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Jewelry is political. Because of its highly visible nature, jewelry offers a way to wear your “heart on your sleeve,” around your wrist, on your…
Issue: How is This Political?
David Paul Bradley's Greasy Grass Premonition #2 (1995) poignantly acknowledges the underlying recurring struggle for American Indians to attain…
Issue: How is This Political?
The poem “Homecoming” by Tao Qian (Chinese, AD 365–427) describes the poet’s dramatic decision as a government official, frustrated with corruption…
Issue: How is This Political?
From October 15 to 23, join fellow MFA Patrons on a special tour to Paris and London with Helen Burnham, Pamela and Peter Voss Curator of Prints, and…
The relationship between artists who are contemporaries is always complex. Working within the same spheres of influence, artists often create…
In Their Words: A Patron Travelogue from MaryLee Halpin
We sat down with MaryLee Halpin, Patron Member since 2002 and member of the Patron Program Committee, to hear about her first experiences traveling…
The photography program at the MFA dates to 1924 when Alfred Stieglitz gave 27 of his photographs, making the Museum one of the first art museums to…
You may not know that the Patron Program, established by the President and the Board of Trustees in 1975, is governed by a committee. This committee…
Did you know that funds from the Patron Program make up 10 percent of the MFA’s annual operating budget? That’s $6.89 million each year in…
Welcome to the Winter 2017 issue of the MFA Patrons newsletter. In these pages, you will find a behind-the-scenes look at our photography collection…