Suzanne Jackson: What Is Love
Suzanne Jackson, Crossing Ebenezer (detail), 2017. Acrylic wash, acrylic gel medium, acrylic detritus, firewood bag, netting, peanut shells, wood, and D-strings. Collection of Beth Rudin DeWoody. © Suzanne Jackson, courtesy Ortuzar, New York; photo: Timothy Doyon.
Suzanne Jackson, Migration (detail), 1998. Acrylic wash on gessoed canvas. Shah Garg Collection. © Suzanne Jackson, courtesy Ortuzar, New York; photo: Timothy Doyon.
Suzanne Jackson, a history drawing—cracked wall (detail), 2016–19. Graphite, acrylic wash, coffee, and colored pencil on cotton-backed Stonehenge paper. Collection of George and Keren Davis. © Suzanne Jackson, courtesy Ortuzar, New York; photo: Timothy Doyon.
Suzanne Jackson, Crossing Ebenezer (detail), 2017. Acrylic wash, acrylic gel medium, acrylic detritus, firewood bag, netting, peanut shells, wood, and D-strings. Collection of Beth Rudin DeWoody. © Suzanne Jackson, courtesy Ortuzar, New York; photo: Timothy Doyon.
Suzanne Jackson, Migration (detail), 1998. Acrylic wash on gessoed canvas. Shah Garg Collection. © Suzanne Jackson, courtesy Ortuzar, New York; photo: Timothy Doyon.
Suzanne Jackson, a history drawing—cracked wall (detail), 2016–19. Graphite, acrylic wash, coffee, and colored pencil on cotton-backed Stonehenge paper. Collection of George and Keren Davis. © Suzanne Jackson, courtesy Ortuzar, New York; photo: Timothy Doyon.
For more than six decades, Suzanne Jackson (b. 1944) has created lyrical, awe-inspiring paintings shaped by her deep respect for the natural world and persistent belief in the interconnectedness of all living things. As a Black artist, she has said that “it’s political to make an artwork about peace and beauty” as a reflection of “some other ways of being.” The first retrospective devoted to the full breadth of the artist’s career, “Suzanne Jackson: What Is Love” celebrates her groundbreaking vision through more than 60 paintings and drawings that make innovative use of color, light, and structure.
Jackson’s career began in the late 1960s, when she emerged as a central figure in Los Angeles’s African American art scene. Since then, she has drawn on her experiences as a dancer, poet, teacher, and theater designer to inform her visual art. Visitors can see the full scope of this output in the exhibition. Early ethereal compositions on canvas layer luminous washes of pigment with imagery drawn from Jackson’s dreams. Studies of leaves, trees, and mountains reflect the artist’s connection with the natural California landscape she inhabited in the 1980s. Inspired by theater and dance and informed by ancestral and cultural histories, her recent work moves off the wall to hang suspended in the air. Directly engaging light and space, these experimental works amalgamate the experiences and environments that have shaped Jackson’s career.
- Linde Family Wing for Contemporary Art, Level 2
The installation at the Museum of Fine Arts, Boston is sponsored by the Abrams Foundation.
Generous support is provided by the Carl and Ruth Shapiro Family Foundation, the Henry and Lois Foster Fund for Contemporary Exhibitions, the Jrue and Lauren Holiday Social Impact Fund, the Museum Council Artist in Residency Program Fund, the Robert and Jane Burke Fund for Exhibitions, and the Carlotte and Samuel Berk Fund for Contemporary Exhibitions.
Additional support is provided by the Callaghan Family Fund for Contemporary Exhibitions, the Amy and Jonathan Poorvu Fund for the Exhibition of Contemporary Art and Sculpture, and the Barbara Jane Anderson Fund.