“Since birth we get accustomed to seeing and thinking at the same time. But I think that if you can turn off the mind and look at things only with…

Dive into the hidden and unearthed stories featured in the exhibition “Strong Women in Renaissance Italy.” Together with curators, professors from…

Celebrate the exhibition “Fashioned by Sargent” by exploring the many multifaceted ways John Singer Sargent and the subjects of his portraits created…

This is an ongoing effort to create an illustrated version of Sylvester Koehler’s 1892 exhibition. For the first time ever, this archival document is…

Sylvester Rosa Koehler was born on February 11, 1837, in Leipzig, Germany, to an artistically inclined family of musicians. In 1849, Koehler, still a…

1881, April 11–May 9, “Exhibition of American Etchings,” MFA Boston. 1882, “Louis Prang and Co. Lithographic Prints and Tools,” United States National…

Bezold, Wilhelm von. The Theory of Color in Its Relation to Art and Art-Industry. Translated by Sylvester Rosa Koehler. Boston: Louis Prang & Co…

Resurrecting an 1892 exhibition on printing, anchored by a digital reproduction of its foundational catalogue.

Resilience often manifests in work by Indigenous North American artists, for example in its content or simply by increasing visibility to combat…

A photographer’s studio is a laboratory of creativity—a physical and psychological space for meditation, collaboration, and experimentation. “Creative…