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GERALD ROY: A very important quilt in the exhibit is the Yellow and White Baskets. Through my years of teaching color, yellow has always been probably the most difficult, not the most important, but the most difficult color to use. And it’s because the light refractive quality of yellow is greater than any of the other colors in the color wheel. Yellow green, yellow orange, orange, have strong, strong refractive qualities. But yellow has the greatest.
Conservation of an Egyptian minbar door, Mamluk period, 1382–98: December 2013
Conservation of an Egyptian minbar door, Mamluk period, 1382–98: February 2014
ELLIOT BOSTWICK DAVIS: This picture was one that we really designed much of level 1 around, it was so important to us. It had really not been on view consistently, and it had never been on view with its original frame before, because we really didn’t have the space. It’s virtually a life size portrait. But it’s something new. Sully here was quite innovative and showed a great deal of inspiration in creating what he called an ‘historical portrait.’
[WIND, FIRE CRACKLING, BIRDS SQUAWKING]
Today, the Museum of Fine Arts, Boston (MFA), revealed the results of an in-depth study of Boston’s cultural audience, Culture Track 2014: Focus on…
RONNI BAER: When I first looked at this painting in the context of this exhibition, I asked myself, “How can we tell the difference between a mistress…
The following Terms and Conditions govern your Museum of Fine Arts Gift Card. By using the Card, you agree to these Terms and Conditions. Please keep…