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Asian Conservation Studio
The Asian Conservation Studio is one of only five such studios in the United States and the oldest outside of Asia. The studio was established in 1907 within the department of Asiatic Art during Okakura Kakuzo’s curatorship. Headed by a Japanese mounter named Motokichi Tamura, its initial mission was to preserve Japanese paintings.
Timeless Splendor:
Dutch and Flemish Paintings from the Susan and Matthew Weatherbie Collection
A female subject gazing out at the artist, arm akimbo; a lush tablescape with oysters and sweets; a sweeping view of Haarlem under a grand sky; and an…
The years between 1900 and 1950 were a whirlwind of change in Japan, with increasing modernism, consumerism, and influence from the West, alongside a…
For “Our Family Portrait,” Boston-based artist Timothy Hyunsoo Lee (b. 1990) guided more than 150 students through creating cyanotype prints…
Presented at the Copley Society of Art on Newbury Street, this exhibition features work by MFA staff who explore the idea of perspectives through a…
The phrase “thinking small” describes an act of deep engagement with art—a specific kind of encounter in which a viewer considers, perceives, and acts…
For more than five decades photojournalist Stephen Shames (b. 1947) has used his work to call attention to a wide range of social issues—from the…
Please fill out this form to submit your paper proposal for the 2024 International Mountmakers Forum taking place in Boston from September 10 through…
The outlandish and iconoclastic artist Salvador Dalí (1904–1989) is famous for his bizarre imagery and distinctive Surrealist vision. He was, however…
A list of ownership resolutions at the MFA since the late 1990s