John Barnard (died 1784, London, Lugt 1419); probably John Gibbs (mid-19th century, London, cf. Lugt 1081 and 1125); Henri Vever (1854-1943, Paris, cf. Lugt 1381a, 1381b, 2491bis, and 2491ter); appeared Sotheby's London, Summer 1998 [?], as part of a mixed lot but withdrawn; Sotheby's London, December 11, 1998, lot 75; Artemis/Boerner (New York and London); purchased by MFA, March 2001.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 049; Hind 162 ii

    Dimensions

    Platemark: 21.2 x 29 cm (8 3/8 x 11 7/16 in.) Sheet: 22.2 x 30.3 cm (8 3/4 x 11 15/16 in.)

    Accession Number

    2001.140

    Medium or Technique

    Etching and drypoint

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  • The Presentation in the Temple: Oblong Print

    about 1639
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Trimmed to platemark

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 049; Hind 162 ii

    Dimensions

    Sheet: 20.8 x 29.1 cm (8 3/16 x 11 7/16 in.)

    Accession Number

    P434

    Medium or Technique

    Etching and drypoint

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  • The Presentation in the Temple: Oblong Print

    about 1639
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Rev. J. Burleigh James (Knowbury Park, Shropshire, England, Lugt 1425); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 049; Hind 162 ii

    Dimensions

    Sheet: 21.8 x 29.3 cm (8 9/16 x 11 9/16 in.)

    Accession Number

    P435

    Medium or Technique

    Etching and drypoint, counterproof

    Not On View

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  • The Presentation in the Temple: Oblong Print

    about 1639
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 049; Hind 162 iii

    Dimensions

    Platemark: 21.2 x 28.9 cm (8 3/8 x 11 3/8 in.) Sheet: 21.6 x 29.7 cm ( 8 1/2 x 11 11/16 in.)

    Accession Number

    P436

    Medium or Technique

    Etching and drypoint

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  • The Presentation in the Temple (in the dark manner)

    about 1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 050; Hind 279

    Dimensions

    Sheet 20.9 x 16.2 cm (8 1/4 x 6 3/8 in.)

    Accession Number

    P437

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Presentation in the Temple

    1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    In plate lower center: RHL 1630 Later inscriptions or marks: Verso lower left stamped in purple ink-- mark of Richard Gutekunst, Lugt 2213a Verso lower right in pen and brown ink-- P Mariette 1674 (mark of Pierre Mariette, cf. Lugt 1790 From Boerner mount: fü 11341/RC’ 30046

    Provenance

    Pierre Mariette, 1674 (1634-1716, Paris, cf. Lugt 1790); Richard Gutekunst (1870-1961, Stuttgart, London, Bern, Lugt 2213a); [probably sequestered by the British government in 1914 and sold by a public trustee as "the property of an enemy subject" through Garland-Smith & Co., London, 2-3 December, 1920]; sold by Sotheby Parke Bernet, New York, 15 February 1980, lot 1034; C. G. Boerner/Artemis, New York & London; from whom purchased, June 2000.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 051, ii/ii; Hind 18

    Dimensions

    Platemark: 10.2 x 7.8 cm (4 x 3 1/16 in.) Sheet: 10.8 x 8.4 cm (4 1/4 x 3 5/16 in.)

    Accession Number

    2000.647

    Medium or Technique

    Etching

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  • The Presentation in the Temple with the Angel: Small Plate

    The Presentation

    1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 051; Hind 18 ii

    Dimensions

    Platemark: 10.1 x 7.7 cm (4 x 3 1/16 in.) Sheet:10.3 x 7.9 cm (4 1/16 x 3 1/8 in.)

    Accession Number

    P438

    Medium or Technique

    Etching

    Not On View

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  • The Flight into Egypt: the small plate

    1633
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 052; Hind 105 i

    Dimensions

    Sheet: 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.)

    Accession Number

    P439

    Medium or Technique

    Etching

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  • The Flight into Egypt (a night piece)

    The Flight into Egypt: A Night Effect

    1651
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (b. 1816 - d. 1896; Lugt 1309), New York; 1897, sold by Sewall to the MFA [see note 1]. (Accession Date: October 21, 1897) NOTES: [1] Henry F. Sewall offered his collection to the MFA for purchase in 1888. That purchase was finalized and executed in 1897, one year after his death.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 053; Hind 253 iv

    Dimensions

    Platemark: 12.7 x 11 cm (5 x 4 5/16 in.) Sheet: 13.2 x 11.5 cm (5 3/16 x 4 1/2 in.)

    Accession Number

    P440

    Medium or Technique

    Etching, engraving and drypoint

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  • The Flight into Egypt: A Sketch

    about 1627
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Karl Eduard von Liphart (1808-1891, Dorpat, Bonn, and Florence, Lugt 1687); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 054; Hind 17 v

    Dimensions

    Platemark: 7.9 x 5.1 cm (3 1/8 x 2 in.) Sheet: 8.4 x 5.2 cm ( 3 5/16 x 2 1/16 in.)

    Accession Number

    P441

    Medium or Technique

    Etching

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  • The Flight into Egypt: Crossing a Brook

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.

    Credit Line

    Bequest of William Perkins Babcock

    Details

    Catalogue Raisonné

    Bartsch 055; Hind 276

    Accession Number

    B140

    Medium or Technique

    Etching and drypoint

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  • The Flight into Egypt: Crossing a Brook

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 055; Hind 276

    Dimensions

    Platemark: 9.4 x trimmed cm (3 11/16 x trimmed in.) Sheet: 9.6 x 14.5 cm (3 3/4 x 5 11/16 in.)

