Frank Bowling’s Americas
“Modernism belonged to me also.” So resolved British Guiana–born artist Frank Bowling in 1966, when he moved from London to New York City, impelled by ambition to make his mark on modern painting. “Frank Bowling’s Americas” is the first exhibition dedicated to the transformative years the artist spent in the US, and the first major survey of his work by an American institution in more than four decades.
Bowling’s primary residence was New York from 1966 to 1975. In that time he came into contact with a vibrant and tumultuous art scene, with abstract painting on an explosive rise, heated debates unfolding around Black cultural identity and artistic practice, and Stokely Carmichael’s slogan “Black Power” emanating from the South. Over the course of the decade, Bowling wrote copiously for art magazines, held several teaching positions (including at Massachusetts College of Art), exhibited widely (including a solo show at the Whitney Museum of American Art in 1971), and in 1969 curated “5+1,” an exhibition of five leading African American abstract artists (Melvin Edwards, Daniel LaRue Johnson, Al Loving, Jack Whitten and William T. Williams) plus Bowling himself at Stony Brook University, New York. His experiences in the US catalyzed profound shifts in his painting, explored here through more than 30 works.
The exhibition brings together a range of Bowling’s powerful works in the country of their making—Pop-inflected paintings from the early 1960s; monumental, color-soaked canvases that evoke oceanic expanses; and little-seen examples of the artist’s technically pioneering paintings rooted in abstraction. Providing for the first time a nuanced encounter with this pivotal chapter of Bowling’s career, “Frank Bowling’s Americas” offers an essential contribution to a more cross-cultural and global understanding of modern art.
The exhibition will be on view at the San Francisco Museum of Modern Art (SFMOMA) from May 13 to September 10, 2023.
- Henry and Lois Foster Gallery (Gallery 158)
- Charlotte F. and Irving W. Rabb Gallery (Gallery 155)
Frank Bowling, Night Journey, 1969–70
Frank Bowling, Penumbra, 1970
Frank Bowling, Looking West Again, 2020
Frank Bowling, Who’s Afraid of Barney Newman, 1968
Frank Bowling, Doughlah G.E.P., 1968–71
Frank Bowling, Middle Passage, 1970
Frank Bowling, Mel Edwards Decides, 1969
Frank Bowling, Palimpsest I - Mothers House DarkRedGreen, 1966
Frank Bowling, Woosh, 1974
Frank Bowling, Suncrush, 1976
Frank Bowling, Mother’s House and Night Storm, 1967
Frank Bowling, Two Blues, The Terminal Illness, 1973
When the British Guiana–born artist Frank Bowling relocated from London to New York in 1966, he found an art scene in flux, with abstract painting...
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Additional generous support from the Henry and Lois Foster Fund for Contemporary Exhibitions. Supported by the Robert and Jane Burke Fund for Exhibitions, the Barbara Jane Anderson Fund, The Museum Council Special Exhibition Fund and The Amy and Jonathan Poorvu Fund for the Exhibition of Contemporary Art and Sculpture.