Untitled harimaze sheet with seven designs, from right: Jumping Toys from Asakusa (Tondari-hanetari, TR), Capital Bird (Miyako-dori, BR), Calligraphy, Mimeguri Shrine in Moonlight (TC), Calligraphy (BC), Double Cherry Blossom (TL), Dried Flounder (BL)

張交 飛んだりはねたり、都鳥、書、三囲、書、八重桜、鰈

Japanese
Edo period
1847–52 (Kôka 4–Kaei 5)
Artist Utagawa Hiroshige I (Japanese, 1797–1858), Publisher Yamadaya Shôjirô (Japanese)


Catalogue Raisonné

Ukiyo-e shûka 14 (1981), Hiroshige list, p. 242, aiban #18 (series of 17 prints, not listed individually)

Dimensions

Horizontal aiban (harimaze); 22.5 x 34.1 cm (8 7/8 x 13 7/16 in.)

Accession Number

RES.54.27

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

Signed

Hiroshige (on toys and landscape), Ryûsai (on bird and fish), Tôkai (on flower)
広重、立斎、東海

Markings

Censors' seals: Kinugasa, Watanabe
No blockcutter's mark
改印:衣笠、渡辺
彫師:なし

Provenance

1954, by exchange from Worcester Art Museum to the MFA. (Accession Date: April 8, 1954)

Credit Line

Museum of Fine Arts, Boston—Worcester Art Museum exchange, made possible through the Special Korean Pottery Fund, Museum purchase with funds donated by contribution, and Smithsonian Institution—Chinese Expedition, 1923–24