    Accession Number

    P442

    Medium or Technique

    Etching and drypoint

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  • The Flight into Egypt: Crossing a Brook

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 055; Hind 276

    Accession Number

    P443

    Medium or Technique

    Etching and drypoint

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  • The Flight into Egypt (altered from Hercules Seghers)

    Rembrandts changes, about 1653
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Altered from Hercules Seghers (Netherlandish, 1589 or 1590–after 1635, about 1638), After Adam Elsheimer (German, 1578–1610)

    Description

    This state characterized by deep chiascuro around the figures

    Provenance

    John Heywood Hawkins (about 1800-about 1870); P. & D. Colnaghi, Ltd., London; A. A. Hahlo & Co., New York; from whom purchased by MFA, June 1916.

    Credit Line

    Gift of the Visiting Committee

    Details

    Catalogue Raisonné

    Bartsch 056 iv; Hind 266 Münz 216 (1643/4), BB. 53-2, W.-B. 56 iv, G.56

    Dimensions

    Sheet: 21.2 x 28.4 cm (8 3/8 x 11 3/16 in.)

    Accession Number

    M26200

    Medium or Technique

    Etching, drypoint, and engraving

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  • The Flight into Egypt: Altered from Segers

    about 1653
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Hercules Seghers (Netherlandish, 1589 or 1590–after 1635, about 1638), After Adam Elsheimer (German, 1578–1610)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 056; Hind 266 vi

    Dimensions

    Platemark: 21.3 x 28.3 cm (8 3/8 x 11 1/8 in.) Sheet: 21.7 x 28.8 cm (8 9/`6 x 11 5/16 in.)

    Accession Number

    P444

    Medium or Technique

    Etching, drypoint and engraving

    Not On View

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  • The Rest on the Flight: A Night Piece

    The Rest in Egypt in a Wood

    about 1645
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    1917, sold by James Reiss, Keppel and Co., Inc., New York, to the MFA. (Accession Date: March 1917)

    Credit Line

    Special Print Fund (Keppel & Co.)

    Details

    Catalogue Raisonné

    Bartsch 057; Hind 208 iv

    Dimensions

    Platemark: 9.3 x 6 cm (3 11/16 x 2 3/8 in.) Sheet: 9.8 x 6.6 cm (3 7/8 x 2 5/8 in.)

    Accession Number

    M26357

    Medium or Technique

    Etching and drypoint

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  • The Rest on the Flight: A Night Piece

    The Rest in Egypt in a Wood

    about 1644
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 057; Hind 208 iv

    Dimensions

    Sheet: 9.2 x 5.9 cm (3 5/8 x 2 5/16 in.)

    Accession Number

    P445

    Medium or Technique

    Etching and drypoint

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  • The Rest on the Flight (lightly etched)

    1645
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Karl Eduard von Liphart (1808-1891, Dorpat, Bonn, and Florence, Lugt 1687); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 058; Hind 216

    Dimensions

    Sheet: 13 x 11.5 cm (5 1/8 x 4 1/2 in.)

    Accession Number

    P446

    Medium or Technique

    Etching and drypoint

    Not On View

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  • Christ with His Parents Returning from the Temple

    1654
    Artist Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    Recto lower left in graphite pencil: 54•9- Recto lower right in graphite pencil: 33

    Signed

    In the plate lower right: Rembrandt. 1654

    Provenance

    Unidentified French collection, probably assembled in the 18th century; sold Sotheby's, London, 6 December 1990, lot 114 (illustrated); Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (See Ritman collection catalogue [1995], item 33, illustrated); purchased from Artemis/Boerner by MFA, June 2001.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 060 only state; H.278

    Dimensions

    Overall: 10.9 x 15.9cm (4 5/16 x 6 1/4in.) Other (Platemark): 9.5 x 14.4cm (3 3/4 x 5 11/16in.)

    Accession Number

    2001.272

    Medium or Technique

    Etching and drypoint

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  • Christ Returning from the Temple with his Parents

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    H. Wunderlich; from whom purchased by MFA, 11 January 1900.

    Credit Line

    Bought of H. Wunderlich

    Details

    Catalogue Raisonné

    Bartsch 060; Hind 278

    Dimensions

    Platemark: 9.4 x 14.4 cm (3 11/16 x 5 11/16 in.) Sheet: 14.8 x 20.2 cm (5 13/16 x 7 15/16 in.)

    Accession Number

    M14649

    Medium or Technique

    Etching and drypoint

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  • Virgin and Child in the Clouds

    1641
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Rev. J. Burleigh James (Knowbury Park, Shropshire, England, Lugt 1425); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 061; Hind 186

    Dimensions

    Platemark: 16.5 x 10.6 cm (6 1/2 x 4 3/16 in.) Sheet: 16.6 x 10.7 cm (6 9/16 x 4 3/16 in.)

    Accession Number

    P447

    Medium or Technique

    Etching and drypoint

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  • The Holy Family

    about 1632
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Possibly J. Lowndes (active 19th century, London, Lugt 1484); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 062; Hind 95

    Dimensions

    Platemark: 9.3 x 7.2 cm (3 11/16 x 2 13/16 in.) Sheet: 9.5 x 7.3 cm ( 3 3/4 x 2 7/8 in.)

