about 560 B.C.
Sculpture in Stone (MFA), no. 389; Sculpture in Stone and Bronze (MFA), p. 116 (additional published references).
Height x length: 66 x 116 cm (26 x 45 11/16 in.)
Medium or Technique
Conservation on View: Etruscan Sarcophagi (Gallery 117)
This leopard came from an architectural setting and must have had a pendant facing in the opposite direction. Not only is he considerably larger than the other two, but he is much more ferocious in appearance, with malevolent eyes, a twitching nose, and ears lying back almost flat along the cranium. He is also characterized by pointed haunches enframed in stylized outlines to suggest the folds of his skin.
Legs and much of the right side are broken away, with ruts and grooves, as if he had lain face down as building material or a paving block in Roman times or the Middle Ages. Although different from the other two Boston leopards (61.130 and 63.2756) in style and proportions, this beast must also date shortly before the middle of the sixth century B.C.
The statue has a brown patina with somewhat crusty surfaces.
By 1961: with Hesperia Art, 2219 St. James Place, Philadelphia 3, Pa. (presumably from Vulci); December 1963: purchased by Horace L. Mayer from Hesperia Art; loaned by Horace L. Mayer to MFA, December 23, 1963; yar-end gift of Horace L. Mayer to MFA, December 26, 1963
Gift of Horace L. Mayer