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Pavilion under Pine Trees in Autumn


董其昌仿倪瓚松亭秋色圖 (董其昌)
Dong Qichang (Chinese, 1555–1636)
Chinese
Ming dynasty
1621

Medium/Technique Ink on paper
Dimensions Overall: 235 x 82.5 cm (92 1/2 x 32 1/2 in.)
Image: 138.5 x 53.7 cm (54 1/2 x 21 1/8 in.)
Credit Line Gift of the Wan-go H. C. Weng Collection and the Weng family, in honor of Weng Tonghe
Accession Number2018.2911
NOT ON VIEW
CollectionsAsia
ClassificationsPaintings

Catalogue Raisonné 08
Marks Artist’s seal:
Dong Qichang yin董其昌印 (square, intaglio)
InscriptionsArtist’s inscription and signature (8 columns in standard script, dated 1621)

松溪水色綠於松,每到松溪聽暮鐘。閑得心源秖如此,問禪何必向雙峰。
危根瘦盖聳孤峰,珍重江僧好筆蹤。得向遊人多處畫,卻勝澗底作眞松。
倣倪元鎭畫松亭秋色圖。辛酉七月。

Pine Stream’s color is greener than the pines. When here, I listen to the evening temple bell. Casually discovering the mind’s source is just like this. Why seek Chan Buddhist instruction from the Twin Peaks?
Tenuous roots, thin foliage, a single, lofty peak. I treasure the excellent brushstrokes of the River Monk. If this traveler could obtain more landscape paintings, they would surpass the real pines at the foot of the ravine.
Pavilion under Pine Trees in Autumn after Ni Yuanzhen [Zan], painted in the tenth month of the xinyou year [1621]. Xuanzai [Dong Qichang].
Provenance19th century, Weng Tonghe (b. 1830 - d. 1904), Beijing and Changshu, China; 1904, by inheritance from Weng Tonghe to his great-grandson, Weng Zhilian (d. 1919), Changshu and Tianjin; 1919, by inheritance from Weng Zhilian to his son, Wan-go H.C. Weng, Tianjin, New York, and New Hampshire; 2002, transferred to the Hsing Ching Weng Trust, New Hampshire; 2018, gift of the Hsing Ching Weng Trust to the MFA. (Accession Date: December 12, 2018)