    Accession Number

    P449

    Medium or Technique

    Etching

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  • The Virgin and Child with the Cat and Snake

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Sold London, Sotheby's, November 30, 1989, lot 154; to R. E. Lewis, Larkspur Landing, CA; from whom purchased by MFA, December 1990.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 063 i; Hind 275 i

    Dimensions

    Platemark: 9.5 x 14.5 cm (3 3/4 x 5 11/16 in.) Sheet: 14.4 x 20 cm (5 11/16 x 7 7/8 in.)

    Accession Number

    1990.599

    Medium or Technique

    Etching

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  • The Virgin and Child with the Cat and Snake

    The Virgin and Child with Cat, Joseph at the Window

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 063; Hind 275 i

    Dimensions

    Platemark: 9.5 x 14.3 cm (3 3/4 x 5 5/8 in.) Sheet: 9.6 x 14.5 cm (3 3/4 x 5 11/16 in.)

    Accession Number

    P450

    Medium or Technique

    Etching

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  • Christ Disputing with the Doctors

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 064 only state; Hind 277 ii

    Dimensions

    Platemark: 9.5 x 14.3 cm (3 3/4 x 5 5/8 in.) Sheet: 11.7 x 16.4 cm (4 5/8 x 6 7/16 in.)

    Accession Number

    P451

    Medium or Technique

    Etching

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  • Christ Disputing with the Doctors: A Sketch

    1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    A. Mathey; William H. Schab, New York; from whom purchased by MFA December 8, 1949

    Credit Line

    William A. Sargent Fund

    Details

    Catalogue Raisonné

    Bartsch 065, i; Hind 257

    Dimensions

    Platemark: 12.5 x 21.4 cm (4 15/16 x 8 7/16 in.) Sheet: 13.5 x 21.9 cm (5 5/16 x 8 5/8 in.)

    Accession Number

    49.1733

    Medium or Technique

    Etching and drypoint

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  • Christ Disputing with the Doctors: A Sketch

    1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 065; Hind 257 ii

    Dimensions

    Platemark: 12.6 x 21.5 cm (4 15/16 x 8 7/16 in.) Sheet: 13.8 x 23.3 cm (5 7/16 x 9 3/16 in.)

    Accession Number

    P452

    Medium or Technique

    Etching and dryoint

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  • Christ Disputing with the Doctors: Small Plate

    1630
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 066; Hind 20 iv

    Dimensions

    Platemark: 8.9 x 6.7 cm (3 1/2 x 2 5/8 in.) Sheet: 9.5 x 7.4 cm ( 3 3/4 x 2 15/16 in.)

    Accession Number

    P453

    Medium or Technique

    Etching

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  • Christ Preaching ("La Petite Tombe")

    about 1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 067 only state; Hind 256

    Dimensions

    Platemark: 15.4 x 20.5 cm (6 1/16 x 8 1/16 in.) Sheet: 17.5 x 22.2 cm (6 7/8 x 8 3/4 in.)

    Accession Number

    P454

    Medium or Technique

    Etching and drypoint on Japanese paper

    Not On View

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  • Christ Preaching ("La Petite Tombe")

    about 1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Francis Bullard (1862-1913, Boston, Lugt 982); to his sister Katherine Eliot Bullard (1866-1920, Boston); to their brother Dr. William Norton Bullard (1853-1931, Boston); by whom given to MFA, April 1923.

    Credit Line

    Gift of William Norton Bullard

    Details

    Catalogue Raisonné

    Bartsch 067; Hind 256

    Dimensions

    Platemark: 15.4 x 20.6 cm (6 1/16 x 8 1/8 in.) Sheet: 16.2 x 21.2 cm (6 3/8 x 8 3/8 in.)

    Accession Number

    23.1011

    Medium or Technique

    Etching and drypoint

    Not On View

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  • Christ Preaching

    about 1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Miss Olive Simes; by whom given to MFA September 13, 1945

    Credit Line

    Gift of Miss Olive Simes

    Details

    Catalogue Raisonné

    Bartsch 067; Hind 256

    Dimensions

    Platemark: 15.3 x 20.5 cm (6 x 8 1/16 in.) Sheet: 15.5 x 20.9 cm (6 1/8 x 8 1/4 in.)

    Accession Number

    45.673

    Medium or Technique

    Etching and drypoint

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  • Christ Preaching

    about 1652
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Cancelled? NOT IN BOX

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 067; Hind 256

    Accession Number

    P456

    Medium or Technique

    Etching and drypoint

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  • The Tribute Money

    about 1635
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 068; Hind 124 i

    Dimensions

    Platemark: 7.3 x 10.2 cm (2 7/8 x 4 in.) Sheet: 7.8 x 10.8 cm (3 1/16 x 4 1/4 in.)

    Accession Number

    P457

    Medium or Technique

    Etching

    Not On View

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  • The Tribute Money

    about 1635
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.

    Credit Line

    Bequest of William Perkins Babcock

    Details

    Catalogue Raisonné

    Bartsch 068; Hind 124 ii

    Dimensions

    Platemark: 7.2 x 10.4 cm (2 13/16 x 4 1/8 in.) Sheet: 7.5 x 10.5 cm (2 15/16 x 4 1/8 in.)

