1:00 pm–2:30 pm
Explore in close detail three of the greatest prints by one of the most important printmakers in history: Rembrandt’s The Hundred Guilder Print (1648), The Three Crosses (1653), and Ecce Homo (1655). Discover what was new and special about these prints and examine how and why Rembrandt manipulated the market in unusual ways, especially at a time of increasing financial desperation in his life.
Paul Crenshaw, associate professor of Art History, Providence College, and president, Historians of Netherlandish Art
Rembrandt Harmensz. van Rijn, Christ Preaching (The Hundred Guilder Print), about 1649. Etching, drypoint, and engraving. Harvey D. Parker Collection - Harvey Drury Parker Fund.
Session 3 of 5 in Why Rembrandt? course
Ticket Information
Multi-session course packages are available. See all multi-session courses.
To order tickets by phone, call 1-800-440-6975 ($6 processing fee applies); to order in person, visit any MFA ticket desk.
Sponsors
Courses Sponsor
Supported by the Center for Netherlandish Art Founders Fund. The Founders of the Center for Netherlandish Art are Rose-Marie and Eijk van Otterloo and Susan and Matthew Weatherbie.