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Whether it comes from the T lurching over an antiquated track or a toy in the hands of my hyperactive niece, rattling is a constant sound in my life…
Issue: Art for This Moment
The quilt atop my childhood bed has given warmth to me and three generations of women in my family. Its lace overlay has torn, its doily appliqué has…
Issue: Art for This Moment
Dearest Sofonisba, I don’t know you. We’ll never meet. I live almost 500 years after you, in a world you wouldn’t recognize. I’m in my 20s; you lived…
Issue: Art for This Moment
Finding the perfect gift for the art-lover in your life isn’t easy! That’s why we’ve compiled the Ultimate Gift Guide for Art Lovers. From framed…
It’s Christmas morning, and I’m sitting with my cousins around an overwhelmingly full dining table, though this packed corner of my grandmother’s…
Issue: Art for This Moment
New Staff Highlight: Melissa deFriesse [[{"fid":"383896","view_mode":"default","fields":{"format":"default","field_title[und][0][value]":"Melissa…
JENNIFER SWOPE: I think of the color wheel as a model or a diagram of all the colors we can see. The color wheel is really well designed for teaching about color, because it breaks things down into primary and secondary colors, and really shows you how colors combine, or the basic colors, what we call the primary colors, which are red, yellow, and blue, are combined to make the secondary colors, which are green, orange, and purple.
GERALD ROY: A very important quilt in the exhibit is the Yellow and White Baskets. Through my years of teaching color, yellow has always been probably the most difficult, not the most important, but the most difficult color to use. And it’s because the light refractive quality of yellow is greater than any of the other colors in the color wheel. Yellow green, yellow orange, orange, have strong, strong refractive qualities. But yellow has the greatest.