    Accession Number

    B148

    Medium or Technique

    Etching

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  • Christ Driving the Money Changers from the Temple

    1635
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Robert Dighton (about 1752-1814, London, Lugt 727); probably with Frederick Keppel & Co. (New York, cf. Lugt 1023); Tracy Dows (born 1871, New York, Lugt 2427); sold by him, to Frederick Keppel & Co. (New York, cf. Lugt 1023), February 1911; S. S. Rosenstamm (1860- about 1919, New York, Lugt 2839); his sale, New York, American Art Galleries, 27 January 1920, lot 75, 200 dollars; Lee Max Friedman (1871-1957, Boston); given to MFA by his estate, 13 November 1958.

    Credit Line

    Gift of the Estate of Lee M. Friedman

    Details

    Catalogue Raisonné

    Bartsch 069 i; Hind 126 i

    Dimensions

    Platemark: 13.8 x 17.1 cm (5 7/16 x 6 3/4 in.) Sheet: 14 x 17.5 cm (5 1/2 x 6 7/8 in.)

    Accession Number

    58.1052

    Medium or Technique

    Etching and engraving

    Not On View

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  • Christ Driving the Money Changers from the Temple

    1635
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 069; Hind 126 i

    Dimensions

    Sheet: 13.7 x 16.8 cm (5 3/8 x 6 5/8 in.)

    Accession Number

    P458

    Medium or Technique

    Etching

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  • Christ Driving the Money Changers from the Temple

    1635
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 069; Hind 126 ii

    Dimensions

    Platemark: 13.7 x 16.9 cm (5 3/8 x 6 5/8 in.) Sheet: 13.8 x 17 cm ( 5 7/16 x 6 11/16 in.)

    Accession Number

    P459

    Medium or Technique

    Etching

    Not On View

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  • Christ and the Woman of Samaria: An Arched Print

    Christ and the Woman of Samaria

    1657–58
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall, N.Y., date acquired:1897

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 070; Hind 294 iii

    Dimensions

    Sheet (trimmed within platemark): 12.7 x 16.3 cm (5 x 6 7/16 in.)

    Accession Number

    P460

    Medium or Technique

    Etching and drypoint

    Not On View

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  • Christ and the Woman of Samaria: An Arched Print

    1657
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Cabinet Brentano-Birckenstock (founded 1765 by Johannn-Melchior Birckenstock (1738-1809), Vienna and Frankfurt, Lugt 345); sold following the death in 1869 of Antonia, Birckenstock's only daughter, wife of Franz Brentano, Frankfurt, Prestel, 16 May 1870 and following days, lot 1329; bought by Marseille Holloway (died about 1910, London, Lugt 1875); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 070; Hind 294 iv

    Dimensions

    Platemark: 12.9 x 16.1 cm (5 1/16 x 6 5/16 in.) Sheet: 13.6 x 17.1 cm (5 3/8 x 6 3/4 in.)

    Accession Number

    P461

    Medium or Technique

    Etching and drypoint

    Not On View

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  • Christ and the Woman of Samaria

    1634
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Hermann Weber (1817-1854, Bonn, Lugt 1383); probably included in his sale, Leipzig, Weigel, 28 April 1856 and following days; Dr. August Sträter (1810-1897, Aachen, Lugt 787); probably included in his sale, Stuttgart, H. G. Gutekunst, 10-14 May 1898; Richard Gutekunst (1870-1961, Stuttgart, London, Bern, Lugt 2213a); [probably sequestered by the British government in 1914 and sold by a public trustee as "the property of an enemy subject" through Garland-Smith & Co., London, 2-3 December, 1920]; Henry Harper Benedict (1844-1935, New York, Lugt 2936); sold by his widow; R. E. Lewis, Belvedere, CA; from whom purchased by MFA, September 1999.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 071 i; Hind 122

    Dimensions

    Platemark: 12.4 x 11 cm (4 7/8 x 4 5/16 in.) Sheet: 12.6 x 11.1 cm (4 15/16 x 4 3/8 in.)

    Accession Number

    1999.267

    Medium or Technique

    Etching

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  • Christ and the Woman of Samaria: Among the Ruins

    1634
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Probably sold Berlin, Amsler & Ruthardt, 1884; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 071; Hind 122 i

    Dimensions

    Sheet: 11.9 x 10.7 cm (4 11/16 x 4 3/16 in.)

    Accession Number

    P462

    Medium or Technique

    Etching

    Not On View

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  • Christ and the Woman of Samaria: Among Ruins

    1634
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Ernst F. Oppermann (2nd half of the 19th century, Berlin, Lugt 887); his sale, Berlin, Amsler & Ruthardt, 15 May 1882 and following days; sold, Berlin, Amsler & Ruthhardt, April 1905; purchased there by MFA.

    Credit Line

    Museum purchase

    Details

    Catalogue Raisonné

    Bartsch 071; Hind 122 ii

    Dimensions

    Sheet: 11.9 x 10.7 cm (4 11/16 x 4 3/16 in.)

    Accession Number

    M20340

    Medium or Technique

    Etching

    Not On View

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  • The Raising of Lazarus

    1642
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    Lower left: Rembrandt F. 1642 (2 reversed)

    Provenance

    Carl Benjamin Brüsaber (b. 1815 - d. 1876, Hamburg, Lugt 309); 28 April 1873, probably included in Brüsaber sale, H. Sagert & Co. (Berlin, Germany) and following days; to Emil Schröter (d. about 1912, Lugt 2270) Dresden; 7-11 May 1912, Schröter Collection sale, Stuttgart, H. G. Gutekunst, lot 937, 72 marks; 1912, sold to The Nasrudin Gallery (Boston, MA); 1976, sold by The Nasrudin Gallery to MFA. (Accession Date: November 16, 1976)

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 072 i; Hind 198

    Dimensions

    Platemark: 15 x 11.5 cm (5 7/8 x 4 1/2 in.) Sheet: 15.4 x 11.8 cm (6 1/16 x 4 5/8 in.)

