Object Place: Nigeria
40.64 cm (16 in.)
Medium or Technique
Not On View
Masking forms were often exchanged and assimilated among the Igbo, Idoma, and their neighbors. Idoma mask identities also sometimes vacillated from village to village, the roles changing with each performance. This originally white-faced mask is notable for its near-perfect symmetry: matching keloids on the cheeks, a vertical forehead mark extending down the nose, and blackened lips outlining the teeth.
Bryce Holcombe (d. 1983), New York [see note]; February, 1989, sold by Pace Primitive and Ancient Art, New York, to William and Bertha Teel, Marblehead, MA; 1994, partial gift of William and Bertha Teel to the MFA; 2014, acquired fully with the bequest of William Teel to the MFA. (Accession Dates: January 26, 1994 and February 26, 2014)
NOTE: Holcombe was the director of Pace Primitive and Ancient Art until his death in 1983.
Gift of William E. and Bertha L. Teel