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Saturday, September 21–Saturday, December 7, 2019
10:15 am–12:15 pm
Education Dept Art Studio (Classroom 305E)

Occurs every Saturday except Oct 12 and Nov 30

Members
$210.00
Nonmembers
$250.00
Supply Fee (Required)
$20.00
Ticket Required
Add to Calendar 2019-09-21 10:15:00 2019-09-21 12:15:00 Sculpture 09/21/2019 10:15 am Museum of Fine Arts, Boston Museum of Fine Arts, Boston tickets@mfa.org America/New_York public

Create 3-D forms to explore mass, space, texture, and the expressive potential of the medium. Make sketches for studio projects, and strengthen technical skills while working with wax, plasticine, wood, and wire.

Supplies provided.

Course Number
TS1-F
Medium
Sculpture
Number of Sessions
10
Age
12–18

Ticket Information

Registration for February, April, and Summer vacation week classes ends at Noon the Friday before the class starts.

Before registering for classes, please review Program Information and Policies.

To order tickets by phone, call 1-800-440-6975 ($6 processing fee applies); to order in person, visit any MFA ticket desk.

Ticketing Policies

Accessibility

Due to the building’s historic architecture, the third-floor classrooms, 305A, 305B, 305D and 305E, are not wheelchair-accessible and must be accessed by stairs. Please let us know in advance if the student has limited mobility; we can make accommodations, including relocating the class to an accessible space.

To inform the Studio Art Class program of any access needs, please e-mail artclasses@mfa.org or call our office at 617-369-3295.

About the Instructor

Morris Norvin began studying art at the age of eight at the Museum of Fine Arts and later graduatde from the School of the Museum of Fine Arts. Morris is also the founder of Stonybrook Fine Arts, an educational sculpture studio in Jamaica Plain. He has worked with a diverse range of materials including metal, wax, clay, wood, plasticine, paper, glass, and polymers. His preferred method is welded steel incorporating found, functional objects, which he terms “junk art,” and his work is mainly figurative and somewhat anatomical.

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