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森田座辻番付 「当南身延妙利益（ときにみんなみのぶのごりやく）」、「浄瑠璃 恋積経山風（こいぞつもるみのりのやまかぜ）」、「壮色双蝶蝶（はなのいろふたつちょうちょう）」
Kabuki Playbill (Tsuji banzuke) for Plays at the Morita Theater: Toki ni Min Nami no Bu no Goriyaku, Koi zo Tsumoru Minori no Yamakage (Jôruri), Hana no Iro Futatsu Chôchô
森田座辻番付 「当南身延妙利益（ときにみんなみのぶのごりやく）」、「浄瑠璃 恋積経山風（こいぞつもるみのりのやまかぜ）」、「壮色双蝶蝶（はなのいろふたつちょうちょう）」
Japanese
Edo period
1857 (Ansei 4), 7th month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
34.5 x 48.2 cm (13 9/16 x 19 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.28103
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionTsuji banzuke for the headlining kabuki drama "Toki ni min nami no bu no goriyaku" that was staged at the Morita Theater (Edo) from the 27th day of the 7th lunar month of Ansei 4 (1857). The day's program also included: the Jôruri piece titled "Koi zo tsumoru minori no yamakage", which was performed with Tomimoto and Takemoto-style musical accompaniment; and the drama "Hana no iro futatsu chôchô". The banzuke was published by Ogawa Hansuke.
「当南身延妙利益」 ときにみんなみのぶのごりやく
浄瑠璃： 「恋積経山風」 こいぞつもるみのりのやまかぜ
「壮色双蝶蝶」 はなのいろふたつちょうちょう
森田座、江戸
安政04(1857) ・07月 ・27日より
版元備考： 小川 半助
「当南身延妙利益」 ときにみんなみのぶのごりやく
浄瑠璃： 「恋積経山風」 こいぞつもるみのりのやまかぜ
「壮色双蝶蝶」 はなのいろふたつちょうちょう
森田座、江戸
安政04(1857) ・07月 ・27日より
版元備考： 小川 半助
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.