    Accession Number

    1976.744

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Raising of Lazarus

    1642
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Nicolaes Visscher, Amsterdam;Claude-Henri Watelet, and sold at auction, 1786; purchased by Pierre Francois Basan, 1786; inherited by H. -L. Basan, owner until 1809-10; Acquired by Auguste Jean,1809-10; Inherited by the Veuve Auguste Jean, and sold at her death, 1846; purchased by Michel Bernard, 1846; Inherited by Michel Bernard (son of the above), and sold; purchased by M. Allvin-Beaumont, Paris, and sold, 1938; purchased by Robert Lee Humber, Greenville, N. C., 1938; inherited by the sons of Robert Lee Humber, 1970, on permanent loan to the North Carolina Museum of Art, Raleigh, and sold, 1993; purchased by Arhold, Inc. (a member of the Artemis Group), Monte Carlo; from whom purchased (through Robert M. Light) by the MFA, 24 March 1993.

    Credit Line

    William Francis Warden Fund

    Details

    Catalogue Raisonné

    Bartsch 072; Hind 198

    Dimensions

    15 x 11.5 cm (5 7/8 x 4 1/2 in.)

    Accession Number

    1993.92

    Medium or Technique

    Copper etching plate

    Not On View

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    Europe

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    Tools and equipment, Printmaking

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  • The Raising of Lazarus: Small Plate

    The Raising of Lazarus

    1642
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Adam Gottlieb Thiermann (died about 1860, Berlin, Lugt 2434); Berlin Kupferstichkabinett (cf. Lugt 1606); Julius Rosenberg (1845-1900, Copenhagen, Lugt 1519); probably included in his sale, Leipzig, C. G. Boerner, 1-2 May 1901; Marsden Jasael Perry (1850-1935, Providence, RI, Lugt 1880); Dr. William Norton Bullard; given by him to MFA, April 1923.

    Credit Line

    Gift of William Norton Bullard

    Details

    Catalogue Raisonné

    Bartsch 072; Hind 198 i

    Dimensions

    Sheet (trimmed within platemark): 15 x 11.6 cm (5 7/8 x 4 9/16 in.)

    Accession Number

    23.1012

    Medium or Technique

    Etching

    Not On View

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  • The Raising of Lazarus: Small Plate

    1642
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    P. Gervaise (died 1860, Paris, Lugt 1078); probably included in his sale, Paris, Vignères, 26-28 November 1860; Josiah Bradlee (Boston, MA); given by Mrs. Bradlee to the MFA, 19 December 1902.

    Credit Line

    Gift of Mrs. Josiah Bradlee

    Details

    Catalogue Raisonné

    Bartsch 072; Hind 198 ii

    Dimensions

    Platemark: 15 x trimmed cm (5 7/8 x trimmed in.) Sheet: 15.2 x 11.4 cm ( 6 x 4 1/2 in.)

    Accession Number

    M19485

    Medium or Technique

    Etching

    Not On View

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  • The Raising of Lazarus: The Larger Plate

    about 1632
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Heneage Finch, Fifth Earl of Aylesford (1786-1859, London & Warwickshire, Lugt 58); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 073; Hind 96 vi

    Dimensions

    Sheet: 37 x 26.3 cm (14 9/16 x 10 3/8 in.)

    Accession Number

    P6752

    Medium or Technique

    Etching and engraving

    Not On View

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  • The Raising of Lazarus: The Larger Plate

    The Raising of Lazarus

    about 1632
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 073; Hind 96 viii

    Dimensions

    Sheet: 34.3 x 23.4 cm (13 1/2 x 9 3/16 in.)

    Accession Number

    P17084

    Medium or Technique

    Etching and engraving

    Not On View

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  • The Raising of Lazarus (the larger plate)

    about 1632
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Falkeisen und Huber, Basel (dealers; Lugt 1008). By 1888, Henry F. Sewall (b. 1816 - d. 1896; Lugt 1309), New York; 1897, sold by Sewall to the MFA [see note 1]. (Accession Date: August 14, 2012) NOTES: [1] Henry F. Sewall offered his collection to the MFA for purchase in 1888. That purchase was finalized and executed in 1897, one year after his death.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 073; Hind 96 x

    Dimensions

    Platemark: 37 x 25.7 cm (14 9/16 x 10 1/8 in.) Sheet: 38.3 x 26.8 cm (15 1/16 x 10 9/16 in.)

