Gallery Talk

Conservators in Action

Friday, January 31, 2025
10:00 am–12:00 pm
Conservation Center
Included with General Admission

Removal of yellowed varnish for a series of allegorical paintings by 17th-century Flemish artist Michaelina Wautier depicting the five senses as young boys, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training.

Add to Calendar 2025-01-31 10:00:00 2025-01-31 12:00:00 Conservators in Action 01/31/2025 10am Museum of Fine Arts, Boston, 465 Huntington Ave, Boston, MA 02115, USA Museum of Fine Arts, Boston [email protected] America/New_York public

Drop in to watch conservators in action as they clean, stabilize, and treat artworks for display. Visitors are invited to learn how conservators care for the MFA’s collections by viewing work in progress. At select times listed below, conservators will also be available to talk to visitors, introduce projects, explain activities, and field questions.

Free with general admission. No advance registration or tickets required.

Meet in the Linde Family Wing for Contemporary Art

Conservators are at work on the first floor of the Linde Family Wing for Contemporary Art, near the Bookstore and Shop.

Assistive listening device symbol

Assistive listening system

Wheelchair accessible symbol

Wheelchair accessible

Past Dates and Times

Wednesday, January 29, 2025

Removal of yellowed varnish for a series of allegorical paintings by 17th-century Flemish artist Michaelina Wautier depicting the five senses as young boys, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training. Q and A session from 2–2:30 pm.

Removal of yellowed varnish for a series of allegorical paintings by 17th-century Flemish artist Michaelina Wautier depicting the five senses as young boys, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training.

Friday, November 1, 2024

Removal of yellowed varnish and retouching for a series of allegorical paintings by 17th-century Flemish artist Michaelina Wautier depicting the five senses as young boys, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training. Q and A session from 2:30–3:00 pm.

Removal of yellowed varnish and retouching for a series of allegorical paintings by 17th-century Flemish artist Michaelina Wautier depicting the five senses as young boys, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training. Q and A session from 11:30 am–12:00 pm.

Friday, October 18, 2024

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid. Q and A session from 3–3:30 pm.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid.

Thursday, October 17, 2024

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid. Q and A session from 3–3:30 pm.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid.

Wednesday, October 16, 2024

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid. Q and A session from 3–3:30 pm.

Consolidation of flaking paint on two carved and painted architectural panels from a 19th-century Japanese building (likely a temple) using Isinglass, a pure form of sturgeon glue, to adhere the lifting surface material, led by Christine Storti, head of Furniture and Frame Conservation, and associate objects conservator Emilie Tréhu, and assisted by Meghan Abercrombie, Gale R. Guild and Henry R. Guild Fellow for Advanced Training, and conservation interns Katherine Love, Patricia Navedo Garcia, and Lila Reid.

Sponsors

Supported by the Jane Mayer and Robert J. Mayer, M.D. Fund.

Supported by the MFA Associates/MFA Senior Associates Fund for Conservation Programs.