Advanced Search 
Tapestry: "Penelope at Her Loom" a fragment from "The Story of Penelope and The Story of the Cimbri Women" (from the series, "The Stories of Virtuous Women")
French or Franco-Flemish
about 1480–83
Object Place: France or the Franco-Flemish territories
Medium/Technique
Wool tapestry
Dimensions
100 x 150 cm (39 3/8 x 59 1/16 in.)
Credit Line
Maria Antoinette Evans Fund
Accession Number26.54
NOT ON VIEW
CollectionsEurope, Fashion and Textiles
ClassificationsTextiles
DescriptionIn the center foreground, a richly dressed woman (Penelope) is seated at a carpet-covered table. Only the upper half of her figure is visible. A small loom rests on the table before her. In her right hand she holds a shuttle while her left hand manipulates the harnesses of the loom. The entire composition is framed by a delicate cusped arch supported on a pair of slender columns. Across the front edge of the table is the following inscription: PENELOPE COIVNX SEPER VLIXIS ERO.
The tapestry is woven using wool yarns in rich blues, greens, reds, and yellows with 5-6 warp threads per centimeter. "Multiple hand drawn objects" are woven across the lower part. This is the third tapestry in a series bearing arms of Ferry de Clugny.
The tapestry is woven using wool yarns in rich blues, greens, reds, and yellows with 5-6 warp threads per centimeter. "Multiple hand drawn objects" are woven across the lower part. This is the third tapestry in a series bearing arms of Ferry de Clugny.
ProvenanceAbout 1480/1483, Cardinal Ferry de Clugny (b. 1410 - d. 1483), Autun, Burgundy [see note 1]; 1483, upon his death, to his nephew, Guillaume de Clugny; to his son, Louis de Clugny and his wife, Marie de Chaugy; passed within her family to Claude-Augustine Chaugny and her husband, Pierre Le Belin, Dijon; to their son, Jean-Jacques Le Belin (b. 1645 – d. 1710), Dijon; bequeathed by Belin to Francois Guyet (b. 1663 – d. 1736) and his wife, Claudine Quarré (b. 1662 – d. 1749), Lyon [see note 2]; to their daughter, Philibert Guyet, Comtesse de Chamillart; 1750, sold by the Comtesse de Chamillart to Charles-Antoine, Marquis de Clugny (b. 1700 – d. 1779), Chateau de Thenissey, Côte-d'Or, France; to his son, Francois Victor de Clugny (d. 1782), Chateau de Thenissey; to his son, Charles-Louis de Clugny (d. 1793) and his wife, Marie Charlotte Alexandrine de Lannoy (b. 1761 – d. 1816), Chateau de Thenissey; about 1791, after a fire at Chateau de Thenissey, removed and taken to Chateau de Jours-les-Baigneux; 1793, confiscated and sold at auction, probably as national property [see note 3]; returned to or reacquired by Marie Charlotte Alexandrine de Lannoy and her second husband, Joseph Guy Louis Dominique de Tulles, Marquis de Villefranche (b. 1768 – d. 1847), Chateau de Thenissey [see note 4]; until 1926, by descent within the family, Chateau de Thenissey; 1926, sold from the collection of the Comte de Marenches to the MFA for $45,000. (Accession Date: March 4, 1926)
NOTES:
[1] This is one in a series of ten tapestries commissioned by Ferry de Clugny; damaged in a fire during the 18th century, eight fragments remain and are now at the MFA (accession nos. 26.53 – 26.60). On their early history, see Vicomte L. de Varax, Les Tapisseries du Cardinal de Clugny (Lyon, 1926) and Jean-Bernard de Vaivre, “Aspects du mécénat des Clugny au XV siècle,” Comtes rendus des séances de l’Académie des Inscriptions et Belles-Lettres 152, no. 2 (2008): pp. 532-533.
[2] According to Varax 1926 (as above, note 1), Guyet was Jean-Jacques Le Belin’s son-in-law.
[3] Achille Joubinal, “Tapisseries,” in Le Moyen Age et la Renaissance: Histoire et Description, vol. 2 (Paris, 1849), VII. The Chateau des Jours-les-Baigneux was nationalized during the French Revolution.
[4] The tapestries were at the Chateau de Thenissey again in the nineteenth century, and remained there until the time they were sold.
NOTES:
[1] This is one in a series of ten tapestries commissioned by Ferry de Clugny; damaged in a fire during the 18th century, eight fragments remain and are now at the MFA (accession nos. 26.53 – 26.60). On their early history, see Vicomte L. de Varax, Les Tapisseries du Cardinal de Clugny (Lyon, 1926) and Jean-Bernard de Vaivre, “Aspects du mécénat des Clugny au XV siècle,” Comtes rendus des séances de l’Académie des Inscriptions et Belles-Lettres 152, no. 2 (2008): pp. 532-533.
[2] According to Varax 1926 (as above, note 1), Guyet was Jean-Jacques Le Belin’s son-in-law.
[3] Achille Joubinal, “Tapisseries,” in Le Moyen Age et la Renaissance: Histoire et Description, vol. 2 (Paris, 1849), VII. The Chateau des Jours-les-Baigneux was nationalized during the French Revolution.
[4] The tapestries were at the Chateau de Thenissey again in the nineteenth century, and remained there until the time they were sold.