Eugenie Brinkema, assistant professor, Contemporary Literature and Media, MIT
In the continuing conversation about which American films are considered masterpieces, Brinkema discusses each film with respect to its innovation and its effect on film history. Selections include Battleship Potemkin (Eisenstein, 1925); The Passion of Joan of Arc (Dreyer, 1928); Citizen Kane (Welles, 1941); Rear Window (Hitchcock, 1954); and Pulp Fiction (Tarantino, 1994).

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