African and Oceanic wood sculptures are often assigned dates based on their perceived age. How do dealers, scholars, curators, and collectors assess the age of an artwork, and what does it mean when an artwork is said to be “old wood”? Join head of Furniture and Frame Conservation Christine Storti and associate objects conservator Mei-An Tsu for an examination of wood as a material and how it ages based on its original environment and use.
This program is scheduled to be an in-person event, however details may be subject to change.
Eligibility
Exclusively for members of Curators Circles: Art of Africa and Oceania