The Stillness of Things


Adam Fuss, Butterfly (detail), from the series My Ghost, 2002. Daguerrotype. The Lane Collection. © Adam Fuss.


Adam Fuss, Butterfly (detail), from the series My Ghost, 2002. Daguerrotype. The Lane Collection. © Adam Fuss.
This exhibition presents nearly 60 innovative photographs—all departures from the traditional still life—drawn from the MFA’s Lane Collection. Grouped thematically, the works on view span the entire history of photography, from its first introduction in England during the 1840s by William Henry Fox Talbot to the work of contemporary artists such as Adam Fuss, David Hilliard, Kenro Izu, Abelardo Morell, and Olivia Parker. Works by American modernists are prominently featured, with unexpected takes on the still life by Ansel Adams, Imogen Cunningham, Charles Sheeler, and Edward Weston—photographers better known for capturing vast landscapes and portraits of people.
One of the largest gifts in the MFA’s history, the Lane Collection was promised to the Museum in 2012. This exhibition is the latest in a series that has celebrated the single most important donation to the Museum’s photography holdings.
- Herb Ritts Gallery (Gallery 169)
- Clementine Brown Gallery (Gallery 170)
Image Gallery

Ansel Adams, Still Life, San Francisco, about 1932
Gelatin silver print. The Lane Collection. © The Ansel Adams Publishing Rights Trust.

Josef Sudek, From the Window of my Atelier
1965. Gelatin silver print. The Lane Collection. © I & G Fárová Heirs.

Robert Heinecken, TV Dinner, 1971
Gelatin silver print on canvas with pastel, chalk, and resin. The Lane Collection. © The Robert Heinecken Trust

Abelardo Morell, Wavy Book, 2001
Gelatin silver print. The Lane Collection. © Abelardo Morell/Courtesy Edwynn Houk Gallery, NYC.

Charles Sheeler, Cactus and Photographer’s Lamp, 1931
Gelatin silver print. The Lane Collection.

Olivia Parker, Artichoke, 2010
Digital inkjet print. The Lane Collection. © Olivia Parker 2010.

William Henry Fox Talbot, Articles of China, before 1844
Salt print from a paper negative. The Lane Collection.

Margrethe Mather, Water Lily, 1922
Palladium print. The Lane Collection.

David Hilliard, Perennial, 2006
Archival pigment print. Museum purchase with funds donated by Saundra B. Lane. © David Hilliard.

Adam Fuss, Butterfly, from the series My Ghost, 2002
Daguerrotype. The Lane Collection. © Adam Fuss.

Edward Weston, Junk, 1939
Gelatin silver print. The Lane Collection.

Imogen Cunningham, The Unmade Bed, 1957
Gelatin silver print. The Lane Collection. © 2022 Imogen Cunningham Trust.