Amicis suis necnon unicuique artium elegantiorum amatori, tabulas insequentes ludentis otii temporibus ligno incisas

John Skippe (English, 1741–1812), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, 1503–1540), After Raphael (Raffaello Sanzio or Santi) (Italian, 1483–1520), After Annibale Carracci (Italian (Bolognese), 1560–1609), After Lodovico Carracci (Italian, 1555–1619), After Michelangelo Buonarroti (Italian (Florentine), 1475–1564), After Baccio Bandinelli (Italian, 1493–1560), After Andrea Mantegna (Italian (Paduan, active in Mantua), about 1431–1506), After Titian (Tiziano Vecellio) (Italian (Venetian), about 1488–1576), After Jacopo Tintoretto (Jacopo Robusti) (Italian (Venetian), about 1518–1594), After Salvator Rosa (Italian, 1615–1673), After Peter Paul Rubens (Flemish, 1577–1640), After Correggio (Antonio Allegri) (Italian (Parmese), about 1489–1534)

Place of Publication: London, England

Catalogue Raisonné

LeBlanc III, p. 35


Overall: 48 x 34 x 2 cm (18 7/8 x 13 3/8 x 13/16 in.)

Accession Number


Medium or Technique

Bound set of 35 chiaroscuro woodcuts

Not On View


Europe, Prints and Drawings


Bound sets

([London: John Skippe] 1781[-1811]) Folio; 33 leaves; contemporary gilt-stamped brown calf (rebacked)

Reproductions of old master drawings

[London: John Skippe] 1781[-1811]


W. G. Russell Allen, Boston (1882-1955), by whom bequeathed to MFA, June 19, 1963.

Credit Line

Bequest of W. G. Russell Allen