Advanced Search 
Shawabty
Egyptian
New Kingdom, Dynasty 18–20
1550–1070 B.C.
Medium/Technique
Pottery
Credit Line
Hay Collection—Gift of C. Granville Way
Accession NumberRES.72.31
NOT ON VIEW
CollectionsAncient Egypt, Nubia and the Near East
ClassificationsTomb equipment – Shawabties and shawabty boxes
DescriptionThis shawabty of pottery (reddish clay) depicts a mummiform figure of slender proportions. It wears a black-painted wig of tripartite style. The face, torso, and arms are painted yellow; the lower body is white with a yellow stripe down the center to frame a column of hieroglyphic text painted in black (now partly worn away). Facial details are also accented in black. The outer arms and legs are painted white, possbily to mimic linen bandages. Paint in many areas is somewhat worn.
An ancient Egyptian shawabty is a funerary figurine that was intended to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various length are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
An ancient Egyptian shawabty is a funerary figurine that was intended to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various length are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
ProvenanceBy 1836: Robert Hay Collection, Linplum, Scotland; 1863: to his son, Robert James Alexander Hay; 1868-1872: Way Collection, Boston (purchased by Samuel A. Way through London dealers Rollin and Feuardent, 27 Haymarket); 1872: given to the MFA by Samuel's son, C. Granville Way. (Accession Date: June 28, 1872)