Thumbnail-size images of copyrighted artworks are displayed under fair use, in accordance with guidelines recommended by the Code of Best Practices in Fair Use for the Visual Arts, published by the College Art Association in February 2015.

"Belgravia, London" from the series "Perspectives of Nudes"

Bill Brandt (English, 1904–1983)


Image: 22.9 x 19.5 cm (9 x 7 11/16 in.) Sheet: 25.6 x 20.3 cm (10 1/16 x 8 in.)

Accession Number


Medium or Technique

Photograph, gelatin silver print

Not On View


Europe, Photography



Beginning in the mid-1940s, Bill Brandt made an extensive series of nudes set in eerily dark, nearly empty interiors in London’s Belgravia, St. John’s Wood, and Campden Hill neighborhoods. His work as an assistant to Man Ray during the 1930s, and his exposure to French Surrealism had given him a taste for exploiting the camera’s “vision.” Shot in raking light from exaggerated perspectives with a Kodak wide-angle camera like those police use to document crime scenes, Brandt’s images alter his sitters into strange, undulating shapes, converting the female nude into molded topographic forms not unlike the sculptures of his contemporaries Henry Moore and Barbara Hepworth.


Bill Brandt stamp on verso.


Charles Isaacs, Philadelphia, PA; purchased September 1985.

Credit Line

Sophie M. Friedman Fund