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「大日本六十余州之内 武蔵 幡随長兵衛」
DEACESSIONED June 20, 2019
Musashi Province: Banzui Chôbei, from the series The Sixty-odd Provinces of Great Japan (Dai Nihon rokujûyoshû no uchi)
「大日本六十余州之内 武蔵 幡随長兵衛」
Utagawa Kuniyoshi (Japanese, 1797–1861)
Other artist: Utagawa Yoshitsuna (Japanese, active about 1848–1868)
Publisher: Wakasaya Yoichi (Jakurindô) (Japanese)
Other artist: Utagawa Yoshitsuna (Japanese, active about 1848–1868)
Publisher: Wakasaya Yoichi (Jakurindô) (Japanese)
Japanese
Edo period
about 1845 (Kôka 2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.5 x 25.1 cm (14 3/8 x 9 7/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.29893
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S36.16
DescriptionMFA impressions: *11.29893 (deaccessioned in 2019), 11.42447
From a series jointly designed by Kunisada and Kuniyoshi, with insets by various pupils of the two main artists.
From a series jointly designed by Kunisada and Kuniyoshi, with insets by various pupils of the two main artists.
Signed
Ichiyûsai Kuniyoshi ga (on main inage); Monjin Ittôsai Yoshitsuna (on inset)
一勇斎国芳画、門人一渡斎芳綱画
一勇斎国芳画、門人一渡斎芳綱画
Marks
Censor's seal: Watari
No blockcutter's mark
改印：渡
彫師：なし
No blockcutter's mark
改印：渡
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.