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Conservation of an Egyptian minbar door, Mamluk period, 1382–98: February 2014
ELLIOT BOSTWICK DAVIS: This picture was one that we really designed much of level 1 around, it was so important to us. It had really not been on view consistently, and it had never been on view with its original frame before, because we really didn’t have the space. It’s virtually a life size portrait. But it’s something new. Sully here was quite innovative and showed a great deal of inspiration in creating what he called an ‘historical portrait.’
[WIND, FIRE CRACKLING, BIRDS SQUAWKING]
RONNI BAER: When I first looked at this painting in the context of this exhibition, I asked myself, “How can we tell the difference between a mistress…
NO PURCHASE NECESSARY. A PURCHASE OR PAYMENT OF ANY KIND WILL NOT INCREASE YOUR CHANCES OF WINNING. 1. Eligibility : "Guess Riley’s Weight Contest” (…
Mummies
The ancient Egyptians wanted to defy death and live forever. In preparation, they mummified the dead, burying them in coffins covered with religious…
The Museum recently announced the appointment of a chief development officer and five curatorial chairs. New Hires Cameran joined the MFA in July. In…
“This exhibition provides the opportunity to discover complex and compelling works of a contemporary photographer from Mexico.” — Kristen Gresh…