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Report of the Treasurer and Chair, Budget and Finance Committee We have endured several challenging years due to COVID, but the Museum has emerged on…
NO PURCHASE NECESSARY. A PURCHASE OR PAYMENT OF ANY KIND WILL NOT INCREASE YOUR CHANCES OF WINNING. 1. Eligibility : “UNIQLO Festival of Films from…
Timeless Splendor:
Dutch and Flemish Paintings from the Susan and Matthew Weatherbie Collection
A female subject gazing out at the artist, arm akimbo; a lush tablescape with oysters and sweets; a sweeping view of Haarlem under a grand sky; and an…
The years between 1900 and 1950 were a whirlwind of change in Japan, with increasing modernism, consumerism, and influence from the West, alongside a…
Conservation of an Egyptian minbar door, Mamluk period, 1382–98: December 2013
Conservation of an Egyptian minbar door, Mamluk period, 1382–98: February 2014
ELLIOT BOSTWICK DAVIS: This picture was one that we really designed much of level 1 around, it was so important to us. It had really not been on view consistently, and it had never been on view with its original frame before, because we really didn’t have the space. It’s virtually a life size portrait. But it’s something new. Sully here was quite innovative and showed a great deal of inspiration in creating what he called an ‘historical portrait.’