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Conservation of an Egyptian minbar door, Mamluk period, 1382–98: December 2013
Conservation of an Egyptian minbar door, Mamluk period, 1382–98: February 2014
ELLIOT BOSTWICK DAVIS: This picture was one that we really designed much of level 1 around, it was so important to us. It had really not been on view consistently, and it had never been on view with its original frame before, because we really didn’t have the space. It’s virtually a life size portrait. But it’s something new. Sully here was quite innovative and showed a great deal of inspiration in creating what he called an ‘historical portrait.’
[WIND, FIRE CRACKLING, BIRDS SQUAWKING]
Today, the Museum of Fine Arts, Boston (MFA), revealed the results of an in-depth study of Boston’s cultural audience, Culture Track 2014: Focus on…
RONNI BAER: When I first looked at this painting in the context of this exhibition, I asked myself, “How can we tell the difference between a mistress…
The following Terms and Conditions govern your Museum of Fine Arts Gift Card. By using the Card, you agree to these Terms and Conditions. Please keep…
The Museum of Fine Arts, Boston, has been an internationally renowned art museum, a key educator, and an essential contributor to our city and region…