    Accession Number

    P6753

    Medium or Technique

    Etching and engraving

    Not On View

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  • Christ Preaching (The Hundred Guilder Print)

    about 1649
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Reworked by Capt. William Baillie (English, 1723–1792)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 074; Hind 236

    Accession Number

    P6757

    Medium or Technique

    Etching, drypoint, and engraving

    Not On View

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  • Christ Preaching (The Hundred Guilder Print)

    about 1649
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Reworked by Capt. William Baillie (English, 1723–1792)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 074; Hind 236

    Accession Number

    P6758

    Medium or Technique

    Etching, drypoint, and engraving

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  • Christ Preaching (The Hundred Guilder Print)

    about 1649
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Reworked by Capt. William Baillie (English, 1723–1792)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 074; Hind 236

    Accession Number

    P6759

    Medium or Technique

    Etching, drypoint, and engraving

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  • Christ Preaching (The Hundred Guilder Print)

    about 1649
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 074; Hind 236 ii

    Dimensions

    Platemark: 28 x 39 cm (11 x 15 3/8 in.) Sheet: 28.1 x 39.2 cm (11 1/16 x 15 7/16 in.)

    Accession Number

    P6754

    Medium or Technique

    Etching, drypoint, and engraving

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  • Christ Preaching (The Hundred Guilder Print)

    about 1649
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    worn impression

    Provenance

    Horatio G. Curtis (Boston); given by him to MFA, June 1913.

    Credit Line

    Gift of Horatio Greenough Curtis

    Details

    Catalogue Raisonné

    Bartsch 074; Hind 236 iii

    Accession Number

    M23362

    Medium or Technique

    Etching, drypoint, and engraving

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  • Christ Preaching (The Hundred Guilder Print)

    Christ with the Sick around Him

    about 1649
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Reworked by Capt. William Baillie (English, 1723–1792)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 074; Hind 236 iv

    Dimensions

    Platemark: 28 x 39.6 cm (11 x 15 9/16 in.) Sheet: 30.3 x 41.4 cm ( 11 15/16 x 16 5/16 in.)

    Accession Number

    P6756

    Medium or Technique

    Etching, drypoint, and engraving

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  • Christ Preaching (The Hundred Guilder Print)

    about 1649
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Reworked by Capt. William Baillie (English, 1723–1792)

    Description

    Central portion of the plate reworked and cut down by William Baillie

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 074; Hind 236 vi

    Dimensions

    Platemark: 27.5 x 19.3 cm (10 13/16 x 7 5/8 in.) Sheet: 27.9 x 19.4 cm ( 11 x 7 5/8 in.)

    Accession Number

    P465

    Medium or Technique

    Etching, drypoint, and engraving

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  • Christ Preaching (The Hundred Guilder Print)

    about 1649
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Reworked by Capt. William Baillie (English, 1723–1792)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 074; Hind 236

    Accession Number

    P6760

    Medium or Technique

    Etching, drypoint, and engraving

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  • Christ Preaching (The Hundred Guilder Print)

    about 1649
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Chevalier de Damery (died about 1803 [?], Paris, Lugt 2862); Calonne (active early 19th century [?]); William Edwards (died 1821, London, Lugt 2616); William Esdaile (1758-1837, London, Lugt 2617); Alexander Emil Posonyi (1839-1899, Vienna, Lugt 2040-1); Horatio Greenough Curtis (died about 1923, Boston); Mrs. Horatio Greenough Curtis; bequeathed by her to MFA, June or July 1927, received September 1940.

    Credit Line

    Fund in memory of Horatio Greenough Curtis

    Details

    Catalogue Raisonné

    Bartsch 074 i; Hind 236

    Dimensions

    Platemark: 27.8 x 38.8 cm (11 1/16 x 15 1/4) Sheet: 28.6 x 38.9 cm ( 11 1/4 x 15 5/16 in.)

    Accession Number

    27.1392

    Medium or Technique

    Etching, drypoint, and engraving on Japanese paper

    Not On View

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  • The Agony in the Garden

    about 1657
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Sir Francis Seymour Haden (1818-1910, London and Arlesford, Lugt 1227); possibly included in his sale, London, Sotheby's, 15-20 June 1891; probably with Kennedy & Co., New York; Henry Harper Benedict (1844-1935, New York, Lugt 2936); sold by his widow; sold, New York, Sohey Parke-Bernet, 10 May 1973; there purchased by MFA.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard

    Details

    Catalogue Raisonné

    Bartsch 075 only state; Hind 293

    Dimensions

    Platemark: 11.2 x 8.3 cm (4 7/16 x 3 1/4 in.) Sheet: 11.4 x 8.6 cm (4 1/2 x 3 3/8 in.)

    Accession Number

    1973.288

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Agony in the Garden

    Christ on the Mount of Olives

    about 1657
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 075; Hind 293

    Dimensions

    Platemark: 11.1 x 8.4 cm (4 3/8 x 3 5/16 in.) Sheet: 13 x 10.2 cm (5 1/8 x 4 in.)

    Accession Number

    P466

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Agony in the Garden

    about 1657
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 075; Hind 293

    Dimensions

    Sheet: 10.7 x 8.3 cm (4 3/16 x 3 1/4 in.)

    Accession Number

    P468

    Medium or Technique

    Etching and drypoint, counterproof

    Not On View

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  • Christ Presented to the People ("Ecce Homo")

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry Danby Seymour (1820-1877, London and Trent (Sherborne, Dorset), Lugt 176); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 076 v; Hind 271 v

    Dimensions

    Platemark: 35.6 x 45.2 cm (14 x 17 13/16 in.) Sheet: 35.8 x 45.3 cm (14 1/8 x 17 3/16 in.)

    Accession Number

    P6761

    Medium or Technique

    Drypoint, fifth state

    Not On View

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  • Christ Presented to the People ("Ecce Homo")

    1655
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Trimmed to platemark

    Provenance

    Henry Danby Seymour (1820-1877, London and Trent (Sherborne, Dorset), Lugt 176); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 076 vi; Hind 271 viii

    Dimensions

    Sheet: 35.7 x 45.3 cm (14 1/16 x 17 13/16 in.)

