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Shinagawa, from the Fifty-three Stations [of the Tôkaidô] (Shinagawa, Gojûsan tsugi no uchi): Actors Bandô Sajûrô I as Sakanaya Kichigorô and Onoe Baiko IV as Heiemon's Wife (Nyôbô) Okita


「五十三次ノ内 品川」 「肴屋吉五郎」初代坂東佐十郎、「平右衛門女房お北」四代目尾上梅幸
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Daikokuya Heikichi (Japanese)
Japanese
Edo period
1852 (Kaei 5), 3rd month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban; 36 x 24.1 cm (14 3/16 x 9 1/2 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.40775
NOT ON VIEW
ClassificationsPrints

DescriptionPlay: Yayoi no Hana Iroha no Honzetsu
Theater: Nakamura
☆花いろは本説(やよいのはないろはのほんぜつ)
中村
1852、嘉永05
Signed Ichiyôsai Toyokuni ga
一陽斎豊国画
Marks Censors' seals: Hama, Magome
No blockcutter's mark
改印:浜、馬込
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.