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“Modernism belonged to me also.” So resolved British Guiana–born artist Frank Bowling in 1966, when he moved from London to New York City, impelled by…
History is slippery. We like to think of the past as being made up of a knowable series of events that time and study have neatly sorted and sifted by…
Issue: Art for This Moment
Museum Donors
Donors of Works of Art Individual Donors Patron Program Donors Museum Council Donors Foundation Support Government Support Corporations, Corporate…
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Report of the Treasurer and Chair, Budget and Finance Committee The last three fiscal years presented a broad range of challenges to the Museum. The…
Simply defined, a miniature is an object smaller than its parent object—compare a chair made for a dolls’ house at two inches tall with a normal-sized…
The first time I ever visited the Museum of Fine Arts, I was only a few weeks into my first semester of college. I was new to Boston and more…
Issue: Art for This Moment
Who creates your image? In portraits by John Singer Sargent (1856–1925), sitters assume elegant stances, the fabric of their dress richly depicted in…
Tintypes—or ferrotypes—were first introduced in the US in the 1850s. Made by printing photographic images onto sheets of thin metal, they were…
Eddie Chambers is an art historian and critic and the David Bruton Jr. Centennial Professor in Art History at the University of Texas at Austin. He…
Dell Marie Hamilton (b. 1971) is a multidisciplinary artist, writer, and independent curator. Born in New York City and raised in Boston, she has…