"Much Ado About Nothing"
Object Place: Europe, England
H. 45.7 cm (18 in.); W. 59 cm (23 1/4 in.); D. 1.5 cm (9/16 in.)
Medium or Technique
Silver; damascened steel frame
Not On View
The shaped rectangular plaque depicts the marriage scene from “Much Ado About Nothing”. It is mounted onto an eared, rectangular damascened steel frame decorated at each corner with masks of ‘Comedy’ and ‘Tragedy’, and with interlaced damascene ornament around the plaque. At the top of the frame is a chased silver portrait medallion of Shakespeare crowned with a laurel wreath by two flanking putti. At each side of the frame is a silver trophy of music, and at the bottom is the title plaque.
Trained in the Paris workshop of Antoine Vecht (1799-1869), a skilled chaser and expert in damascening, Morel-Ladeuil was one of a number of prestigious French artists hired by Elkington & Co. Ltd. for their design skills. This plaque depicts the marriage scene from “Much Ado About Nothing”. There was a tremendous revival of Shakespeare’s play in the London theatre at this time, and the scene represents the actual set of the Lyceum Theatre production of 1882.
Engraved on lower left: Morel-Ladeuil/Fecit 1884; on lower right: Elkington co.
Elkington & Co; 1973, sold by the firm; by 1995, with Wynyard R.T. Wilkinson, London; May 24, 1995, sold by Wynyard R.T. Wilkinson to the MFA. (Accession date: May 24, 1995)
Theodora Wilbour Fund in memory of Charlotte Beebe Wilbour and Gift of Wynyard R.T. Wilkinson