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“Since birth we get accustomed to seeing and thinking at the same time. But I think that if you can turn off the mind and look at things only with…
From tradition to trendsetting Today, South Korea is a cultural superpower—a global trendsetter producing award-winning films like Parasite, riveting…
Print History in 1892: Exhibition Catalogue
This is an ongoing effort to create an illustrated version of Sylvester Koehler’s 1892 exhibition. For the first time ever, this archival document is…
Koehler and the Development of Print Culture in the United States
Sylvester Rosa Koehler was born on February 11, 1837, in Leipzig, Germany, to an artistically inclined family of musicians. In 1849, Koehler, still a…
Selected List of Exhibitions Organized by Sylvester Koehler
1881, April 11–May 9, “Exhibition of American Etchings,” MFA Boston. 1882, “Louis Prang and Co. Lithographic Prints and Tools,” United States National…
Selected Bibliography of Sylvester Koehler
Bezold, Wilhelm von. The Theory of Color in Its Relation to Art and Art-Industry. Translated by Sylvester Rosa Koehler. Boston: Louis Prang & Co…
Sylvester Koehler: Exploring Print History
Resurrecting an 1892 exhibition on printing, anchored by a digital reproduction of its foundational catalogue.
“Playing dress up begins at five and never truly ends.” Fashion allows us to take on different roles, choosing clothes, jewelry, shoes, handbags, and…
Resilience often manifests in work by Indigenous North American artists, for example in its content or simply by increasing visibility to combat…
A photographer’s studio is a laboratory of creativity—a physical and psychological space for meditation, collaboration, and experimentation. “Creative…