Ma Brigade, Fifth Group, Akasaka: Actor Onoe Tamizô II as an Akasaka Yakko Kite, from the series Flowers of Edo and Views of Famous Places (Edo no hana meishô-e)

「江戸廼花名勝会 ま 語番組」 「赤坂」 「赤坂奴凧平 尾上多見蔵」(二代目)

Edo period
1863 (Bunkyû 3), 3rd month
Artist Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864), Other artist Utagawa Hiroshige II (Shigenobu) (Japanese, 1826–1869), Publisher Katôya Iwazô (Seibei) (Japanese), Blockcutter Koizumi Minokichi (Hori Mino) (Japanese, 1833–1906)


Vertical ôban, creped; 20.3 x 14.8 cm (8 x 5 13/16 in.)

Accession Number


Medium or Technique

Woodblock print (nishiki-e); ink and color on paper, creped

Not On View


Asia, Prints and Drawings



Forms the right sheet of a triptych of kite-flying themes, with a continuous kite string.
MFA impressions:
Right sheet: 11.21821, 11.45146, 11.45396.14 (creped, in album)
Center sheet: 11.21822, 11.45147, 11.45396.15 (creped, in album)
Left sheet: 11.21411, 11.21823, 11.45152, 11.45396.16 (creped, in album)

The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.


Toyokuni ga, in toshidama cartouche (top); Ôju Hiroshige ga (bottom)
豊国画(年玉枠)、応需 広重画


Censor's seal: Boar 3 aratame
Blockcutter's mark: Hori Mino


By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection