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ELLIOT BOSTWICK DAVIS: This picture was one that we really designed much of level 1 around, it was so important to us. It had really not been on view consistently, and it had never been on view with its original frame before, because we really didn’t have the space. It’s virtually a life size portrait. But it’s something new. Sully here was quite innovative and showed a great deal of inspiration in creating what he called an ‘historical portrait.’
[WIND, FIRE CRACKLING, BIRDS SQUAWKING]
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RONNI BAER: When I first looked at this painting in the context of this exhibition, I asked myself, “How can we tell the difference between a mistress…
Nagoya/Boston Museum of Fine Arts
Founded by its parent organization, The Foundation for the Arts, Nagoya (FAN), the Nagoya/Boston Museum of Fine Arts (N/BMFA) was established as the…
In an age of global trade and mass migration, the arts and cultures of South Asia and the Middle East are of international relevance. To understand…