Fourth of the Line, the Danjûrô of Kiba (Actor Ichikawa Danjûrô IV as Kagekiyo), from an untitled series of the Ichikawa Danjûrô lineage for the Gogawa club


Edo period
about 1820 (Bunsei 3)
Artist Utagawa Toyokuni I (Japanese, 1769–1825)

Catalogue Raisonné

McKee, Colored in the New Year's Light (2008), #129; Gifu Prefectural Museum, Nanadaime Danjûrô to Kunisada, Kuniyoshi (2001), #1-5 (2nd state); Bowie et al, Art of Surimono (1979), #62 (2nd state)


Shikishiban; 20 x 17.5 cm (7 7/8 x 6 7/8 in.)

Accession Number


Medium or Technique

Woodblock print (surimono); ink and color on paper

Not On View


Asia, Prints and Drawings



From a series first designed around 1820 by Toyokuni I for the Gogawa-ren, with their hourglass-shaped symbol decorating the margin. A second version of the series was issued by Toyokuni II in the early 1830s, with different poems and without the club symbol.
This poem translated in McKee 2008, p. 258.


Poem by Nogairô Nakamushi: Haru kureba/ yama mo kasumi no/ kumaedori/ kesa no hatsuhi no/ Kagekiyo zo yoki


Toyokuni hitsu


By 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection