October 12, 2019–March 28, 2021

Weng Family Collection of Chinese Painting: Family and Friends

Celebrating a landmark gift of Chinese art

翁氏家藏精品展·第一期 親友交遊

There is an intimate connection between Chinese art and human relationships. Friends gather to unroll and view their favorite paintings. Moving letters brushed in expressive calligraphy are cherished and preserved for centuries. Wan-go H. C. Weng (1918–2020), one of the most respected collectors and connoisseurs of Chinese painting in the US, used to recall watching and listening as a young boy while his family admired and discussed works of art.

In 2018, Weng made the largest gift of Chinese paintings and calligraphy to the MFA in the institution’s history, comprising 183 objects that were acquired and passed down through six generations of his family. This exhibition features approximately 20 works from the gift that relate to concepts of family and friends.

“Weng Family Collection of Chinese Painting: Family and Friends” includes paintings and calligraphy by some of the greatest masters from the Ming (1368–1644) and Qing (1644–1911) dynasties. Chen Hongshou's Li Bai's Night Revel in Peach and Plum Garden (1650) depicts the 8th century poet and friends delighting together in a garden, drinking and composing poetry. The calligraphy in Nine Letters to Home (1523), written by Wen Zhengming to his wife and sons, displays a spontaneity of style rarely found in the artist’s more formal works. The most recent piece in the exhibition is a handscroll painted by Wan-go H. C. Weng himself, Elegant Gathering at the Laixiju Studio (1990). The contemporary work commemorates a momentous gathering of friends—including six esteemed historians of Chinese paintings—held at the collector’s home in 1985.

This is the first in a series of three exhibitions celebrating the landmark donation made by Wan-go H. C. Weng, a longtime supporter of the MFA who devoted himself to the preservation and study of China’s cultural heritage.

  • Asian Paintings Gallery (Gallery 178)


Generously supported by the Tan Family Education Foundation.

Additional support from the Rodger and Dawn Nordblom Fund for Chinese Paintings in Honor of Marjorie C. Nordblom, The June N. and John C. Robinson Fund for Chinese Paintings in Honor of Marjorie C. Nordblom, and the Joel Alvord and Lisa Schmid Alvord Fund.