Of Light and Air: Winslow Homer in Watercolor


Winslow Homer, The Blue Boat (detail), 1892. Watercolor over graphite on paper. William Sturgis Bigelow Collection.


Winslow Homer, Leaping Trout (detail), 1889. Watercolor over graphite on paper. Warren Collection—William Wilkins Warren Fund.


Winslow Homer, Breaking Wave (Prouts Neck) (detail), 1887. Watercolor over graphite on paper. William Sturgis Bigelow Collection.


Winslow Homer, The Blue Boat (detail), 1892. Watercolor over graphite on paper. William Sturgis Bigelow Collection.


Winslow Homer, Leaping Trout (detail), 1889. Watercolor over graphite on paper. Warren Collection—William Wilkins Warren Fund.


Winslow Homer, Breaking Wave (Prouts Neck) (detail), 1887. Watercolor over graphite on paper. William Sturgis Bigelow Collection.
“You will see, in the future I will live by my watercolors.”
American artist Winslow Homer (1836–1910) transformed the medium of watercolor through his relentless spirit of experimentation. His luminous views transport viewers to the rugged Maine coast, the Adirondack Mountains, seaside England, sun-drenched Caribbean waters, and beyond. The MFA houses the largest collection of Homer’s watercolors in the world, though the works’ fragility and sensitivity to light means they have not been displayed together in nearly half a century.
This exhibition brings dozens of the MFA’s Homer watercolors back into the galleries for a new generation to experience, alongside a selection of related oils, drawings, and prints by the artist. With material ranging from Homer’s childhood drawings all the way to his final canvas, left unfinished at the time of his death, visitors can follow the major chapters in his career and learn about the various environments—ecological, artistic, social, and economic—that shaped his enduring work in watercolor.
Born in Boston, Homer had a long relationship with New England and the MFA, which was one of the first museums to acquire a painting by the artist, Fog Warning (1885), in 1894. The first watercolor, Leaping Trout (1889), came into the collection soon after, and over the 20th century the Museum amassed almost 50 watercolors and 11 oil paintings by Homer, creating one of the most significant collections of Homer’s work across media.
Writer Henry James famously described Homer as an artist “who sees everything at once with its envelope of light and air”—a fitting description of a painter who utilized the unique qualities of watercolor to capture the ephemeral, fleeting nature of his subject matter. From the serene waters in his iconic The Blue Boat (1892) to the drama of Breaking Wave (Prout’s Neck) (1887), “Of Light and Air: Winslow Homer in Watercolor” invites visitors to celebrate the artist’s mastery of the medium and the innovative techniques he pioneered.
The exhibition is accompanied by a forthcoming book from MFA Publications.
See It with a Ticket
Everyone needs a timed-entry ticket to see the exhibition, including members—reserve yours to guarantee entry. Don’t forget, exhibition tickets include general admission to the Museum!
Tickets go on sale to the public September 23; to members September 17.
In addition to getting early ticket access, members are invited to a special exhibition preview on November 1, before it opens to the public. Join today!
- Ann and Graham Gund Gallery (Gallery LG31)

Winslow Homer, The Blue Boat, 1892
Watercolor over graphite on paper. William Sturgis Bigelow Collection.

Winslow Homer, Woodsman and Fallen Tree, 1891
Watercolor over graphite on paper. William Sturgis Bigelow Collection.

Winslow Homer, Leaping Trout, 1889
Watercolor over graphite on paper. Warren Collection—William Wilkins Warren Fund.

Winslow Homer, Palm Trees, Florida, 1904
Watercolor over graphite on paper. Bequest of John T. Spaulding.

Winslow Homer, A Fresh Breeze, about 1881
Transparent and opaque watercolor over graphite on paper. Gift in memory of Ward and Louisa Hooper Thoron from their son.

Winslow Homer, The Adirondack Guide, 1894
Watercolor over graphite on paper. Bequest of Mrs. Alma H. Wadleigh.

Winslow Homer, The Lookout—“All’s Well”, 1893
Oil on canvas. Warren Collection—William Wilkins Warren Fund.

Winslow Homer, Long Branch, New Jersey, 1869
Oil on canvas. The Hayden Collection—Charles Henry Hayden Fund.

Winslow Homer, The Fog Warning, 1885
Oil on canvas. Anonymous gift with credit to the Otis Norcross Fund.

Winslow Homer, Three Boys on a Beached Dory, 1873
Black chalk and opaque white watercolor on buff laid paper with variegated blue and pink fibers. Bequest of Katharine Dexter McCormick.

Winslow Homer, Old Settlers, 1892
Watercolor over graphite on paper. Bequest of Nathaniel T. Kidder.

Winslow Homer, The Dory, 1887
Watercolor over graphite on paper. The Hayden Collection—Charles Henry Hayden Fund.

Winslow Homer, Breaking Wave (Prouts Neck), 1887
Watercolor over graphite on paper. William Sturgis Bigelow Collection.

Winslow Homer, Two Boys Rowing, 1880
Watercolor over graphite pencil on paper. Gift of James J. Minot.

Winslow Homer, Driving Cows to Pasture, 1879
Watercolor over graphite on paper. Bequest of Katharine Dexter McCormick.

Winslow Homer, The Dunes, 1894
Watercolor over graphite on paper. Gift of Mr. and Mrs. Samuel Cabot.

Winslow Homer, Boy and Girl on a Hillside, 1878
Watercolor over graphite on paper. Bequest of Katharine Dexter McCormick.
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10:00 am–11:00 am
Sponsors
“Of Light and Air: Winslow Homer in Watercolor” is sponsored by the Abrams Foundation.
Generous support is provided by the Governor Carlton Skinner and Dr. Solange Skinner Fund for the Exhibition of Art of the Americas and by Kate Enroth and Dana Schmaltz.
Additional support is provided by the Jean S. and Frederic A. Sharf Exhibition Fund, the Dr. Lawrence H. and Roberta Cohn Exhibition Fund, and the Eugenie Prendergast Memorial Fund.
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