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Conservation of an Egyptian minbar door, Mamluk period, 1382–98: December 2013
Conservation of an Egyptian minbar door, Mamluk period, 1382–98: February 2014
ELLIOT BOSTWICK DAVIS: This picture was one that we really designed much of level 1 around, it was so important to us. It had really not been on view consistently, and it had never been on view with its original frame before, because we really didn’t have the space. It’s virtually a life size portrait. But it’s something new. Sully here was quite innovative and showed a great deal of inspiration in creating what he called an ‘historical portrait.’
[WIND, FIRE CRACKLING, BIRDS SQUAWKING]
Performance Art
Performance Art Archive
US Citizenship Test Sampler Workshop with Artist Aram Han Sifuentes
March 9, 2018
6:00 pm–9:00 pm
Learn to embroider while hand-sewing the civic study questions and answers that appear on the US naturalization test. This workshop is for anyone who…
Join us at Amalia Pica's Now, Speak! podium to activate it for International Women's Day. Speak out on women's rights, human rights, and press for…
Collection
Conservation in Action: Benjamin West
Over the past two years, Museum visitors have been able to witness the gradual process of cleaning and restoring West’s painting in the Conservation…
Today, the Museum of Fine Arts, Boston (MFA), revealed the results of an in-depth study of Boston’s cultural audience, Culture Track 2014: Focus on…