    Accession Number

    P6762

    Medium or Technique

    Drypoint, sixth state

    Not On View

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  • Christ Before Pilate (large plate)

    1635–36
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 077; Hind 143 iv

    Dimensions

    Sheet: 54.7 x 44.6 cm (21 9/16 x 17 9/16 in.)

    Accession Number

    P6763

    Medium or Technique

    Etching

    Not On View

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  • Christ Crucified Between the Two Thieves ("The Three Crosses")

    1653
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Dukes d'Arenberg (Brussels and Nordkirchen, Lugt 567); Albert [L. or W.] Blum (1882-1952, Switzerland and Short Hills, NJ, Lugt 79b); August Laube, Zürich, Swizerland; from whom purchased by MFA, November 1977.

    Credit Line

    Katherine E. Bullard Fund in memory of Francis Bullard and Bequest of Mrs. Russell W. Baker

    Details

    Catalogue Raisonné

    Bartsch 078 ii; Hind 270 ii G.80, Münz 223, BB. 53-A, W.-B. 78

    Dimensions

    Platemark: 38.4 x 45 cm (15 1/8 x 17 11/16 in.) Sheet: 39.4 x 45.6 cm (15 1/2 x 17 15/16 in.)

    Accession Number

    1977.747

    Medium or Technique

    Drypoint and engraving, second state

    Not On View

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  • Christ Crucified Between the Two Thieves ("The Three Crosses")

    about 1660
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 078; Hind 270 iv

    Dimensions

    Sheet: 38.3 x 44.9 cm (15 1/16 x 17 11/16 in.)

    Accession Number

    P19573

    Medium or Technique

    Drypoint and engraving, fourth state

    Not On View

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  • Christ Crucified Between the Two Thieves: An Oval Plate

    about 1641
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 079; Hind 173 ii

    Dimensions

    Platemark: 13.5 x 10 cm (5 5/16 x 3 15/16 in.) Sheet: 13.8 x 10.1 cm (5 7/16 x 4 in.)

    Accession Number

    P469

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Crucifixion: Small Plate

    1635
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    William Sharp (mid 19th century, Manchester, England, Lugt 2650); probably sold London, Sotheby's, 1 March 1878 and following days; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 080; Hind 123 ii

    Dimensions

    Platemark: 9.3 x 6.7 cm (3 11/16 x 2 5/8 in.) Sheet: 9.8 x 6.9 cm ( 3 7/8 x 2 11/16 in.)

    Accession Number

    P471

    Medium or Technique

    Etching

    Not On View

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  • The Descent from the Cross

    1633, printed 2002
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    21st-century impression

    Inscription

    Verso upper left in graphite pencil: 081902088XT Verso lower right in graphite pencil: #67/299

    Provenance

    Galerie Michael, Beverly Hills; by whom given to the MFA, 24 March 2003

    Credit Line

    Gift of Galerie Michael

    Details

    Catalogue Raisonné

    Bartsch 081 (II); Hind 103 late state

    Dimensions

    Platemark: 53.3 x 41.3 cm (21 x 16 1/4 in.) Sheet: 66 x 49.5 cm (26 x 19 1/2 in.)

    Accession Number

    2004.206

    Medium or Technique

    Etching and engraving, 21st century impression

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  • The Descent from the Cross

    1633
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Mrs. Lydia Evans Tunnard; by whom given to MFA December 30, 1963

    Credit Line

    Gift of Mrs. Lydia Evans Tunnard in memory of W. G. Russell Allen

    Details

    Catalogue Raisonné

    Bartsch 081; Hind 103 ii

    Dimensions

    Sheet: 52.6 x 41 cm (20 3/4 x 16 1/8 in.)

    Accession Number

    63.2859

    Medium or Technique

    Etching and engraving

    Not On View

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  • The Descent from the Cross

    1633
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 081; Hind 103 iii/iv

    Dimensions

    Platemark: 52.8 x 41 cm (20 13/16 x 16 1/8 in.) Sheet: 53.3 x 41.5 cm (21 x 16 5/16 in.)

    Accession Number

    P6765

    Medium or Technique

    Etching and engraving

    Not On View

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  • The Descent from the Cross

    1642
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Baron Charles Marochetti (1805-1867, Turin, Paris, London, Lugt 392); probably included in his sale, London, Sotheby's, 31 March 1868 and following days; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 082; Hind 199

    Dimensions

    Platemark: 14.8 x 11.6 cm (5 13/16 x 4 9/16 in.) Sheet: 15 x 11.7 cm ( 5 7/8 x 4 5/8 in.)

    Accession Number

    P473

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Descent from the Cross by Torchlight

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Inscription

    Signed and dated in plate: Rembrandt . f 1654 (the 'a' in reverse)

    Markings

    Verso upper left, in graphite pencil: 3 [? somewhat illegible] Verso lower center, in graphite pencil: B. 83

    Provenance

    C. G. Boerner, Düsseldorf, catalogue 69 (1978), no. 43; Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (New York and London, Ritman Catalogue no. 48); from whom purchased by Eijk and Rose-Marie van Otterloo, Marblehead, MA, 1999; by whom given to MFA, 26 March 2003.

