Snow View (Yuki no nagame), from the series Fashionable Genji (Fûryû Genji)

「風流源氏 雪の眺め」

Edo period
1853 (Kaei 6), 12th month
Artist Utagawa Hiroshige I (Japanese, 1797–1858), Artist Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864), Publisher Iseya Kanekichi (Japanese), Blockcutter Yokokawa Takejirô (Hori Take)

Catalogue Raisonné

Marks et al., Genji's World (2012), list #G550-02, pl. 234; Mueller et al., Competition and Collaboration (2007), #156; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 248, ôban triptych #094.7; Tanba 1965, #113


Vertical ôban triptych; 35.3 × 71.2 cm (13 7/8 × 28 1/16 in.)

Accession Number


Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Not On View


Asia, Prints and Drawings



MFA impressions: 06.1264 (center sheet only), 11.39586a-c (complete triptych), 21.5917 (center sheet only), 47.25-7 (complete triptych), 2016.924


Toyokuni ga (on right and left sheets), Hiroshige hitsu (on center sheet)
豊国画(年玉枠) 広重筆


Censor's seals: aratame, Ox 12
Blockcutter's marks: Yokokawa Hori Take (on right and left sheets), Hori Take (on center sheet)
Artist's seal: Ichiryûsai
彫師:横川彫竹 彫竹


By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection