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Rembrandt Harmensz. van Rijn, The Three Trees (detail), 1643. Etching, drypoint, and engraving. Gift of William Norton Bullard.
Explore the MFA’s collection of seventeenth-century prints by Rembrandt.
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Self Portrait with Curly Hair and White Collar: Bust
about 1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Wilhelm Koller (died 1871, Vienna, Lugt 2632); probably included in his sale, Vienna, Posonyi, 5 February 1872 (and following days); Rev. J. Burleigh James (Knowbury Park, Shropshire, England, Lugt 1425); Henry F. Sewall (1816-1896, New York); from whom purchased by the MFA November 1897
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 001; Hind 33 ii
Dimensions
Sheet: 5.8 x 5 cm (2 5/16 x 1 15/16 in.)
Accession Number
P375
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait Wearing a Soft Cap: Full Face, Head Only
about 1634
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Dr. William Norton Bullard (1853-1931, Boston); by whom given to MFA April 1923.
Credit Line
Gift of William Norton Bullard
Details
Catalogue Raisonné
Bartsch 002; Hind 57
Dimensions
Sheet (trimmed to platemark): 5.1 x 4.4 cm (2 x 1 3/4 in.)
Accession Number
23.1008
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait in Cap and Dark Cloak: Bust
Rembrandt in Cap and Dark Coat
before 1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Probably reworked by van Vliet
Provenance
Fürst Karl Paar (1772-1819, Vienna, Lugt 2009); inherited by his son; probably sold on the eighth or ninth day of his sale, London, Sotheby's, 13 July 1854 (and 13 days following); Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, lot 720, on 8 May; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 006; Hind 66 iii
Dimensions
Platemark: 6.7 x 6 cm (2 5/8 x 2 3/8 in.) Sheet: 7.1 x 6.5 cm ( 2 13/16 x 2 6/16 in.)
Accession Number
P378
Medium or Technique
Etching
Not On View
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Classifications
More Info -
Self Portrait in a Soft Hat and Embroidered Cloak
1631
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 007; Hind 54 ix
Dimensions
Platemark: 14.8 x 13.2 cm (5 13/16 x 5 3/16 in.) Sheet: 15 x 13.2 cm ( 5 7/8 x 5 3/16 in.)
Accession Number
P379
Medium or Technique
Etching
Not On View
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Self Portrait with Long Bushy Hair: Head Only
about 1631
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, lot 722, on 8 May; Henry Foster Sewall (b. 1816 - d. 1896), New York; November, 1897, purchased by the MFA through the Harvey D. Parker Fund.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 008; Hind 55 v
Dimensions
Platemark: 6.4 x 6.1 cm (2 1/2 x 2 3/8 in.) Sheet: 6.4 x 6.1 cm ( 2 1/2 x 2 3/8 in.)
Accession Number
P380
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait, Frowning: Bust
Self-Portrait Looking over Shoulder
1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, lot 723, on 8 May; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 010; Hind 30 ii
Dimensions
Sheet: 6.9 x 5.8 cm (2 11/16 x 2 5/16 in.)
Accession Number
P381
Medium or Technique
Etching
Not On View
Collections
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More Info -
Self Portrait, Frowning: Bust
1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November, 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 010; Hind 30 iii
Dimensions
Sheet: 6.8 x 5.7 cm (2 11/16 x 2 1/4 in.)
Accession Number
P382
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait in Fur Cap and Robe
Rembrandt with Fur Cap and Coat
before 1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Cambridge University Library (inventory number AD12.38-211, Lugt 2475); transferred to the Fitzwilliam Museum, 1876; probably sold with their duplicates, London, Sotheby's, 2 April 1878 (and following days); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 014; Hind 62 ii
Dimensions
Platemark: 6.3 x 5.7 cm (2 1/2 x 2 1/4 in.) Sheet: 6.7 x 6.1 cm ( 2 5/8 x 2 3/8 in.)
Accession Number
P384
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait in a Cloak with a Falling Collar: Bust
Rembrandt with Fur Cape
1631
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Pierre Mariette, dated 1664 (1634-1716, Paris, Lugt 1788); possibly Jacques Aved (active 18th century; Paris, cf. Lugt 2173); Pierre Remy, dated 1749 (died after 1787, Paris, Lugt 2173); possibly Thomas Major (1720-1799, London, cf. Lugt 2173); Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, lot 728, on 8 May; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 015; Hind 63 iii
Dimensions
Sheet: 6.1 x 5.3 cm (2 3/8 x 2 1/16 in.)
Accession Number
P385
Medium or Technique
Etching
Not On View
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Classifications
More Info -
Self Portrait in a Heavy Fur Cap: Bust
1631
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 016; Hind 56
Dimensions
Sheet: 6.2 x 5.5 cm (2 7/16 x 2 3/16 in.)
Accession Number
P18757
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait in a Cap and Scarf with the Face Dark: Bust
1633
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 017; Hind 108 ii
Dimensions
Sheet: 13.6 x 11 cm (5 3/8 x 4 5/16 in.)
Accession Number
P388
Medium or Technique
Etching, counterproof
Not On View
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Classifications
More Info -
Self Portrait in a Cap and Scarf with the Face Dark: Bust
1633
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 017; Hind 108 iii
Dimensions
Sheet: 13.1 x 10.2 cm (5 3/16 x 4 in.)
Accession Number
P387
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait with Raised Sabre
1634
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 018; Hind 109 iii
Dimensions
Platemark: 12.5 x 10.2 cm (4 15/16 x 4 in.) Sheet: 13.9 x 11.6 cm ( 5 1/2 x 4 9/16 in.)
Accession Number
P389
Medium or Technique
Etching
Not On View
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More Info -
Self-Portrait with Saskia
1636
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Markings
Recto lower left in black ink-- mark of Edward Vernon Utterson (Lugt 909)
Verso lower left in red ink-- mark of Henry F. Sewall (Lugt 1309)Provenance
Edward Vernon Utterson (1775 or 1776-1856, London, Lugt 909); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 019 i; Hind 144 i
Dimensions
Platemark: 10.4 x 9.3 cm (4 1/8 x 3 11/16 in.) Sheet: 10.6 x 9.5 cm (4 3/16 x 3 3/4 in.)
Accession Number
P390
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait in a Velvet Cap with Plume
1638
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 020; Hind 156 ii
Dimensions
Platemark: 13.5 x 10.5 cm (5 5/16 x 4 1/8 in.) Sheet: 14.1 x 11 cm ( 5 9/16 x 4 5/16 in.)
Accession Number
P391
Medium or Technique
Etching
Not On View
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More Info -
Self-Portrait Leaning on a Stone Sill
1639
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
James Reiss (1812-1899, Manchester and London, Lugt 1522); his sale, London, Christie's, 6-10 May 1901; Bertram B. Parker; acquired by MFA as partial purchase and partial gift through Robert M. Light (Santa Barbara, CA), February 1982.
Credit Line
Anonymous gift and Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 021 ii; Hind 168
Dimensions
Platemark: 20.5 x 16.3 cm (8 1/16 x 6 7/16 ) Sheet: 22.4 x 18 cm (8 13/16 x 7 1/16 in.)
Accession Number
1982.181
Medium or Technique
Etching
Not On View
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More Info -
Self-Portrait Leaning on a Stone Sill
1639
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Wilhelm Koller (died 1871, Vienna, Lugt 2632); probably included in his sale, Vienna, Posonyi, 5 February 1872 (and following days); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 021; Hind 168 ii
Dimensions
Sheet: 20.6 x 16.3 cm (8 1/8 x 6 7/16 in.)
Accession Number
P393
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait Drawing at a Window
Rembrandt Drawing at a Window
1648
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Beckford (collection dispersed shortly after 1840, London, cf. Lugt 2373 , 2617); possibly Joseph Maberly (1783-1860, London and Cuckfield, Sussex, Lugt 1845); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 022; Hind 229 ix
Dimensions
Platemark: 15.4 x 12.9 cm (6 1/16 x 5 1/16 in.) Sheet: 15.5 x 13 cm (6 1/8 x 5 1/8 in.)
Accession Number
P396
Medium or Technique
Etching, drypoint and engraving
Not On View
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More Info -
Self-Portrait Drawing at a Window
1648
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Unidentified collector A.C. [?]. By 1888, Henry F. Sewall (b. 1816 - d. 1896; Lugt 1309), New York; 1897, sold by Sewall to the MFA [see note 1]. (Accession Date: October 21, 1897)
NOTES:
[1] Henry F. Sewall offered his collection to the MFA for purchase in 1888. That purchase was finalized and executed in 1897, one year after his death.Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 022; Hind 229 viii
Dimensions
Platemark: 15.2 x 12.9 cm (6 x 5 1/16 in.) Sheet: 15.4 x 13.2 cm (6 1/16 x 5 3/16 in.)
Accession Number
P394
Medium or Technique
Etching, drypoint and engraving on Japanese paper
Not On View
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More Info -
Self Portrait Drawing at a Window
1648
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Josiah Bradlee III (b. 1837 - d. 1902) and his wife Alice (neé Crowninshield) Bradlee (b. 1839 - d. 1926), Boston; December 19, 1902, given by Mrs. Josiah Bradlee to the MFA.
Credit Line
Gift of Mrs. Josiah Bradlee
Details
Catalogue Raisonné
Bartsch 022; Hind 229 x
Dimensions
Sheet: 15.6 x 12.9 cm (6 1/8 x 5 1/16 in.)
Accession Number
M19493
Medium or Technique
Etching, drypoint and engraving
Not On View
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More Info -
Self Portrait with Plumed Cap and Lowered Sabre
1634
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William Esdaile (1758-1837, London, Lugt 2617); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 023; Hind 110 iii
Dimensions
Platemark: 13 x 10.7 cm (5 1/8 x 4 3/16 in.) Sheet: 13.3 x 11 cm ( 5 1/4 x 4 5/16 in.)
Accession Number
P397
Medium or Technique
Etching
Not On View
Collections
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More Info -
Self Portrait in a Fur Cap: Bust
1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Cambridge University Library (inventory number AD1289-374, Lugt 2475); transferred to the Fitzwilliam Museum, 1876; probably sold with their duplicates, London, Sotheby's, 2 April 1878 (and following days); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 024; Hind 29 v
Dimensions
Sheet: 6.1 x 5.1 cm (2 3/8 x 2 in.)
Accession Number
P399
Medium or Technique
Etching
Not On View
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Self-Portrait in a Flat Cap and Embroidered Dress
about 1642
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Baron Ludwig Maximilian Freiherr von Biegeleben (1812-1872, Vienna, Lugt 385); George Biörklund (born 1887, Stockholm Lugt 1138c); C. G. Boerner, Düsselforf; purchased from them by MFA, 13 September 1972.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 026 only state; Hind 157
Dimensions
Platemark: 9.2 x 6.1 cm (3 5/8 x 2 3/8 in.) Sheet: 9.8 x 6.8 cm ( 3 7/8 x 2 11/16 in.)
Accession Number
1972.878
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait in a Flat Cap and Embroidered Dress
about 1642
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Signed
Signed in plate, upper left (very faintly): Rembradt f.
Markings
Verso lower left stamped in black ink-- mark of Heneage Finch, 5th Earl of Aylesford, Lugt 58
Verso lower left stamped in red ink-- mark of Henry F. Sewall, Lugt 1309
Recto lower right blind stamp-- mark an unidentified collector, cf. Lugt 1920, 1921Provenance
Heneage Finch, 5th Earl of Aylesford (1786-1859, London and Packington Hall, Warwickshire, Lugt 58); "M.W." (cf. Lugt 1920, 1921); Henry F. Sewall (1816-1896, New York); from whom purchased by the MFA November 1897
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 026; Hind 157 i
Dimensions
Sheet: 9.2 x 6.2 cm (3 5/8 x 2 7/16 in.)
Accession Number
P400
Medium or Technique
Etching
Not On View
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More Info -
Self Portrait in a Flat Cap and Embroidered Dress
about 1642
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Adam GottliebThiermann (died about 1860, Berlin, Lugt 2434); Berlin Kupferstichkabinett (cf. Lugt 1606.); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 026; Hind 157 ii
Dimensions
Sheet: 9.8 x 6.1 cm (3 7/8 x 2 3/8 in.)
Accession Number
P401
Medium or Technique
Etching
Not On View
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More Info -
Adam and Eve
1638
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
verso: graphite inscriptions at bottom left "35/a 10597" and at bottom right "I/ox-"
Markings
verso at bottom left: "H.F.S." red stamp - Sewell
verso "M.F.A./H.D.P. Coll./No. 402" purplish pink stamp with numbers in black pen
verso at bottom left: black ink stamp, initials AF in a triangle - mark of Alfred Seymour, son of Henry Danby SeymourProvenance
Henry Danby Seymour (1820-1877, London and Trent (Sherborne, Dorset), Lugt 176); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897. (Accession Date: June 7, 2017)
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 028 ii; Hind 159 ii
Dimensions
Sheet: 16.3 x 11.7 cm (6 7/16 x 4 5/8 in.)(trimmed to within platemark)
Accession Number
97.1209
Medium or Technique
Etching
Not On View
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Abraham Entertaining the Angels
1656
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Miss Olive Simes; by whom given to MFA September 13, 1945
Credit Line
Gift of Miss Olive Simes
Details
Catalogue Raisonné
Bartsch 029; Hind 286 only state
Dimensions
Platemark: 15.8 x 13.1 cm (6 1/4 x 5 3/16 in.) Sheet: 16.3 x 13.6 cm ( 6 7/16 x 5 3/8 in.)
Accession Number
45.672
Medium or Technique
Etching
Not On View
Collections
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More Info -
Abraham Casting out Hagar and Ishmael
1637
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 030 only state; Hind 149
Dimensions
Platemark: 12.6 x 9.6 cm (4 15/16 x 3 3/4 in.) Sheet: 12.9 x 9.9 cm( 5 1/16 x 3 7/8 in.)
Accession Number
P405
Medium or Technique
Etching and drypoint
Not On View
Collections
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More Info -
Jacob Caressing Benjamin
about 1645
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
Signed in plate Rembrandt. f
Markings
Verso lower left, stamped in black ink -- mark of Walter Francis, Duke of Buccleuch, Lugt 402
Verso lower center in graphite pencil: No 132
Verso lower center in graphite pencil: 23 [encircled]
Verso lower center in graphite pencil: 6224 [? somewhat illegible]Provenance
Walter Francis, Duke of Buccleuch (1806-1884, London and Dalkeith, Scotland, Lugt 402); his sale, London, Chrisite's, 9-22 April 1887, lot 1885; Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (New York and London, Ritman Catalogue no. 8); from whom purchased by Eijk and Rose-Marie van Otterloo, Marblehead, MA, 1999; by whom given to MFA, 26 March 2003.
Credit Line
Gift of Rose-Marie and Eijk van Otterloo in honor of Clifford S. Ackley
Details
Catalogue Raisonné
Bartsch 033 i; Hind 148 i/ii
Dimensions
Platemark: 11.8 x 9 cm (4 5/8 x 3 9/16 in.) Sheet: 12.2 x 9.5 cm (4 13/16 x 3 3/4 in.)
Accession Number
2003.113
Medium or Technique
Etching
Not On View
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More Info -
Jacob Caressing Benjamin
Abraham Caressing Isaac
about 1645
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Clement de Jonghe, in the inventory at his death, February 11, 1679; Pieter de Haan, Amsterdam, and sold at auction (Weyers & Castelein, Amsterdam), March 9, 1767; purchased by Fouquet, agent for Calude-Henri Watelet, 1767, and sold at auction, 1786; purchased by Pierre Francois Basan, 1786; inherited by H. -L. Basan, owner until 1809-10; Acquired by Auguste Jean, 1809-10; inherited by the Veuve Auguste Jean, and sold at her death, 1846; purchased by Michel Bernard, 1846; inherited by Michel Bernard (son of the above), and sold; purchased by M. Alvin-Beaumont, Paris, and sold, 1938; purchased by Robert Lee Humber, Greenville, N. C., 1938; inherited by the sons of Robert Lee Humber, 1970, on permanent loan to the North Carolina Museum of Art, Raleigh, and sold, about 1993; purchased by Arhold, Inc. (a member of the Artemis Group), Monte Carlo; from whom purchased (through Robert M. Light) by the MFA, 24 March 1993.
Credit Line
William Francis Warden Fund
Details
Catalogue Raisonné
Bartsch 033; Hind 148
Dimensions
Plate: 12 x 9 cm (4 3/4 x 3 9/16 in.)
Accession Number
1993.91
Medium or Technique
Copper etching plate
Not On View
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Jacob Caressing Benjamin
Abraham Caressing Isaac
about 1637
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Nathaniel Smith (2nd half of the 18th century, London, cf. Lugt 2296); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 033; Hind 148 ii
Dimensions
Platemark: 11.7 x trimmed cm (4 5/8 x trimmed in.) Sheet: 11.88 x 8.9 cm (4 11/16 x 3 1/2 in.)
Accession Number
P406
Medium or Technique
Etching
Not On View
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Abraham and Isaac
1645
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
Signed and dated in plate: Rembrant. 1645.
Markings
Verso lower center, stamped in black ink -- mark of Charles C. Cunningham, Jr. (not in Lugt)
Verso lower left, stamped in black ink -- mark of John Webster (Lugt 1554)
Verso lower right, ink pen and brown ink -- mark of John Webster (Lugt 1555)
Verso lower left, in graphite pencil: 38
Verso lower left, in graphite pencil: 130 [crossed out]
Verso lower left, in graphite pencil: 340-4-
Verso lower center, in graphite pencil: GN 32
Verso lower right, in graphite pencil: 2-12-0Provenance
William Beckford (according to the Webster catalogue; Beckford collection dispersed about 1840); John Webster (1810-1891, Aberdeen, Lugt 1554, 1555); his sale, London, Sotheby's, 9 May 1889, lot 24; Captain Gordon Nowell-Usticke; his sale, New York, Parke-Bernet, 30 April-1 May 1968, lot 217; Charles C. Cunningham, Jr. (not in Lugt, Brookline, MA); British Rail Pension Fund; its sale, London, Sotheby's, 29 June 1987, lot 63, £132,000; C. G. Boerner, Düsseldorf; Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (New York and London, Ritman Catalogue no. 9); from whom purchased by Eijk and Rose-Marie van Otterloo, Marblehead, MA, 1999; by whom given to MFA, 26 March 2003.
Credit Line
Gift of Rose-Marie and Eijk van Otterloo in honor of Clifford S. Ackley
Details
Catalogue Raisonné
Bartsch 034 i; Hind 214 first state prior to that known by White & Boon
Dimensions
Platemark: 15.7 x 13.3 cm (6 3/16 x 5 1/4 in.) Sheet: 15.9 x 13.3 cm (6 1/4 x 5 1/4 in.)
Accession Number
2003.114
Medium or Technique
Etching and drypoint
Not On View
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Abraham and Isaac
1645
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 034; Hind 214 iii
Dimensions
Platemark: 15.4 x 12.9 cm (6 1/16 x 5 1/16 in.) Sheet: 15.8 x 13.2 cm (6 1/4 x 5 3/16 in.)
Accession Number
P407
Medium or Technique
Etching and dryoint
Not On View
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Abraham's Sacrifice
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Dr. William Norton Bullard (1853-1931, Boston); by whom given to MFA April 1923.
Credit Line
Gift of William Norton Bullard
Details
Catalogue Raisonné
Bartsch 035; Hind 283
Dimensions
Platemark: 15.6 x 13.1 cm (6 1/8 x 5 3/16 in.) Sheet: 16.6 x 13.4 cm (6 9/16 x 5 1/4 in.)
Accession Number
23.1009
Medium or Technique
Etching and drypoint
Not On View
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The Image Seen by Nebuchadnezzar
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Ambroise Firmin-Didot (1790-1876, Paris, Lugt 119); his sale, Paris, Danlos, Delisle, and Pawlowski, 16 April-12 May 1877, part of lot 756 (with the other three in the series), on 7 May, 165 Fr. for the lot; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 036a; Hind 284a v
Dimensions
Platemark: 11 x 6.8 cm (4 5/16 x 2 11/16 in.) Sheet: 11.2 x 7 cm (4 7/16 x 2 3/4 in.)
Accession Number
P409
Medium or Technique
Etching, engraving and drypoint
Not On View
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Jacob's Ladder
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 036b; Hind 284 ii
Dimensions
Sheet: 11.3 x 7.2 cm (4 7/16 x 2 13/16 in.)
Accession Number
P412
Medium or Technique
Etching, engraving and drypoint
Not On View
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Jacob's Ladder
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William Goodwin Russell Allen (b. 1882 - d. 1955), Boston; by inheritance to his niece, Lydia Evans Tunnard (Mrs. Christopher Tunnard, b. 1913 - d. 1980), New Haven, CT; 1961, year-end gift of Mrs. Christopher Tunnard to the MFA. (Accession date: December 20, 1961)
Credit Line
Gift of Mrs. Lydia Evans Tunnard in memory of W. G. Russell Allen
Details
Catalogue Raisonné
Bartsch 036b; Hind 284b iii
Dimensions
Sheet: 10.7 x 7.2 cm (4 3/16 x 2 13/16 in.)
Accession Number
61.1364
Medium or Technique
Etching, engraving and drypoint on laid Asian paper
Not On View
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More Info -
David and Goliath
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 036c; Hind 284 iv
Dimensions
Platemark: 11.8 x 7.7 cm (4 5/8 x 3 1/16 in.); Sheet: 12.1 x 8.7 cm (4 3/4 x 3 7/`6 in.)
Accession Number
P413
Medium or Technique
Etching, engraving and drypoint
Not On View
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David and Goliath
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William Goodwin Russell Allen (b. 1882 - d. 1955), Boston; by inheritance to his niece, Lydia Evans Tunnard (Mrs. Christopher Tunnard, b. 1913 - d. 1980), New Haven, CT; 1961, year-end gift of Mrs. Christopher Tunnard to the MFA. (Accession date: December 20, 1961)
Credit Line
Gift of Mrs. Lydia Evans Tunnard in memory of W. G. Russell Allen
Details
Catalogue Raisonné
Bartsch 036c; Hind 284c ii
Dimensions
Platemark: 10.6 x 7.4 cm (4 3/16 x 2 15/16 in.) Sheet: 23.6 x 8.3 cm (9 5/16 x 3 1/4 in.)
Accession Number
61.1365
Medium or Technique
Etching, engraving and drypoint
Not On View
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Daniel's Vision of the Four Beasts
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (b. 1816 - d. 1896; Lugt 1309), New York; 1897, sold by Sewall to the MFA [see note 1]. (Accession Date: August 14, 2012)
NOTES:
[1] Henry F. Sewall offered his collection to the MFA for purchase in 1888. That purchase was finalized and executed in 1897, one year after his death.Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 036d; Hind 284 iii
Dimensions
Platemark: 11 x 7.4 cm (4 5/16 x 2 15/16 in.) Sheet: 11.9 x 8.5 cm (4 11/16 x 3 3/8 in.)
Accession Number
97.1186
Medium or Technique
Etching, engraving and drypoint
Not On View
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Daniel's Vision of the Four Beasts
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William Goodwin Russell Allen (b. 1882 - d. 1955), Boston; by inheritance to his niece, Lydia Evans Tunnard (Mrs. Christopher Tunnard, b. 1913 - d. 1980), New Haven, CT; 1961, year-end gift of Mrs. Christopher Tunnard to the MFA. (Accession date: December 20, 1961)
Credit Line
Gift of Mrs. Lydia Evans Tunnard in memory of W. G. Russell Allen
Details
Catalogue Raisonné
Bartsch 036d; Hind 284d iii
Dimensions
Sheet: 10.1 x 7.5 cm (4 x 2 15/16 in.)
Accession Number
61.1366
Medium or Technique
Etching, engraving and drypoint
Not On View
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Daniel's Vision of the Four Beasts
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Neville Davison Goldsmid (1814-1875, The Hague, Lugt 1962); probably included in his sale, Paris, Clément, 25-7 April 1876; Hendrikus Egbertus ten Cate (1868-1955, Almelo, The Netherlands, Lugt 533b); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 036d; Hind 284d iii
Dimensions
Platemark: 10.6 x 7.3 cm (4 3/16 x 2 7/8 in.) Sheet: 10.8 x 7.6 cm ( 4 1/4 x 3 in.)
Accession Number
P411
Medium or Technique
Etching, engraving and drypoint on vellum
Not On View
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Joseph Telling his Dreams
1638
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 037 ii; Hind 160 ii
Dimensions
Platemark: 11.1 x 8.4 cm (4 3/8 x 3 5/16 in.) Sheet: 11.7 x 9 cm ( 4 5/8 x 3 9/16 in.)
Accession Number
P414
Medium or Technique
Etching
Not On View
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Joseph Telling his Dreams
1638
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 037; Hind 160 iii
Dimensions
Sheet: 11.1 x 8.2 cm (4 3/8 x 3 1/4 in.)
Accession Number
P415
Medium or Technique
Etching
Not On View
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Joseph Telling his Dreams
1638
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.
Credit Line
Bequest of William Perkins Babcock
Details
Catalogue Raisonné
Bartsch 037; Hind 160 iv
Dimensions
Platemark: 11 x 8.3 cm (4 5/16 x 3 1/4 in.) Sheet: 1.8 x 8.9 cm (4 5/8 x 3 1/2 in.)
Accession Number
B126
Medium or Technique
Etching
Not On View
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Joseph's Coat Brought to Jacob
about 1633
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 038; Hind 104 i
Dimensions
Sheet: 10.7 x 7.9 cm (4 3/16 x 3 1/8 in.)
Accession Number
P416
Medium or Technique
Etching and drypoint
Not On View
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Joseph's Coat Brought to Jacob
about 1633
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.
Credit Line
Bequest of William Perkins Babcock
Details
Catalogue Raisonné
Bartsch 038; Hind 104 ii
Accession Number
B125
Medium or Technique
Etching and drypoint
Not On View
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Joseph and Potiphar's Wife
1634
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Adam Gottlieb Thiermann (died about 1860, Berlin, Lugt 2434); Berlin Kupferstchkabinett (cf. Lugt 1606); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 039; Hind 118 ii
Dimensions
Platemark: 9.2 x 11.6 cm (3 5/8 x 4 9/16 in.) Sheet: 9.6 x 11.6 cm (3 3/4 x 4 9/16 in.)
Accession Number
P417
Medium or Technique
Etching
Not On View
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The Triumph of Mordecai
about 1641
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Naudet (active about 1800, Paris, Lugt 1937); Horatio Greenough Curtis (died 1922, Boston); given by him to Richard Cary Curtis and Anita G. Curtis, 1917; given by her to MFA, 1956.
Credit Line
Gift of Mrs. Richard Cary Curtis
Details
Catalogue Raisonné
Bartsch 040; Hind 172
Dimensions
Platemark: 17 x 21.2 cm (6 11/16 x 8 3/8 in.) Sheet: 17.3 x 21.5 cm ( 6 13/16 x 8 7/16 in.)
Accession Number
56.293
Medium or Technique
Etching and drypoint
Not On View
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The Triumph of Mordecai
about 1641
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 040; Hind 172
Dimensions
Sheet: 17.5 x 21.2 cm (6 7/8 x 8 3/8 in.)
Accession Number
P420
Medium or Technique
Etching and drypoint, counterproof
Not On View
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David in Prayer
1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
Verso, lower ctr., in graphite: B 41.
Provenance
Probably Cronenstern, Schleswig-Holstein; by descent to family of Graf Plessen (possibly Elisabeth Gräfin von Plessen (born 1919, Lehmkuhlen)), Nehmten, Schleswig-Holstein; sold London, Christie's, 10 December 1991, lot 41; to Helmut Rumbler, Frankfurt; from whom purchased by MFA, October 1994.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 041 i; Hind 258
Dimensions
Platemark: 14.2 x 9.5 cm (5 9/16 x 3 3/4 in.) Sheet: 14.6 x 9.9 cm (5 3/4 x 3 7/8 in.)
Accession Number
1994.279
Medium or Technique
Etching and drypoint on Japanese paper
Not On View
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David in Prayer
1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Ellen Twistleton Bullard (1865--1959, Boston); by whom given to MFA November 1925.
Credit Line
Gift of Miss Ellen T. Bullard
Details
Catalogue Raisonné
Bartsch 041, iii; Hind 258
Dimensions
Platemark: 14.3 x 9.5 cm (5 5/8 x 3 3/4 in.) Sheet: 15.2 x 10.3 cm (6 x 4 1/16 in.)
Accession Number
25.1147
Medium or Technique
Etching and drypoint
Not On View
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David in Prayer
1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 041; Hind 258 ii
Dimensions
Platemark: 14.1 x trimmed cm (5 9/16 x trimmed in.) Sheet: 14.3 x 9.5 cm ( 5 5/8 x3 3/4 in.)
Accession Number
P421
Medium or Technique
Etching and drypoint
Not On View
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The Blindness of Tobit: The Larger Plate
1651
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 042; Hind 252 ii
Dimensions
Platemark: 15.8 x 13 cm (6 1/4 x 5 1/8 in.); Sheet: 16.2 x 13.3 cm (6 3/8 x 5 1/4 in.)
Accession Number
P422
Medium or Technique
Etching and drypoint
Not On View
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The Angel Departing from the Family of Tobias
1641
Artist Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
Verso upper right in graphite pencil: 22
Verso lower center in graphite pencil: DTMMIISSSigned
In plate: Rembrandt f. 1641.
Provenance
David Tunick (New York); Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (New York and London, Ritman Catalogue no. 21); purchased by MFA, March 2001.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 043 i; Hind 185 i/iv
Dimensions
Platemark: 10.3 x 15.4 cm (4 1/16 x 6 1/16 in.) Sheet: 10.5 x 15.5 cm (4 1/8 x 6 1/8 in.)
Accession Number
2001.139
Medium or Technique
Etching and drypoint
Not On View
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The Angel Departing from the Family of Tobias
1641
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 043; Hind 185 ii
Dimensions
Platemark: 10.2 x 15.3 cm (4 x 6 in.) Sheet: 11.1 x 16 cm ( 4 3/8 x 6 5/16 in.)
Accession Number
P423
Medium or Technique
Etching and drypoint
Not On View
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The Angel Departing from the Family of Tobias
1641
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.
Credit Line
Bequest of William Perkins Babcock
Details
Catalogue Raisonné
Bartsch 043; Hind 185 iv
Dimensions
Platemark: 10.1 x 15.3 cm (4 x 6 in.) Sheet: 10.7 x 16.1 cm (4 3/16 x 6 5/16 in.)
Accession Number
B131
Medium or Technique
Etching and drypoint
Not On View
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The Angel Departing from the Family of Tobias
1641
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 043; Hind 185 iv
Dimensions
Platemark: 10.3 x 15.4 cm (4 1/16 x 6 1/16 in.) Sheet: 10.8 x 15.9 cm ( 4 1/4 x 6 1/4 in.)
Accession Number
P424
Medium or Technique
Etching and drypoint
Not On View
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The Angel Appearing to the Shepherds
Angel Appearing to the Shepherds
1634
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
Lower right: Rembrandt F. 1634
Provenance
1975, gift of Mr. and Mrs. Charles C. Cunningham, Jr., Brookline, MA to the MFA. (Accession Date: March 12, 1975)
Credit Line
Gift of Mr. and Mrs. Charles C. Cunningham, Jr. in honor of Eleanor A. Sayre
Details
Catalogue Raisonné
Bartsch 044; Hind 120 iii G.43, Münz 199, BB. 34-J, W.-B. 44 iii
Dimensions
Platemark: 25.9 x 21.9 cm (10 3/16 x 8 5/8 in.) Sheet: 26.3 x 22.1 cm ( 10 3/8 x 8 11/16 in.)
Accession Number
1975.279
Medium or Technique
Etching, engraving and drypoint
Not On View
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The Angel Appearing to the Shepherds
1634
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 044; Hind 120 iii
Dimensions
Sheet: 26 x 21.7 cm (10 1/4 x 8 9/16 in.)
Accession Number
P425
Medium or Technique
Etching, engraving and drypoint
Not On View
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The Adoration of the Shepherds (with a lamp)
The Adoration of the Shepherds with the Lamp
about 1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Probably Frederick Keppel, New York; sold by him to Tracy Dows (born 1871, New York, Lugt 2427); probably sold back to Keppel; Dr. William Norton Bullard, Boston; by whom given to MFA, April 1923.
Credit Line
Gift of William Norton Bullard
Details
Catalogue Raisonné
Bartsch 045; Hind 273 i
Dimensions
Sheet: 10.6 x 12.9 cm (4 3/16 x 5 1/16 in.)
Accession Number
23.1010
Medium or Technique
Etching
Not On View
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The Adoration of the Shepherds (with the lamp)
about 1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Gutekunst & Klipstein, Switzerland; from whom purchased, 14 May 1953.
Credit Line
Stephen Bullard Memorial Fund
Details
Catalogue Raisonné
Bartsch 045; Hind 273 i
Dimensions
Platemark: 10.5 x 12.9 cm (4 1/8 x 5 1/16 in.) Sheet: 10.8 x 13 cm (4 1/4 x 5 1/8 in.)
Accession Number
53.484
Medium or Technique
Etching, printed with plate tone
Not On View
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The Adoration of the Shepherds: With the Lamp
about 1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 045; Hind 273 i
Dimensions
Sheet: 10.4 x 12.8 cm (4 1/8 x 5 1/16 in.)
Accession Number
P426
Medium or Technique
Etching
Not On View
Collections
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More Info -
The Adoration of the Shepherds: With the Lamp
about 1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 045; Hind 273 ii
Dimensions
Sheet: 10.5 x 12.9 cm (4 1/8 x 5 1/16 in.)
Accession Number
P427
Medium or Technique
Etching
Not On View
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The Adoration of the Shepherds
about 1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
on verso: in black pen ink "F. Rechberger"; red chalk marks in top left corner; graphite inscriptions in bottom right and bottom left corners
Provenance
Franz Rechberger, dated 1799 (1771-1841, Vienna, curator of the cabinet of Count Moriz von Fries and of the Albertina, Lugt 2133); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 046 iv; Hind 255 v
Dimensions
Platemark: 14.9 x 19.6 cm (5 7/8 x 7 11/16 in.) Sheet: 15.35 x 20.1 cm (6 x 7 7/8 in.)
Accession Number
P428
Medium or Technique
Etching, drypoint and engraving
Not On View
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The Adoration of the Shepherds: A Night Piece
about 1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
PDP Register entry: Date acquired, 12/1/1900 [Exact to month]
Credit Line
Gift of Mr. and Mrs. Edward Wheelwright
Details
Catalogue Raisonné
Bartsch 046; Hind 255 vi
Dimensions
Platemark: 14.9 x 19.8 cm (5 7/8 x 7 13/16 in.) Sheet: 15.2 x 20.1 cm (6 x 7 15/16 in.)
Accession Number
M16150
Medium or Technique
Etching, drypoint and engraving
Not On View
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The Adoration of the Shepherds: A Night Piece
about 1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 046; Hind 255 vi
Dimensions
Platemark: 14.8 x 19.5 cm (5 13/16 x 7 11/16 in.); Sheet: 25.7 x 20.3 cm (10 1/8 x 8 in.)
Accession Number
P429
Medium or Technique
Etching, drypoint and engraving
Not On View
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The Adoration of the Shepherds: A Night Piece
Adoration of the Shepherds
about 1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Juan Jorge Peoli (b. 1825 - d.1893; Lugt 2020), New York; May 10-11, 1894, Peoli sale, American Art Association, New York, lot 1843, to the MFA. (Accession Date: January 1, 1894)
Credit Line
Museum purchase
Details
Catalogue Raisonné
Bartsch 046; Hind 255 vii
Dimensions
Sheet: 14.9 x 19.5 cm (5 7/8 x 7 11/16 in.)
Accession Number
M9731
Medium or Technique
Etching, drypoint and engraving
Not On View
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The Circumcision in the Stable
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 047; Hind 274
Dimensions
Sheet: 9.4 x 14.4 cm (3 11/16 x 5 11/16 in.)
Accession Number
P431
Medium or Technique
Etching
Not On View
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The Circumcision in the Stable
The Circumcision
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 047; Hind 274 i
Dimensions
Platemark: 9.4 x 14.4 cm (3 11/16 x 5 11/16 in.); Sheet: 9.8 x 14.8 cm (3 7/8 x 5 13/16 in.)
Accession Number
P430
Medium or Technique
Etching
Not On View
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The Circumcision: Small Plate
Circumcision
about 1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 048, first (of two); Hind 19
Dimensions
Sheet: 8.7 x 6.3 cm (3 7/16 x 2 1/2 in.)
Accession Number
P432
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
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The Presentation in the Temple
about 1640
Artist Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
Verso upper center in pen and brown ink: J.B. (This is the collector's mark of John Barnard. It is obscured by another pen and ink mark, probably Gibbs.)
Verso lower left in graphite pencil: 15
Verso center in graphite pencil: 2d imp
Verso lower center in graphite pencil (encircled): 405
Verso lower right in graphite pencil: (B.49) 3 20
Recto lower right in graphite pencil: V (this may be a mark associated with Henri Vever who is said to have owned this print.)Provenance
John Barnard (died 1784, London, Lugt 1419); probably John Gibbs (mid-19th century, London, cf. Lugt 1081 and 1125); Henri Vever (1854-1943, Paris, cf. Lugt 1381a, 1381b, 2491bis, and 2491ter); appeared Sotheby's London, Summer 1998 [?], as part of a mixed lot but withdrawn; Sotheby's London, December 11, 1998, lot 75; Artemis/Boerner (New York and London); purchased by MFA, March 2001.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 049; Hind 162 ii
Dimensions
Platemark: 21.2 x 29 cm (8 3/8 x 11 7/16 in.) Sheet: 22.2 x 30.3 cm (8 3/4 x 11 15/16 in.)
Accession Number
2001.140
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Presentation in the Temple: Oblong Print
about 1639
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Trimmed to platemark
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 049; Hind 162 ii
Dimensions
Sheet: 20.8 x 29.1 cm (8 3/16 x 11 7/16 in.)
Accession Number
P434
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Presentation in the Temple: Oblong Print
about 1639
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Rev. J. Burleigh James (Knowbury Park, Shropshire, England, Lugt 1425); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 049; Hind 162 ii
Dimensions
Sheet: 21.8 x 29.3 cm (8 9/16 x 11 9/16 in.)
Accession Number
P435
Medium or Technique
Etching and drypoint, counterproof
Not On View
Collections
Classifications
More Info -
The Presentation in the Temple: Oblong Print
about 1639
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 049; Hind 162 iii
Dimensions
Platemark: 21.2 x 28.9 cm (8 3/8 x 11 3/8 in.) Sheet: 21.6 x 29.7 cm ( 8 1/2 x 11 11/16 in.)
Accession Number
P436
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Presentation in the Temple (in the dark manner)
about 1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 050; Hind 279
Dimensions
Sheet 20.9 x 16.2 cm (8 1/4 x 6 3/8 in.)
Accession Number
P437
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Presentation in the Temple
1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
In plate lower center: RHL 1630
Later inscriptions or marks: Verso lower left stamped in purple ink-- mark of Richard Gutekunst, Lugt 2213a
Verso lower right in pen and brown ink-- P Mariette 1674 (mark of Pierre Mariette, cf. Lugt 1790
From Boerner mount: fü 11341/RC’ 30046Provenance
Pierre Mariette, 1674 (1634-1716, Paris, cf. Lugt 1790); Richard Gutekunst (1870-1961, Stuttgart, London, Bern, Lugt 2213a); [probably sequestered by the British government in 1914 and sold by a public trustee as "the property of an enemy subject" through Garland-Smith & Co., London, 2-3 December, 1920]; sold by Sotheby Parke Bernet, New York, 15 February 1980, lot 1034; C. G. Boerner/Artemis, New York & London; from whom purchased, June 2000.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 051, ii/ii; Hind 18
Dimensions
Platemark: 10.2 x 7.8 cm (4 x 3 1/16 in.) Sheet: 10.8 x 8.4 cm (4 1/4 x 3 5/16 in.)
Accession Number
2000.647
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
The Presentation in the Temple with the Angel: Small Plate
The Presentation
1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 051; Hind 18 ii
Dimensions
Platemark: 10.1 x 7.7 cm (4 x 3 1/16 in.) Sheet:10.3 x 7.9 cm (4 1/16 x 3 1/8 in.)
Accession Number
P438
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
The Flight into Egypt: the small plate
1633
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 052; Hind 105 i
Dimensions
Sheet: 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.)
Accession Number
P439
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
The Flight into Egypt (a night piece)
The Flight into Egypt: A Night Effect
1651
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (b. 1816 - d. 1896; Lugt 1309), New York; 1897, sold by Sewall to the MFA [see note 1]. (Accession Date: October 21, 1897)
NOTES:
[1] Henry F. Sewall offered his collection to the MFA for purchase in 1888. That purchase was finalized and executed in 1897, one year after his death.Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 053; Hind 253 iv
Dimensions
Platemark: 12.7 x 11 cm (5 x 4 5/16 in.) Sheet: 13.2 x 11.5 cm (5 3/16 x 4 1/2 in.)
Accession Number
P440
Medium or Technique
Etching, engraving and drypoint
Not On View
Collections
Classifications
More Info -
The Flight into Egypt: A Sketch
about 1627
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Karl Eduard von Liphart (1808-1891, Dorpat, Bonn, and Florence, Lugt 1687); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 054; Hind 17 v
Dimensions
Platemark: 7.9 x 5.1 cm (3 1/8 x 2 in.) Sheet: 8.4 x 5.2 cm ( 3 5/16 x 2 1/16 in.)
Accession Number
P441
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
The Flight into Egypt: Crossing a Brook
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.
Credit Line
Bequest of William Perkins Babcock
Details
Catalogue Raisonné
Bartsch 055; Hind 276
Accession Number
B140
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Flight into Egypt: Crossing a Brook
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 055; Hind 276
Dimensions
Platemark: 9.4 x trimmed cm (3 11/16 x trimmed in.) Sheet: 9.6 x 14.5 cm (3 3/4 x 5 11/16 in.)
Accession Number
P442
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Flight into Egypt: Crossing a Brook
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 055; Hind 276
Accession Number
P443
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Flight into Egypt (altered from Hercules Seghers)
Rembrandts changes, about 1653
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
This state characterized by deep chiascuro around the figures
Provenance
John Heywood Hawkins (about 1800-about 1870); P. & D. Colnaghi, Ltd., London; A. A. Hahlo & Co., New York; from whom purchased by MFA, June 1916.
Credit Line
Gift of the Visiting Committee
Details
Catalogue Raisonné
Bartsch 056 iv; Hind 266 Münz 216 (1643/4), BB. 53-2, W.-B. 56 iv, G.56
Dimensions
Sheet: 21.2 x 28.4 cm (8 3/8 x 11 3/16 in.)
Accession Number
M26200
Medium or Technique
Etching, drypoint, and engraving
Not On View
Collections
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More Info -
The Flight into Egypt: Altered from Segers
about 1653
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Hercules Seghers (Netherlandish, 1589 or 1590–after 1635, about 1638), After Adam Elsheimer (German, 1578–1610)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 056; Hind 266 vi
Dimensions
Platemark: 21.3 x 28.3 cm (8 3/8 x 11 1/8 in.) Sheet: 21.7 x 28.8 cm (8 9/`6 x 11 5/16 in.)
Accession Number
P444
Medium or Technique
Etching, drypoint and engraving
Not On View
Collections
Classifications
More Info -
The Rest on the Flight: A Night Piece
The Rest in Egypt in a Wood
about 1645
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
1917, sold by James Reiss, Keppel and Co., Inc., New York, to the MFA. (Accession Date: March 1917)
Credit Line
Special Print Fund (Keppel & Co.)
Details
Catalogue Raisonné
Bartsch 057; Hind 208 iv
Dimensions
Platemark: 9.3 x 6 cm (3 11/16 x 2 3/8 in.) Sheet: 9.8 x 6.6 cm (3 7/8 x 2 5/8 in.)
Accession Number
M26357
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Rest on the Flight: A Night Piece
The Rest in Egypt in a Wood
about 1644
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 057; Hind 208 iv
Dimensions
Sheet: 9.2 x 5.9 cm (3 5/8 x 2 5/16 in.)
Accession Number
P445
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Rest on the Flight (lightly etched)
1645
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Karl Eduard von Liphart (1808-1891, Dorpat, Bonn, and Florence, Lugt 1687); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 058; Hind 216
Dimensions
Sheet: 13 x 11.5 cm (5 1/8 x 4 1/2 in.)
Accession Number
P446
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
Christ with His Parents Returning from the Temple
1654
Artist Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
Recto lower left in graphite pencil: 54•9-
Recto lower right in graphite pencil: 33Signed
In the plate lower right: Rembrandt. 1654
Provenance
Unidentified French collection, probably assembled in the 18th century; sold Sotheby's, London, 6 December 1990, lot 114 (illustrated); Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (See Ritman collection catalogue [1995], item 33, illustrated); purchased from Artemis/Boerner by MFA, June 2001.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 060 only state; H.278
Dimensions
Overall: 10.9 x 15.9cm (4 5/16 x 6 1/4in.) Other (Platemark): 9.5 x 14.4cm (3 3/4 x 5 11/16in.)
Accession Number
2001.272
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
Christ Returning from the Temple with his Parents
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
H. Wunderlich; from whom purchased by MFA, 11 January 1900.
Credit Line
Bought of H. Wunderlich
Details
Catalogue Raisonné
Bartsch 060; Hind 278
Dimensions
Platemark: 9.4 x 14.4 cm (3 11/16 x 5 11/16 in.) Sheet: 14.8 x 20.2 cm (5 13/16 x 7 15/16 in.)
Accession Number
M14649
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
Virgin and Child in the Clouds
1641
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Rev. J. Burleigh James (Knowbury Park, Shropshire, England, Lugt 1425); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 061; Hind 186
Dimensions
Platemark: 16.5 x 10.6 cm (6 1/2 x 4 3/16 in.) Sheet: 16.6 x 10.7 cm (6 9/16 x 4 3/16 in.)
Accession Number
P447
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Holy Family
about 1632
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Possibly J. Lowndes (active 19th century, London, Lugt 1484); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 062; Hind 95
Dimensions
Platemark: 9.3 x 7.2 cm (3 11/16 x 2 13/16 in.) Sheet: 9.5 x 7.3 cm ( 3 3/4 x 2 7/8 in.)
Accession Number
P449
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
The Virgin and Child with the Cat and Snake
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Sold London, Sotheby's, November 30, 1989, lot 154; to R. E. Lewis, Larkspur Landing, CA; from whom purchased by MFA, December 1990.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 063 i; Hind 275 i
Dimensions
Platemark: 9.5 x 14.5 cm (3 3/4 x 5 11/16 in.) Sheet: 14.4 x 20 cm (5 11/16 x 7 7/8 in.)
Accession Number
1990.599
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
The Virgin and Child with the Cat and Snake
The Virgin and Child with Cat, Joseph at the Window
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry Foster Sewall (b. 1816 - d. 1896), New York; November, 1897, purchased by the MFA through the Harvey D. Parker Fund.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 063; Hind 275 i
Dimensions
Platemark: 9.5 x 14.3 cm (3 3/4 x 5 5/8 in.) Sheet: 9.6 x 14.5 cm (3 3/4 x 5 11/16 in.)
Accession Number
P450
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
Christ Disputing with the Doctors
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 064 only state; Hind 277 ii
Dimensions
Platemark: 9.5 x 14.3 cm (3 3/4 x 5 5/8 in.) Sheet: 11.7 x 16.4 cm (4 5/8 x 6 7/16 in.)
Accession Number
P451
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
Christ Disputing with the Doctors: A Sketch
1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
A. Mathey; William H. Schab, New York; from whom purchased by MFA December 8, 1949
Credit Line
William A. Sargent Fund
Details
Catalogue Raisonné
Bartsch 065, i; Hind 257
Dimensions
Platemark: 12.5 x 21.4 cm (4 15/16 x 8 7/16 in.) Sheet: 13.5 x 21.9 cm (5 5/16 x 8 5/8 in.)
Accession Number
49.1733
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
Christ Disputing with the Doctors: A Sketch
1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 065; Hind 257 ii
Dimensions
Platemark: 12.6 x 21.5 cm (4 15/16 x 8 7/16 in.) Sheet: 13.8 x 23.3 cm (5 7/16 x 9 3/16 in.)
Accession Number
P452
Medium or Technique
Etching and dryoint
Not On View
Collections
Classifications
More Info -
Christ Disputing with the Doctors: Small Plate
1630
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 066; Hind 20 iv
Dimensions
Platemark: 8.9 x 6.7 cm (3 1/2 x 2 5/8 in.) Sheet: 9.5 x 7.4 cm ( 3 3/4 x 2 15/16 in.)
Accession Number
P453
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
Christ Preaching ("La Petite Tombe")
about 1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 067 only state; Hind 256
Dimensions
Platemark: 15.4 x 20.5 cm (6 1/16 x 8 1/16 in.) Sheet: 17.5 x 22.2 cm (6 7/8 x 8 3/4 in.)
Accession Number
P454
Medium or Technique
Etching and drypoint on Japanese paper
Not On View
Collections
Classifications
More Info -
Christ Preaching ("La Petite Tombe")
about 1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Francis Bullard (1862-1913, Boston, Lugt 982); to his sister Katherine Eliot Bullard (1866-1920, Boston); to their brother Dr. William Norton Bullard (1853-1931, Boston); by whom given to MFA, April 1923.
Credit Line
Gift of William Norton Bullard
Details
Catalogue Raisonné
Bartsch 067; Hind 256
Dimensions
Platemark: 15.4 x 20.6 cm (6 1/16 x 8 1/8 in.) Sheet: 16.2 x 21.2 cm (6 3/8 x 8 3/8 in.)
Accession Number
23.1011
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
Christ Preaching
about 1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Miss Olive Simes; by whom given to MFA September 13, 1945
Credit Line
Gift of Miss Olive Simes
Details
Catalogue Raisonné
Bartsch 067; Hind 256
Dimensions
Platemark: 15.3 x 20.5 cm (6 x 8 1/16 in.) Sheet: 15.5 x 20.9 cm (6 1/8 x 8 1/4 in.)
Accession Number
45.673
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
Christ Preaching
about 1652
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Cancelled? NOT IN BOX
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 067; Hind 256
Accession Number
P456
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Tribute Money
about 1635
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 068; Hind 124 i
Dimensions
Platemark: 7.3 x 10.2 cm (2 7/8 x 4 in.) Sheet: 7.8 x 10.8 cm (3 1/16 x 4 1/4 in.)
Accession Number
P457
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
The Tribute Money
about 1635
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.
Credit Line
Bequest of William Perkins Babcock
Details
Catalogue Raisonné
Bartsch 068; Hind 124 ii
Dimensions
Platemark: 7.2 x 10.4 cm (2 13/16 x 4 1/8 in.) Sheet: 7.5 x 10.5 cm (2 15/16 x 4 1/8 in.)
Accession Number
B148
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
Christ Driving the Money Changers from the Temple
1635
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Robert Dighton (about 1752-1814, London, Lugt 727); probably with Frederick Keppel & Co. (New York, cf. Lugt 1023); Tracy Dows (born 1871, New York, Lugt 2427); sold by him, to Frederick Keppel & Co. (New York, cf. Lugt 1023), February 1911; S. S. Rosenstamm (1860- about 1919, New York, Lugt 2839); his sale, New York, American Art Galleries, 27 January 1920, lot 75, 200 dollars; Lee Max Friedman (1871-1957, Boston); given to MFA by his estate, 13 November 1958.
Credit Line
Gift of the Estate of Lee M. Friedman
Details
Catalogue Raisonné
Bartsch 069 i; Hind 126 i
Dimensions
Platemark: 13.8 x 17.1 cm (5 7/16 x 6 3/4 in.) Sheet: 14 x 17.5 cm (5 1/2 x 6 7/8 in.)
Accession Number
58.1052
Medium or Technique
Etching and engraving
Not On View
Collections
Classifications
More Info -
Christ Driving the Money Changers from the Temple
1635
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 069; Hind 126 i
Dimensions
Sheet: 13.7 x 16.8 cm (5 3/8 x 6 5/8 in.)
Accession Number
P458
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
Christ Driving the Money Changers from the Temple
1635
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 069; Hind 126 ii
Dimensions
Platemark: 13.7 x 16.9 cm (5 3/8 x 6 5/8 in.) Sheet: 13.8 x 17 cm ( 5 7/16 x 6 11/16 in.)
Accession Number
P459
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
Christ and the Woman of Samaria: An Arched Print
Christ and the Woman of Samaria
1657–58
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall, N.Y., date acquired:1897
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 070; Hind 294 iii
Dimensions
Sheet (trimmed within platemark): 12.7 x 16.3 cm (5 x 6 7/16 in.)
Accession Number
P460
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
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Christ and the Woman of Samaria: An Arched Print
1657
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Cabinet Brentano-Birckenstock (founded 1765 by Johannn-Melchior Birckenstock (1738-1809), Vienna and Frankfurt, Lugt 345); sold following the death in 1869 of Antonia, Birckenstock's only daughter, wife of Franz Brentano, Frankfurt, Prestel, 16 May 1870 and following days, lot 1329; bought by Marseille Holloway (died about 1910, London, Lugt 1875); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 070; Hind 294 iv
Dimensions
Platemark: 12.9 x 16.1 cm (5 1/16 x 6 5/16 in.) Sheet: 13.6 x 17.1 cm (5 3/8 x 6 3/4 in.)
Accession Number
P461
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
Christ and the Woman of Samaria
1634
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Hermann Weber (1817-1854, Bonn, Lugt 1383); probably included in his sale, Leipzig, Weigel, 28 April 1856 and following days; Dr. August Sträter (1810-1897, Aachen, Lugt 787); probably included in his sale, Stuttgart, H. G. Gutekunst, 10-14 May 1898; Richard Gutekunst (1870-1961, Stuttgart, London, Bern, Lugt 2213a); [probably sequestered by the British government in 1914 and sold by a public trustee as "the property of an enemy subject" through Garland-Smith & Co., London, 2-3 December, 1920]; Henry Harper Benedict (1844-1935, New York, Lugt 2936); sold by his widow; R. E. Lewis, Belvedere, CA; from whom purchased by MFA, September 1999.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 071 i; Hind 122
Dimensions
Platemark: 12.4 x 11 cm (4 7/8 x 4 5/16 in.) Sheet: 12.6 x 11.1 cm (4 15/16 x 4 3/8 in.)
Accession Number
1999.267
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
Christ and the Woman of Samaria: Among the Ruins
1634
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Probably sold Berlin, Amsler & Ruthardt, 1884; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 071; Hind 122 i
Dimensions
Sheet: 11.9 x 10.7 cm (4 11/16 x 4 3/16 in.)
Accession Number
P462
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
Christ and the Woman of Samaria: Among Ruins
1634
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Ernst F. Oppermann (2nd half of the 19th century, Berlin, Lugt 887); his sale, Berlin, Amsler & Ruthardt, 15 May 1882 and following days; sold, Berlin, Amsler & Ruthhardt, April 1905; purchased there by MFA.
Credit Line
Museum purchase
Details
Catalogue Raisonné
Bartsch 071; Hind 122 ii
Dimensions
Sheet: 11.9 x 10.7 cm (4 11/16 x 4 3/16 in.)
Accession Number
M20340
Medium or Technique
Etching
Not On View
Collections
Classifications
More Info -
The Raising of Lazarus
1642
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
Lower left: Rembrandt F. 1642 (2 reversed)
Provenance
Carl Benjamin Brüsaber (b. 1815 - d. 1876, Hamburg, Lugt 309); 28 April 1873, probably included in Brüsaber sale, H. Sagert & Co. (Berlin, Germany) and following days; to Emil Schröter (d. about 1912, Lugt 2270) Dresden; 7-11 May 1912, Schröter Collection sale, Stuttgart, H. G. Gutekunst, lot 937, 72 marks; 1912, sold to The Nasrudin Gallery (Boston, MA); 1976, sold by The Nasrudin Gallery to MFA. (Accession Date: November 16, 1976)
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 072 i; Hind 198
Dimensions
Platemark: 15 x 11.5 cm (5 7/8 x 4 1/2 in.) Sheet: 15.4 x 11.8 cm (6 1/16 x 4 5/8 in.)
Accession Number
1976.744
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
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The Raising of Lazarus
1642
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Nicolaes Visscher, Amsterdam;Claude-Henri Watelet, and sold at auction, 1786; purchased by Pierre Francois Basan, 1786; inherited by H. -L. Basan, owner until 1809-10; Acquired by Auguste Jean,1809-10; Inherited by the Veuve Auguste Jean, and sold at her death, 1846; purchased by Michel Bernard, 1846; Inherited by Michel Bernard (son of the above), and sold; purchased by M. Allvin-Beaumont, Paris, and sold, 1938; purchased by Robert Lee Humber, Greenville, N. C., 1938; inherited by the sons of Robert Lee Humber, 1970, on permanent loan to the North Carolina Museum of Art, Raleigh, and sold, 1993; purchased by Arhold, Inc. (a member of the Artemis Group), Monte Carlo; from whom purchased (through Robert M. Light) by the MFA, 24 March 1993.
Credit Line
William Francis Warden Fund
Details
Catalogue Raisonné
Bartsch 072; Hind 198
Dimensions
15 x 11.5 cm (5 7/8 x 4 1/2 in.)
Accession Number
1993.92
Medium or Technique
Copper etching plate
Not On View
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Classifications
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The Raising of Lazarus: Small Plate
The Raising of Lazarus
1642
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Adam Gottlieb Thiermann (died about 1860, Berlin, Lugt 2434); Berlin Kupferstichkabinett (cf. Lugt 1606); Julius Rosenberg (1845-1900, Copenhagen, Lugt 1519); probably included in his sale, Leipzig, C. G. Boerner, 1-2 May 1901; Marsden Jasael Perry (1850-1935, Providence, RI, Lugt 1880); Dr. William Norton Bullard; given by him to MFA, April 1923.
Credit Line
Gift of William Norton Bullard
Details
Catalogue Raisonné
Bartsch 072; Hind 198 i
Dimensions
Sheet (trimmed within platemark): 15 x 11.6 cm (5 7/8 x 4 9/16 in.)
Accession Number
23.1012
Medium or Technique
Etching
Not On View
Collections
Classifications
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The Raising of Lazarus: Small Plate
1642
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
P. Gervaise (died 1860, Paris, Lugt 1078); probably included in his sale, Paris, Vignères, 26-28 November 1860. Josiah Bradlee III (b. 1837 - d. 1902) and his wife Alice (neé Crowninshield) Bradlee (b. 1839 - d. 1926), Boston; December 19, 1902, given by Mrs. Josiah Bradlee to the MFA.
Credit Line
Gift of Mrs. Josiah Bradlee
Details
Catalogue Raisonné
Bartsch 072; Hind 198 ii
Dimensions
Platemark: 15 x trimmed cm (5 7/8 x trimmed in.) Sheet: 15.2 x 11.4 cm ( 6 x 4 1/2 in.)
Accession Number
M19485
Medium or Technique
Etching
Not On View
Collections
Classifications
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The Raising of Lazarus: The Larger Plate
about 1632
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Heneage Finch, Fifth Earl of Aylesford (1786-1859, London & Warwickshire, Lugt 58); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 073; Hind 96 vi
Dimensions
Sheet: 37 x 26.3 cm (14 9/16 x 10 3/8 in.)
Accession Number
P6752
Medium or Technique
Etching and engraving
Not On View
Collections
Classifications
More Info -
The Raising of Lazarus: The Larger Plate
The Raising of Lazarus
about 1632
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 073; Hind 96 viii
Dimensions
Sheet: 34.3 x 23.4 cm (13 1/2 x 9 3/16 in.)
Accession Number
P17084
Medium or Technique
Etching and engraving
Not On View
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Classifications
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The Raising of Lazarus (the larger plate)
about 1632
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Falkeisen und Huber, Basel (dealers; Lugt 1008). By 1888, Henry F. Sewall (b. 1816 - d. 1896; Lugt 1309), New York; 1897, sold by Sewall to the MFA [see note 1]. (Accession Date: August 14, 2012)
NOTES:
[1] Henry F. Sewall offered his collection to the MFA for purchase in 1888. That purchase was finalized and executed in 1897, one year after his death.Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 073; Hind 96 x
Dimensions
Platemark: 37 x 25.7 cm (14 9/16 x 10 1/8 in.) Sheet: 38.3 x 26.8 cm (15 1/16 x 10 9/16 in.)
Accession Number
P6753
Medium or Technique
Etching and engraving
Not On View
Collections
Classifications
More Info -
Christ Preaching (The Hundred Guilder Print)
about 1649
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 074; Hind 236
Accession Number
P6757
Medium or Technique
Etching, drypoint, and engraving
Not On View
Collections
Classifications
More Info -
Christ Preaching (The Hundred Guilder Print)
about 1649
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 074; Hind 236
Accession Number
P6758
Medium or Technique
Etching, drypoint, and engraving
Not On View
Collections
Classifications
More Info -
Christ Preaching (The Hundred Guilder Print)
about 1649
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 074; Hind 236
Accession Number
P6759
Medium or Technique
Etching, drypoint, and engraving
Not On View
Collections
Classifications
More Info -
Christ Preaching (The Hundred Guilder Print)
about 1649
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 074; Hind 236 ii
Dimensions
Platemark: 28 x 39 cm (11 x 15 3/8 in.) Sheet: 28.1 x 39.2 cm (11 1/16 x 15 7/16 in.)
Accession Number
P6754
Medium or Technique
Etching, drypoint, and engraving
Not On View
Collections
Classifications
More Info -
Christ Preaching (The Hundred Guilder Print)
about 1649
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
worn impression
Provenance
Horatio G. Curtis (Boston); given by him to MFA, June 1913.
Credit Line
Gift of Horatio Greenough Curtis
Details
Catalogue Raisonné
Bartsch 074; Hind 236 iii
Accession Number
M23362
Medium or Technique
Etching, drypoint, and engraving
Not On View
Collections
Classifications
More Info -
Christ Preaching (The Hundred Guilder Print)
Christ with the Sick around Him
about 1649
Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 074; Hind 236 iv
Dimensions
Platemark: 28 x 39.6 cm (11 x 15 9/16 in.) Sheet: 30.3 x 41.4 cm ( 11 15/16 x 16 5/16 in.)
Accession Number
P6756
Medium or Technique
Etching, drypoint, and engraving
Not On View
Collections
Classifications
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Christ Preaching (The Hundred Guilder Print)
about 1649
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Central portion of the plate reworked and cut down by William Baillie
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 074; Hind 236 vi
Dimensions
Platemark: 27.5 x 19.3 cm (10 13/16 x 7 5/8 in.) Sheet: 27.9 x 19.4 cm ( 11 x 7 5/8 in.)
Accession Number
P465
Medium or Technique
Etching, drypoint, and engraving
Not On View
Collections
Classifications
More Info -
Christ Preaching (The Hundred Guilder Print)
about 1649
Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 074; Hind 236
Accession Number
P6760
Medium or Technique
Etching, drypoint, and engraving
Not On View
Collections
Classifications
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Christ Preaching (The Hundred Guilder Print)
about 1649
Description
Provenance
Chevalier de Damery (died about 1803 [?], Paris, Lugt 2862); Calonne (active early 19th century [?]); William Edwards (died 1821, London, Lugt 2616); William Esdaile (1758-1837, London, Lugt 2617); Alexander Emil Posonyi (1839-1899, Vienna, Lugt 2040-1); Horatio Greenough Curtis (died about 1923, Boston); Mrs. Horatio Greenough Curtis; bequeathed by her to MFA, June or July 1927, received September 1940.
Credit Line
Fund in memory of Horatio Greenough Curtis
Details
Catalogue Raisonné
Bartsch 074 i; Hind 236
Dimensions
Platemark: 27.8 x 38.8 cm (11 1/16 x 15 1/4) Sheet: 28.6 x 38.9 cm ( 11 1/4 x 15 5/16 in.)
Accession Number
27.1392
Medium or Technique
Etching, drypoint, and engraving on Japanese paper
Not On View
Collections
Classifications
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The Agony in the Garden
about 1657
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Sir Francis Seymour Haden (1818-1910, London and Arlesford, Lugt 1227); possibly included in his sale, London, Sotheby's, 15-20 June 1891; probably with Kennedy & Co., New York; Henry Harper Benedict (1844-1935, New York, Lugt 2936); sold by his widow; sold, New York, Sohey Parke-Bernet, 10 May 1973; there purchased by MFA.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard
Details
Catalogue Raisonné
Bartsch 075 only state; Hind 293
Dimensions
Platemark: 11.2 x 8.3 cm (4 7/16 x 3 1/4 in.) Sheet: 11.4 x 8.6 cm (4 1/2 x 3 3/8 in.)
Accession Number
1973.288
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
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The Agony in the Garden
Christ on the Mount of Olives
about 1657
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 075; Hind 293
Dimensions
Platemark: 11.1 x 8.4 cm (4 3/8 x 3 5/16 in.) Sheet: 13 x 10.2 cm (5 1/8 x 4 in.)
Accession Number
P466
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
More Info -
The Agony in the Garden
about 1657
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 075; Hind 293
Dimensions
Sheet: 10.7 x 8.3 cm (4 3/16 x 3 1/4 in.)
Accession Number
P468
Medium or Technique
Etching and drypoint, counterproof
Not On View
Collections
Classifications
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Christ Presented to the People ("Ecce Homo")
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry Danby Seymour (1820-1877, London and Trent (Sherborne, Dorset), Lugt 176); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 076 v; Hind 271 v
Dimensions
Platemark: 35.6 x 45.2 cm (14 x 17 13/16 in.) Sheet: 35.8 x 45.3 cm (14 1/8 x 17 3/16 in.)
Accession Number
P6761
Medium or Technique
Drypoint, fifth state
Not On View
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Christ Presented to the People ("Ecce Homo")
1655
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Trimmed to platemark
Provenance
Henry Danby Seymour (1820-1877, London and Trent (Sherborne, Dorset), Lugt 176); Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 076 vi; Hind 271 viii
Dimensions
Sheet: 35.7 x 45.3 cm (14 1/16 x 17 13/16 in.)
Accession Number
P6762
Medium or Technique
Drypoint, sixth state
Not On View
Collections
Classifications
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Christ Before Pilate (large plate)
1635–36
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 077; Hind 143 iv
Dimensions
Sheet: 54.7 x 44.6 cm (21 9/16 x 17 9/16 in.)
Accession Number
P6763
Medium or Technique
Etching
Not On View
Collections
Classifications
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Christ Crucified Between the Two Thieves ("The Three Crosses")
1653
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Dukes d'Arenberg (Brussels and Nordkirchen, Lugt 567); Albert [L. or W.] Blum (1882-1952, Switzerland and Short Hills, NJ, Lugt 79b); August Laube, Zürich, Swizerland; from whom purchased by MFA, November 1977.
Credit Line
Katherine E. Bullard Fund in memory of Francis Bullard and Bequest of Mrs. Russell W. Baker
Details
Catalogue Raisonné
Bartsch 078 ii; Hind 270 ii G.80, Münz 223, BB. 53-A, W.-B. 78
Dimensions
Platemark: 38.4 x 45 cm (15 1/8 x 17 11/16 in.) Sheet: 39.4 x 45.6 cm (15 1/2 x 17 15/16 in.)
Accession Number
1977.747
Medium or Technique
Drypoint and engraving, second state
Not On View
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Christ Crucified Between the Two Thieves ("The Three Crosses")
about 1660
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (b. 1816 - d. 1896; Lugt 1309), New York; 1897, sold by Sewall to the MFA [see note 1]. (Accession Date: October 21, 1897)
NOTES: [1] Henry F. Sewall offered his collection to the MFA for purchase in 1888. That purchase was finalized and executed in 1897, one year after his death.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 078; Hind 270 iv
Dimensions
Sheet: 38.3 x 44.9 cm (15 1/16 x 17 11/16 in.)
Accession Number
P19573
Medium or Technique
Drypoint and engraving, fourth state
Not On View
Collections
Classifications
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Christ Crucified Between the Two Thieves: An Oval Plate
about 1641
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 079; Hind 173 ii
Dimensions
Platemark: 13.5 x 10 cm (5 5/16 x 3 15/16 in.) Sheet: 13.8 x 10.1 cm (5 7/16 x 4 in.)
Accession Number
P469
Medium or Technique
Etching and drypoint
Not On View
Collections
Classifications
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The Crucifixion: Small Plate
1635
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William Sharp (mid 19th century, Manchester, England, Lugt 2650); probably sold London, Sotheby's, 1 March 1878 and following days; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 080; Hind 123 ii
Dimensions
Platemark: 9.3 x 6.7 cm (3 11/16 x 2 5/8 in.) Sheet: 9.8 x 6.9 cm ( 3 7/8 x 2 11/16 in.)
Accession Number
P471
Medium or Technique
Etching
Not On View
Collections
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The Descent from the Cross
1633, printed 2002
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
21st-century impression
Inscription
Verso upper left in graphite pencil: 081902088XT
Verso lower right in graphite pencil: #67/299Provenance
Galerie Michael, Beverly Hills; by whom given to the MFA, 24 March 2003
Credit Line
Gift of Galerie Michael
Details
Catalogue Raisonné
Bartsch 081 (II); Hind 103 late state
Dimensions
Platemark: 53.3 x 41.3 cm (21 x 16 1/4 in.) Sheet: 66 x 49.5 cm (26 x 19 1/2 in.)
Accession Number
2004.206
Medium or Technique
Etching and engraving, 21st century impression
Not On View
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The Descent from the Cross
1633
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
William Goodwin Russell Allen (b. 1882 - d. 1955), Boston; by inheritance to his niece, Lydia Evans Tunnard (Mrs. Christopher Tunnard, b. 1913 - d. 1980), New Haven, CT; 1963, year-end gift of Mrs. Christopher Tunnard to the MFA. (Accession date: December 30, 1963)
Credit Line
Gift of Mrs. Lydia Evans Tunnard in memory of W. G. Russell Allen
Details
Catalogue Raisonné
Bartsch 081; Hind 103 ii
Dimensions
Sheet: 52.6 x 41 cm (20 3/4 x 16 1/8 in.)
Accession Number
63.2859
Medium or Technique
Etching and engraving
Not On View
Collections
Classifications
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The Descent from the Cross
1633
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 081; Hind 103 iii/iv
Dimensions
Platemark: 52.8 x 41 cm (20 13/16 x 16 1/8 in.) Sheet: 53.3 x 41.5 cm (21 x 16 5/16 in.)
Accession Number
P6765
Medium or Technique
Etching and engraving
Not On View
Collections
Classifications
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The Descent from the Cross
1642
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Baron Charles Marochetti (1805-1867, Turin, Paris, London, Lugt 392); probably included in his sale, London, Sotheby's, 31 March 1868 and following days; Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 082; Hind 199
Dimensions
Platemark: 14.8 x 11.6 cm (5 13/16 x 4 9/16 in.) Sheet: 15 x 11.7 cm ( 5 7/8 x 4 5/8 in.)
Accession Number
P473
Medium or Technique
Etching and drypoint
Not On View
Collections
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The Descent from the Cross by Torchlight
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Inscription
Signed and dated in plate: Rembrandt . f 1654 (the 'a' in reverse)
Markings
Verso upper left, in graphite pencil: 3 [? somewhat illegible]
Verso lower center, in graphite pencil: B. 83Provenance
C. G. Boerner, Düsseldorf, catalogue 69 (1978), no. 43; Joseph R. Ritman (The Netherlands); Sotheby's and Artemis (New York and London, Ritman Catalogue no. 48); from whom purchased by Eijk and Rose-Marie van Otterloo, Marblehead, MA, 1999; by whom given to MFA, 26 March 2003.
Credit Line
Gift of Rose-Marie and Eijk van Otterloo in honor of Clifford S. Ackley
Details
Catalogue Raisonné
Bartsch 083 only state; Hind 280 i/i
Dimensions
Platemark: 21.2 x 16.5 cm (8 3/8 x 6 1/2 in.) Sheet: 23 x 18 cm (9 1/16 x 7 1/16 in.)
Accession Number
2003.115
Medium or Technique
Etching and drypoint
Not On View
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The Descent from the Cross by Torchlight
The Descent from the Cross: By Torchlight
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); from whom purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 083; Hind 280 i
Dimensions
Platemark: 20.9 x 16.1 cm (8 1/4 x 6 5/16 in.) Sheet: 21.2 x 16.3 cm (8 3/8 x 6 7/16 in.)
Accession Number
P474
Medium or Technique
Etching and drypoint
Not On View
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Classifications
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Christ Carried to the Tomb
about 1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Henry F. Sewall (1816-1896, New York, Lugt 1309); purchased by MFA, November 1897.
Credit Line
Harvey D. Parker Collection—Harvey Drury Parker Fund
Details
Catalogue Raisonné
Bartsch 084; Hind 215
Dimensions
Platemark: 13.1 x 10.9 cm (5 3/16 x 4 5/16 in.) Sheet: 13.7 x 11.5 cm (5 3/8 x 4 1/2 in.)
Accession Number
P475
Medium or Technique
Etching and drypoint
Not On View
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Classifications
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The Entombment
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
1925, gift of Ellen Twistleton Bullard (b. 1865 - d. 1959), Boston, to the MFA. (Accession Date: November 1, 1925)
Credit Line
Gift of Miss Ellen T. Bullard
Details
Catalogue Raisonné
Bartsch 086, iv; Hind 281
Dimensions
Platemark: 21 x 16.2 cm (8 1/4 x 6 3/8 in.) Sheet: 21.9 x 17.1 cm (8 5/8 x 6 3/4 in.)
Accession Number
25.1149
Medium or Technique
Etching, drypoint, and engraving
Not On View
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The Entombment
about 1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Provenance
Ernst Peter Otto [?] (1724-1799, Leipzig, Lugt 895); to his widow; to their son-in-law Mr. Clauss; possibly included in the third Otto sale, Leipzig, Weigel, 17 May 1852 and following days; Wilhelm Koller (died 1871, Vienna, Lugt 2632); probably included in his sale, Vienna, Posonyi, 5 February 1872 (and following days); Francis Bullard (1862-1913, Boston, Lugt 982); to his sister Katherine Eliot Bullard (1866-1920, Boston); to their brother Dr. William Norton Bullard (1853-1931, Boston); his gift to MFA, April 1923.
Credit Line
Gift of William Norton Bullard
Details
Catalogue Raisonné
Bartsch 086; Hind 281 ii
Dimensions
Platemark: 20.9 x 16.2 cm (8 1/4 x 6 3/8 in.) Sheet: 21.2 x 16.4 cm (8 3/8 x 6 7/16 in.)
Accession Number
23.1013
Medium or Technique
Etching, drypoint and engraving
Not On View
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Christ at Emmaus
1654
Rembrandt Harmensz. van Rijn (Dutch, 1606–1669)Description
Markings
Verso lower left lightly stamped in black ink-- mark of Sir Francis Seymour Haden, Lugt 1227
Verso lower left stamped in black ink-- mark of Paul Davidsohn, Lugt 654Provenance
Sir Francis Seymour Haden (b. 1818 - d. 1910), London and Arlesford; possibly included in his sale, London, Sotheby's, 15-20 June 1891; Paul Davidsohn (b. 1839 - d. 1927), London and Berlin; his third sale, Leipzig, C. G. Boerner, 26-29 April 1921, lot 81;William Goodwin Russell Allen (b. 1882 - d. 1955), Boston; by inheritance to his niece, Lydia Evans Tunnard (Mrs. Christopher Tunnard, b. 1913 - d. 1980), New Haven, CT; 1960, year-end gift of Mrs. Christopher Tunnard to the MFA. (Accession date: January 11, 1961)
Credit Line
Gift of Mrs. Christopher Tunnard in memory of W. G. Russell Allen
Details
Catalogue Raisonné
Bartsch 087 i; Hind 282 i
Dimensions
Platemark: 21 x 15.9 cm (8 1/4 x 6 1/4 in.) Sheet: 21.2 x 16.1 cm (8 3/8 x 6 5/16 in.)
Accession Number
60.1543
Medium or Technique
Etching, drypoint and engraving on Japanese paper
Not On View
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Classifications
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