    Credit Line

    Gift of Eijk and Rose-Marie van Otterloo in honor of Clifford S. Ackley

    Details

    Catalogue Raisonné

    Bartsch 083 only state; Hind 280 i/i

    Dimensions

    Platemark: 21.2 x 16.5 cm (8 3/8 x 6 1/2 in.) Sheet: 23 x 18 cm (9 1/16 x 7 1/16 in.)

    Accession Number

    2003.115

    Medium or Technique

    Etching and drypoint

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  • The Descent from the Cross by Torchlight

    The Descent from the Cross: By Torchlight

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 083; Hind 280 i

    Dimensions

    Platemark: 20.9 x 16.1 cm (8 1/4 x 6 5/16 in.) Sheet: 21.2 x 16.3 cm (8 3/8 x 6 7/16 in.)

    Accession Number

    P474

    Medium or Technique

    Etching and drypoint

    Not On View

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  • Christ Carried to the Tomb

    about 1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.

    Credit Line

    Harvey D. Parker Collection—Harvey Drury Parker Fund

    Details

    Catalogue Raisonné

    Bartsch 084; Hind 215

    Dimensions

    Platemark: 13.1 x 10.9 cm (5 3/16 x 4 5/16 in.) Sheet: 13.7 x 11.5 cm (5 3/8 x 4 1/2 in.)

    Accession Number

    P475

    Medium or Technique

    Etching and drypoint

    Not On View

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  • The Entombment

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    1925, gift of Ellen Twistleton Bullard (b. 1865 - d. 1959), Boston, to the MFA. (Accession Date: November 1, 1925)

    Credit Line

    Gift of Miss Ellen T. Bullard

    Details

    Catalogue Raisonné

    Bartsch 086, iv; Hind 281

    Dimensions

    Platemark: 21 x 16.2 cm (8 1/4 x 6 3/8 in.) Sheet: 21.9 x 17.1 cm (8 5/8 x 6 3/4 in.)

    Accession Number

    25.1149

    Medium or Technique

    Etching, drypoint, and engraving

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  • The Entombment

    about 1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Provenance

    Ernst Peter Otto [?] (1724-1799, Leipzig, Lugt 895); to his widow; to their son-in-law Mr. Clauss; possibly included in the third Otto sale, Leipzig, Weigel, 17 May 1852 and following days; Wilhelm Koller (died 1871, Vienna, Lugt 2632); probably included in his sale, Vienna, Posonyi, 5 February 1872 (and following days); Francis Bullard (1862-1913, Boston, Lugt 982); to his sister Katherine Eliot Bullard (1866-1920, Boston); to their brother Dr. William Norton Bullard (1853-1931, Boston); his gift to MFA, April 1923.

    Credit Line

    Gift of William Norton Bullard

    Details

    Catalogue Raisonné

    Bartsch 086; Hind 281 ii

    Dimensions

    Platemark: 20.9 x 16.2 cm (8 1/4 x 6 3/8 in.) Sheet: 21.2 x 16.4 cm (8 3/8 x 6 7/16 in.)

    Accession Number

    23.1013

    Medium or Technique

    Etching, drypoint and engraving

    Not On View

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  • Christ at Emmaus

    1654
    Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)

    Description

    Markings

    Verso lower left lightly stamped in black ink-- mark of Sir Francis Seymour Haden, Lugt 1227 Verso lower left stamped in black ink-- mark of Paul Davidsohn, Lugt 654

    Provenance

    Sir Francis Seymour Haden (b. 1818 - d. 1910), London and Arlesford; possibly included in his sale, London, Sotheby's, 15-20 June 1891; Paul Davidsohn (b. 1839 - d. 1927), London and Berlin; his third sale, Leipzig, C. G. Boerner, 26-29 April 1921, lot 81; William Goodwin Russell Allen (b. 1882 - d. 1955), Boston; by inheritance to his niece, Lydia Evans Tunnard (Mrs. Christopher Tunnard, b. 1913 - d. 1980), New Haven, CT; December, 1960, her gift to MFA.

    Credit Line

    Gift of Mrs. Christopher Tunnard in memory of W. G. Russell Allen

    Details

    Catalogue Raisonné

    Bartsch 087 i; Hind 282 i

    Dimensions

    Platemark: 21 x 15.9 cm (8 1/4 x 6 1/4 in.) Sheet: 21.2 x 16.1 cm (8 3/8 x 6 5/16 in.)

    Accession Number

    60.1543

    Medium or Technique

    Etching, drypoint and engraving on Japanese paper

    Not On View

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  • Tetradrachm of Rhodes with head of Helios, struck under Ameinias

    Greek
    Hellenistic Period
    3rd–2nd century B.C.

    Mint: Rhodes, Caria (Islands off)

    Description

    Obverse: Head of Helios, radiate.
    Reverse: Rose, with bud to right.
    At left, prow of ship.
    Above and below rose: inscriptions in Greek.

    Provenance

    By date unknown: with Edward Perry Warren; March 24, 1903: purchased by MFA from Edward Perry Warren

    Credit Line

    Francis Bartlett Donation of 1900

    Details

    Catalogue Raisonné

    Brett, Greek Coins (MFA), no. 2054.

    Dimensions

    Diameter: 27 mm. Weight: 13.23 gm.

    Accession Number

    03.975

    Medium or Technique

    Silver

    Not On View

    Collections

    The Ancient World

    Classifications

    Numismatics, Coins

    More Info

Contents