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Conservation of an Egyptian minbar door, Mamluk period, 1382–98: February 2014
ELLIOT BOSTWICK DAVIS: This picture was one that we really designed much of level 1 around, it was so important to us. It had really not been on view consistently, and it had never been on view with its original frame before, because we really didn’t have the space. It’s virtually a life size portrait. But it’s something new. Sully here was quite innovative and showed a great deal of inspiration in creating what he called an ‘historical portrait.’
[WIND, FIRE CRACKLING, BIRDS SQUAWKING]
MFA receives major gift of contemporary craft from Daphne Farago Collection
Campaign Update—Summer 2015 Having concluded the second year of the MFA’s The Future Is Now Campaign, we are delighted to share that as of July 2015…
RONNI BAER: When I first looked at this painting in the context of this exhibition, I asked myself, “How can we tell the difference between a mistress…
A Tax Smart Way to Give If you are 70 1/2 or older, you may transfer up to $100,000 directly from your IRA to charitable organizations each year…