Tiny Treasures: The Magic of Miniatures
Above: Possibly by Streeter & Co. Ltd, Bicycle brooch, mid-1890s. Gold, enamel, diamond, and ruby. Museum purchase with funds donated anonymously.
Above: Possibly by Streeter & Co. Ltd, Bicycle brooch, mid-1890s. Gold, enamel, diamond, and ruby. Museum purchase with funds donated anonymously.
Simply defined, a miniature is an object smaller than its parent object—compare a chair made for a dolls’ house at two inches tall with a normal-sized one. The unexpected scale of miniatures, especially in relation to humans as viewers, can be instantly unsettling and uncanny. But miniatures are full of charm and humor, and they carry meaning all the more profound for being distilled into a smaller form.
Featuring works in a surprising array of media—paintings, drawings, ceramics, precious metals and gems, and more—from the 7th century BCE to the present day, this exhibition explores miniaturization in art and how artists and artisans play with our perception of scale. The more than 100 objects on view span a range of sizes, from just a few centimeters to over two feet, and include amulets from ancient Egypt, sculpted ivory and wood netsuke from Edo Japan, and jewelry depicting miniaturized everyday items.
Through a selection of objects that’s as expansive as it is eclectic, visitors can see miniatures, which are by nature overlooked, as masterpieces in their own right. They provide as much stimulation as grander works, and their intricate details, requiring an incredible amount of skill to execute, often make them more demanding to create than their larger counterparts. With everything from diminutive decor to mini woven baskets—and even a pint-sized painting by Picasso—“Tiny Treasures” shows miniatures to be far more compelling than their size would suggest.
- Charlotte F. and Irving W. Rabb Gallery (Gallery 155)

Possibly by Streeter & Co. Ltd, bicycle brooch, mid-1890s
Gold, enamel, diamond, and ruby. Museum purchase with funds donated anonymously.

Auguste Delaherche, vase, 1889; and miniature vases, about 1920
Stoneware, slip, and incised decoration.
Vase: Museum purchase with funds by the exchange from the John Axelrod Collection.
Miniature vases: Gift in the name of Robert Hatton Monks.

Pablo Picasso, Stuffed Shirts (Les Plastrons), 1900
Oil on panel. Gift of Mrs. Charles Sumner Bird (Julia Appleton Bird). © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York.

Yagi Akira, Nesting Covered Boxes, 1994
Porcelain. Gift of Halsey and Alice North. Reproduced with permission.

Emerita Membache, Pictorial Basket, 2003
Nahuala and chunga plant fibers, natural and artificial dyes. Gift of Charles and Patricia McLure. Reproduced with permission.

Edouard Brandon, Juif Lisant (Jewish Man Reading), 1870
Oil on panel. Charles and Lynn Schusterman Collection.

Shūōsai Hidemasa, clam-shell with the Vindication of Ono No Komachi, Japanese, Edo Period, early 19th century
Stained ivory. William Sturgis Bigelow Collection.

Rembrandt van Rijn, Canal with a Large Boat and Bridge, 1650
Etching and drypoint. Gift of Edward Habich.

Unidentified artist, Bastet amulet inscribed for Pamay, Egyptian, third intermediate period, Dynasty 24, 724–12 BCE
Gold. Harvard University–Boston Museum of Fine Arts Expedition.

Workshop of Peter Carl Fabergé, miniature commode, about 1900
Gold, nephrite. Gift of Mrs. Albert J. Beveridge in memory of Delia Spencer Field.

Rembrandt van Rijn, The Goldsmith, 1655
Etching and drypoint. Harvey D. Parker Collection—Harvey Drury Parker Fund.