Jion-ji at Karinzan, Iwatsuki, Musashi Province, No. 12 of the Bandô Pilgrimage Route (Bandô junrei jûniban Bushû Iwatsuki Karinzan Jion-ji), from the series Miracles of Kannon (Kannon reigenki)
「観音霊験記 坂東巡礼 十二番 武州 （ぶしゅう） 岩槻 （いわつき） 花林山 （かりんざん） 慈恩寺 （じおんじ）」
1865 (Genji 2/Keiô 1), 2nd month
Artist Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864), Artist Utagawa Hiroshige II (Shigenobu) (Japanese, 1826–1869), Publisher Yamadaya Shôjirô (Japanese)
C's Ukiyo-e Museum, http://homepage2.nifty.com/ukiyo-e/index.html; Shibuya Kuritsu Shôtô Bijutsukan, Ukiyoeshitachi no shinbutsu (1999), #17
Vertical ôban; 35.7 x 24.1 cm (14 1/16 x 9 1/2 in.)
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper
Not On View
The story of Jigaku Daishi.
Toyokuni ga, in toshidama cartouche (lower image); Hiroshige ga (upper image)
Censor's seal: Ox 2 aratame
No blockcutter's mark
By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
 Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
William Sturgis Bigelow Collection