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中村座辻番付 「石田詰駒真砂路（いしだづめこまのまさごじ）」、「浄瑠璃 恋弦結颯☆（こいひとすじむすぶすまごと）」、「増補浪花鑑（ぞうほなにわかがみ）」
Kabuki Playbill (Tsuji banzuke) for Plays at the Nakamura Theater: Ishida-zume Koma no Masagoji, Koi Hitosuji Musubu Sumagoto (Jôruri), Zôho Naniwa Kagami
中村座辻番付 「石田詰駒真砂路（いしだづめこまのまさごじ）」、「浄瑠璃 恋弦結颯☆（こいひとすじむすぶすまごと）」、「増補浪花鑑（ぞうほなにわかがみ）」
Japanese
Edo period
1845 (Kôka 2), 7th month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
35 x 48.3 cm (13 3/4 x 19 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.27726
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.27726, 11.28332
Tsuji banzuke promoting the kabuki dance drama "Ishida-zume koma no masagoji", the Tokiwazu-style Jôruri piece "Koi hitosuji musubu sumagoto", and the drama "Zôho Naniwa kagami". These were performed at the Nakamura Theater (Edo) from the 11th day of the 7th lunar month of Kôka 2 (1845). Published by Murayama Genbei.
所作事題： 「石田詰駒真砂路」 いしだづめこまのまさごじ
浄瑠璃： 「恋弦結颯☆」 こいひとすじむすぶすまごと
「増補浪花鑑」 ぞうほなにわかがみ
中村座、江戸
弘化02(1845) ・07月 ・11日より
版元備考： 村山 源兵衛
Tsuji banzuke promoting the kabuki dance drama "Ishida-zume koma no masagoji", the Tokiwazu-style Jôruri piece "Koi hitosuji musubu sumagoto", and the drama "Zôho Naniwa kagami". These were performed at the Nakamura Theater (Edo) from the 11th day of the 7th lunar month of Kôka 2 (1845). Published by Murayama Genbei.
所作事題： 「石田詰駒真砂路」 いしだづめこまのまさごじ
浄瑠璃： 「恋弦結颯☆」 こいひとすじむすぶすまごと
「増補浪花鑑」 ぞうほなにわかがみ
中村座、江戸
弘化02(1845) ・07月 ・11日より
版元備考： 村山 源兵衛
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.